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Daily OCD 7/17/12
Written by Jen Vaughn | Filed under Stephen DixonSignificant ObjectsPeter BaggeNoah Van SciverMickey MouseJustin HallJoshua GlennJacques TardiJack DavisDisneyDaniel ClowesChris Ware 17 Jul 2012 2:00 PM

The newest and week-old pre-SDCC stinky socks found under your bed-style Online Commentaries and Diversions minus the hullabaloo about Love and Rockets:
The Hypo

•Interview (video): Noah Van Sciver is interviewed by documentary film maker Dan Stafford on his upcoming book about Lincoln's depression, The Hypo, coming out this fall. "Lincoln battled things his whole life. He battled with poverty in his youth; the part that I cover, battling with depression; the struggle of his own fate followed by keeping the nation together, how we know him best."

•Plug: Flavorwire takes the Flavorpill by Tucker Stone. 4 of the 10 most anticipated books are from Fantagraphics including Love and Rockets: New Stories #5 by the Hernandez Brothers, The Hypo by Noah Van Sciver, Goddamn this War by Jacques Tardi , and Prison Pit #4 by Johnny Ryan: "[The Hypo] is the comic you didn’t know you were waiting for." 

No Straight Lines

•Interview: The Advocate and Jase Peeples takes some time to speak to No Straight Lines editor Justin Hall on comics and the LGBTQ community. Hall says, "There are interesting parallels between comics and queers; both have a hard time getting respect by the dominant culture, and both have problems understanding their own history."

•Interview (audio): On the heel's of Pride Month, Comic Book Queers interview a gaggle of people including No Straight Lines editor Justin Hall. Hall states, "We turned the project into a class. I taught at the California College for the Arts and the backbone of the class was bringing in queer cartoonists and had the students interview them."

•Commentary: On The Rumpus editor Justin Hall writes about the history of Queer Comics. You can read more in the anthology!

 Significant Objects

•Interview: The New York Times and Penelope Green cover uncoventional taxonomy in Significant Objects while interviewing editor Joshua Glenn. Glenn states, "Even if we don’t identify ourselves as collectors, we are collectors of things. And things are collectors of meaning in various ways."

 •Commentary: Electric Literature covered the fun book launch of Significant Objects at the Strand on July 10th. Editor Joshua Glenn is quoted by Karina Briski: "the stories become the things of value, all on their own."

 Walt Disney's Uncle ScroogeWalt Disney's Mickey Mouse

•Review: Pop Matters enjoys Walt Disney's Uncle Scrooge and Mickey Mouse Vol. 3: High Noon at Inferno Gulch (edited by David Gerstein and Gary Groth) with childlike wonder but still has those nagging questions. Michael Barrett: "There’s still no explanation for how some animals are “humans” while others are just animals, like how Mickey can ride a horse in the West and then come home to be greeted by his pal Horace Horsecollar."

Pete Bagge self-portrait

•Review: The Tearoom of Despair takes a look at the Hate Annuals by Pete Bagge. Bob Temuka laments, "Bagge has actually done so many comics over the past decade and a half, that he is almost – shamefully – taken for granted. While new books by the likes of Clowes or Ware are almost an Event, a new mini series from Bagge might get a couple of reviews, most of which will point out that it’s more of the same."

•Commentary: Video gamesite, 1Up features some satirical video game adaptations including Pete Bagge's Hate, Ghost World by Dan Clowes and the most epic Jimmy Corrigan panel by Chris Ware

 What Is All This? Uncollected Stories

•Review: Music magazine and site Under the Radar enjoys the writings of Stephen Dixon's What Is All This? Uncollected Stories. Hays Davis: "Stephen Dixon has a gift for revealing mundane environments as vibrant social microcosms. With that, it seems almost apropos that Dixon's flown under the radar commercially for decades, though he's always garnered respect in literary circles"

 Jack Davis

•Plug: SF Site drops some comments about Jack Davis: Drawing American Pop Culture. Rick Klaw: "The extraordinary Jack Davis: Drawing American Pop Culture successfully reaffirms the artist's place within the upper echelon of pop culture craftsman."




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