• Review: "Set to Sea's one-panel-per-page layout lets Weing's visual storytelling shine, but only if you resist the urge to tear through the pages quickly. Go too fast, and you'll miss the touching, wordless way Weing communicates the death of a supporting character. Or, worse, you'll skim over a gorgeous arctic sunset clearly inspired by theGustave Dore engravings for Coleridge's Rime of the Ancient Mariner." – Glen Weldon, NPR
• Plug: "Drew Weing’s graphic novel debut [Set to Sea] is a Popeye-esque delight. Weing’s linework — and abundant crosshatching — is a visual feast that well serves the story of a deadbeat poet who is shanghaied and learns to live and love the yarns he’s been spinning." – Benn Ray (Atomic Books), Largehearted Boy
• Plug: "I don't know Drew but I've been reading [Set to Sea] online and I think it's a damn fine yarn worthy of your dollars and a place on your bookshelf." – Steve Rolston (Queen & Country, The Escapists, Ghost Projekt)
• List: "Featuring riotous fake ads, and strips like 'Snake and Bacon,' TDTT is subversive, twisted and awesome. With the 'can comic books be funny?' debate ever-raging, Tales Designed to Thrizzle answers a glorious 'Yes!'" – Max Minor, "Comic Books You Should Be Reading," Nerd City
• List:io9's Cyriaque Lamar recommends the Love and Rockets "Maggie the Mechanic" storylines as one of "5 comic books that will see you through Scott Pilgrim withdrawal," saying "these initial forays into scifi strongly resemble the unexplained weirdness of Pilgrimverse." (via Newsarama)
• Commentary: "Love and Rockets is spectacular, and amazingly approachable (What brought me over to the dark side of actually reading it was free time and finding Locas in my local library...), and the kind of thing that I feel embarrassed to have been reticent to read in the first place, which explains why I admit to it in public like this." – Graeme McMillan, Robot 6
• Commentary:The Hooded Utilitarian's critical roundtable on Popeye concludes with Robert Stanley Martin: "I perceive Segar’s Popeye as a period piece, but I can’t summon a rigorous aesthetic basis for that view. All I can muster is my own idiosyncratic opinion."
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