The hottest, sweatiest Online Commentaries & Diversions:
•Review: Ray Olson continues the reading journey of Joe Daly's Dungeon Quest Vol. 3 and reviews it on Booklist Online: "For at times, the yarn becomes seriously exciting, especially during the travel and fight scenes when everybody clams up. . . Because of Daly’s cartooning chops, nonpareil entertainment."
•Plug:Comics Reporter only needs 140 characters sometimes, especially when talking about Joe Daly's work. Tom Spurgeon says on Twitter, "Dungeon Quest Vol. 3 is so good at one point 1000 copies danced around my bed like in an old Warner Brothers cartoon."
•Review: Writer on the go Maria Popova reviews Significant Objects at Brain Pickings. "Part Sentimental Value, part MacGuffinism, Significant Objects reminds us of the storiness of our lived materiality — of the artifacts we imbue with meaning, with loves and losses, with hopes and desperations."
•Interview:Comic Book Resources interviews Gary Groth on The Comics Journal digital archives move to Alexander Street Press. Chris Mautner quotes Groth,"The magazine is a journalistic repository that comprises the history of comics from the year I co-founded it, 1976, to present, though the first 25 pre-Internet years are probably the most valuable; so, depending upon how valuable you think those 274 issues of The Comics Journal are, this will allow academics and students access to every one of those issues. There are literally tens of thousands of pages comprising interviews with hundreds of creators (many of whom have sadly died), reviews and criticism, investigative journalism, and debate about issues"
•Review:Booklist Online looks at Angelman. Ray Olson compares the creator Nicolas Mahler to another creator: "Mahler is, however, minimalist musical lampooner and prankster Erik Satie."
•Review:Fredrik Strömberg's Jewish Images in The Comics is reviewed on The Jewish Daily Forward. "The current comics renaissance has produced a plethora of engaging and positive Jewish images to fill the collection. . . Like most surveys, “Jewish Images” sacrifices depth for breadth, and Strömberg plays a lot of catch-up for readers who may not be familiar with Jewish laws, traditions or history. Still, this is a work of tremendous ambition, spanning countries, languages, and artistic styles," says Mordechai Shinefield.
•Plug: The first of many Love and Rockets appropriations via Covered. François Vigneault remakes Jaime Hernandez's L&R cover #31 after the jump.
•Review: Tucker Stone glibbly describes what makes Love and Rockets: New Stories #5 so damn good on The Comics Journal. "[Jaime] opts to take a step back from the heavy drums of emotional extremes, focusing on some lesser used characters as they wander through some summer business. Gilbert takes a more direct approach to the spectacle, pouring a heavy mix of the snarling violence that’s laced so much of his recent work all over the streets of Palomar, the fictional village that so many of his critics clamor for him to return to. It’s a meaty read. . . It’s the new Love and Rockets. What the fuck else did you have planned?"
•Review: Shimura Takako's Wandering Son Volumes 1 - 3 are reviewed on Pol Culture . Robert Stanley Martin says, "Shimura handles a sensitive early-adolescent subject with considerable grace. She captures the doubts--and the joys--of the two characters as they explore and come to terms with their cross-gender tendencies."
•Review:Booklist Online enjoys the latest and last Popeye Volume 6 "Me Li'l Swee'Pea" by E.C. Segar. Gordon Flagg states,"It’s a testament to the brilliance of Segar’s creation and the solid foundation he laid down in his decade drawing Popeye that the one-eyed sailor endures as a pop-culture icon to this day."
•Review: New Noise Magazine and Marco Lalubin take a peek at Mysterious Traveler: The Steve Ditko Archives Vol. 3 A rough French translation says,"Steve Ditko reaches one of the most memorable creative peaks of his career here, first by turning in more carefully worked-over stories and second by frequently displaying a twisted and cruel sense of humor modeled on what EC Comics had been doing in the first half of the 1950s. Especially dazzling are his attempts at graphic boldness, his compositions reaching the same level (at least for the period collected here) as Jack Kirby (albeit less chaotic) -- particularly amazing in that they paradoxically give the impression of respecting the physical constraints of the classic comic book page"
•Review:A Prince Named Valiant reviews the latest Prison Pit - wait no, not at all. They reviewed Prince Valiant Vol 5 1945-1946 as their name might suggest. Michael J. Bayly says, "With stunning art reproduced directly from pristine printer's proofs, Fantagraphics has introduced a new generation to Foster's masterpiece, while providing long-time fans with the ultimate, definitive version of the strip."
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