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Daily OCD 9/11/2012
Written by Jen Vaughn | Filed under Rich TommasoLorenzo MattottiJoost SwarteGary PanterDaily OCD 11 Sep 2012 4:58 PM

The newest hazelnuttiest spread of Online Commentaries & Diversions:

Dal Tokyo Jimbo in Purgatory

• Interview: Publishers Weekly and James Romberger stop Gary Panter during his busy drawing and teaching schedule to ask him questions about Dal Tokyo. Panter is quoted, "Being that this intends to be an experimental approach to comic making and drawing, like the Jimbo in Purgatory book, I don't expect the reader to get a normal story experience or the satisfaction that comes from skillful story traditional development. I hope the reader will get something else that they never got from a comic before: evidence of an investigation into the ways and means of cartooning and maybe a dizzy feeling."

• Review: Originally published in Danish in 2005, this review of Jimbo in Purgatory by Gary Panter was just translated into English on The Metabunker. Matthias Wivel says, "With humor and a spectacular visual imagination, Panter serves up a lavish and remarkably generous, but never chaotic book that reminds us of the way in which truth emerges socially –moved by the power of will, thought, and faith."

The Cavalier Mr. Thompson   The Crackle of the Frost

• Plug: Robot 6 weekly column 'Food or Comics?' mention picking up copies of  Mattotti's The Crackle of the Frost, Joost Swarte's Is that all there Is , the Hernandez Brothers' Love and Rockets New Stories #5 but mostly about the Fantagraphics-distributed book The Cavalier Mr. Thompson. "If I could splurge, I’d get go in with my fellow Food or Comic writers and get Cavalier Mr. Thompson by Rich Tommaso. . . . A 1920s crime story set on the dusty oil fields of West Texas? Sweet Jesus, this sounds great. And you can quote me on that, Fantagraphics," said Chris Arrant. Joe McCullough does something very similar over at The Comics Journal.

• Review: Publishers Weekly reviews Jorge Zentner and Lorenzo Mattotti's Crackle of the Frost. "Despite the depressing story line, Mattotti’s truly inspired lines, expressive forms, and wild visual imagination will captivate."