• Review: "This mammoth collection [What Is All This?] presents five decades of Dixon: sex, frustration, and attempts at deeper communication, mostly missed. The 62 stories evoke neuroses, delusion, banality, and everyday absurdities in deceptively simple sentences... There are echoes of Ernest Hemingway and prefigurings of Raymond Carver's lower-middle-class minimalism infusing tales of scrappers and scrapers... Usually sublime, sometimes sloppy, and occasionally bewildering, these stories are a testament to an impressive career spent too much under the radar." – Publishers Weekly (Starred Review) [Temporary link]
• Review: "With its mix of sci-fi, romance, tragedy and comedy, A Drunken Dream is a memorable manga journey that shouldn't be missed or dismissed. [...] Drawing from deeply-felt personal experiences, Hagio draws stories for every person who has felt like an outsider, who has regretted past actions that can never be erased, or who has longed to be accepted for being who they are, not what people want them to be. These ideas sound so simple — but when touched by Hagio's pen, this is punch-in-the-gut powerful. [...] ★★★★1/2" – Deb Aoki, About.com: Manga
• Review: "While they may not be standard children’s books, they are fun and entertaining and full of stuff kids would like, without being obscene or intended for mature audiences. They are the kind of books you would want your kid reading if your kid wasn’t a total dork. [...] You get the feeling of reading old fairy tales, where the Prince wasn’t always charming, the villains would erect down right disturbing and evil plots against the characters and the story, or just the world in general was presented as a harsh reminder of reality. [...] Tony [Millionaire]... really lets his imagination run with his latest book, Billy Hazelnuts and the Crazy Bird. [...] With or without children, you can feel good about reading this book." – Brian Jones, Flash Flood Media
• Review: "Artichoke Tales is by any definition a remarkable book — the first graphic novel by Megan Kelso, who has so far worked largely in the short story form, and a book that displays at every page Kelso’s unique voice as a graphic storyteller and the care and attention she lavished on this project over the past several years. [...] This is a beautiful book, at times a heartbreaking book. One feels the precision and thought behind every word, every line, all of it edited down and arranged to a spareness that is paradoxically lush and textured." – Jared Gardner, Guttergeek
• Plug: "[Rip M.D.] seems to be a comic more geared to a juvenile public, but should be pretty cool because there are a lot of monsters, really violent werewolves, zombies, and best of all, vampires that do not sparkle!" – Submundo Mamão (translated from Portuguese)
• Profile: "Some artists seem to have had greatness as their destination as surely as if a tracking device had been implanted in their genes. Some veer toward it capriciously like a demon had seized the wheel. They start with a talent — to which they feed — in bites and gulps — their times; and, once expressed, the result is… YOWL! One of these was the underground cartoonist Greg Irons, the subject of Patrick Rosenkranz’s overlooked — and fascinating — retrospective You Call This Art?!!" – Bob Levin, The Comics Journal
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