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Walt Disney's Donald Duck: Trail of the Unicorn (The Complete Carl Barks Disney Library Vol. 8) [U.S./CANADA ONLY]
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Daily OCD Extra: Booklist's May Reviews
Written by Jen Vaughn | Filed under reviewsJames RombergerGilbert HernandezDavid WojnarowiczBarnaby 2 May 2013 12:15 PM

This month's issue of Booklist reviewed three recent releases by Fantagraphics creators, excerpted below:

Barnaby

Barnaby Vol. 1 by Crockett Johnson, edited by Eric Reynolds & Philip Nel (Starred Review)

"…his paramount creation was the celebrated if obscure newspaper strip Barnaby, which, from its distinct visual look (minimalist, Thurberesque drawings; typeset word balloons) to its wry, understated humor, was unlike anything else ever to hit the comics page…There have been sporadic reprintings, but this effort, the initial installment in a five-volume series, is the first to collect it in its entirety. Even Mr. O'Malley couldn't conjure up a more welcome endeavor." – Gordon Flagg

 

Julio's Day

Julio's Day by Gilbert Hernandez

"Because day in it means a lifetime (like what we mean by saying, "in Grandma's day"), the title of this spare graphic novel denotes an entire century… For lengthy stretches of his story, he's unspeaking, in the background, nowhere around as we watch the more dramatic lives of friends and family flare in bizarre illness and death, in madness and violence, and in love, at home more than in the wars and wanderings they are called to. All along, he lives with his mother, the still center of a century-long family storm that Hernandez's mastery of comics somehow makes somberly beautiful." –Ray Olson

7 Miles a Second

7 Miles a Second by  David Wajnarowicz, James Romberger and Marguerite Van Cook

"This welcome reissue publishes the work to its originally intended large page size and restores the original watercolors…The gritty yet gaudy artwork by Romberger, a friend of Wojnarowicz's who worked closely with him on the project, convincingly conveys the seedy milieu of Wojnarowicz's younger years as well as his later rage and frustration as he awaits his death, with the expressionistic colors ratcheting up the nightmarish intensity. Two decades on, Times Square is cleaned up and the AIDS crisis in America is largely contained; but Wojnarowicz's defiant cri de coeur retains its harsh potency." – Gordon Flagg