In this month's issue of Booklist you can find praise for three of our recent releases:
The Complete Peanuts 1981-1982 by Charles M. Schulz: "These early 1980s episodes see Snoopy reunite with his brother Marbles (who’s baffled by his sibling’s WWI fantasies), Linus and Lucy plant a garden, and Peppermint Patty apply to a school for gifted children (she thinks they’re going to give her presents). But the strip’s fragile heart remains good ol’ Charlie Brown, who faces a crisis when liability issues bar him and his team from their baseball field. In a moving introduction to the volume, cartoonist Lynn Johnston (For Better or For Worse) writes about her close friendship with Schulz." – Gordon Flagg
The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 by Jacques Tardi: "The second collection of the Belle Époque exploits of Adèle Blanc-Sec sees the intrepid occult investigator confronting things walking the streets of Paris that shouldn’t be: a prehistoric ape-man revived by a mad scientist and a reanimated mummy from her own collection of artifacts. With their wryly overwrought captions, melodramatic dialogue, and convoluted plotlines, the stories work both as gentle genre parodies and full-out fantasy-detective thrillers, thanks in great part to Tardi’s lithe cartooning, which vividly evokes the period while sporting an entirely contemporary sensibility." – Gordon Flagg
Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island by Floyd Gottfredson: "For contemporary audiences who know Mickey Mouse only as the bland corporate mascot of the Disney empire, these 1932–33 newspaper comic strips featuring the famous rodent will be a revelation. As in his contemporaneous animated cartoons, this Mickey is a feisty, wisecracking daredevil, who searches tropical lands for buried treasure (encountering stereotyped cannibals that are offensive even by the era’s insensitive standards), treks to the frozen north to recover a stolen orphanage fund, and starts a detective agency with second banana Goofy. Gottfredson’s charmingly old-fashioned drawings accentuate the gags and briskly propel the plotlines." – Gordon Flagg
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