|Fantagraphics January 2013 New Arrivals Recap|
|Written by Mike Baehr | Filed under Tom Kaczynski, The Comics Journal, Robert Crumb, Prince Valiant, new releases, Michael Kupperman, James Romberger, Jack Jackson, Hal Foster, David Wojnarowicz, Alexander Theroux||5 Feb 2013 11:39 AM|
Well folks, it's our first batch of 2013 releases and a swell batch it is.
In the past month we've received the gorgeous new definitive edition of the '90s cult classic 7 Miles a Second; Tom Kaczyinski's acclaimed short story collection Beta Testing the Apocalypse; the mammoth new issue of The Comics Journal; a reprint of a Complete Crumb Comics volume loaded with Fritz the Cat classics (and a sweet deal on multiple volumes); Alexander Theroux's encyclopedic, entertaining rant The Grammar of Rock (with Crumb on the cover); true Tejas tales in Jack Jackson's American History: Los Tejanos & Lost Cause; an essential new volume of Hal Foster's Prince Valiant; and the new 2nd hardcover collection of Michael Kupperman's hilarious Tales Designed to Thrizzle!
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68-page full-color 9" x 12" hardcover • $19.99
7 Miles a Second is the story of legendary artist David Wojnarowicz, written during the last years before his AIDS-related death in 1992. Artists James Romberger and Marguerite Van Cook unsentimentally depict Wojnarowicz's childhood of hustling on the streets of Manhattan, through his adulthood living with AIDS, and his anger at the indifference of government and health agencies. A primal scream of a graphic novel, 7 Miles a Second blends the stark reality of Lower East Side street life with a psychedelic delirium that artfully conveys Wojnarowicz's sense of rage, urgency, mortality and a refusal to be silent.
Originally published as a comic book in 1996 by DC's Vertigo Comics, 7 Miles a Second was an instant critical success and has become a cult classic amongst fans of literary and art comics, just as Wojnarowicz's influence and reputation have widened in the larger art world. This new edition finally presents the artwork as it was intended: oversized, and with Van Cook's elegant watercolors restored. It also includes several new pages created for this edition.
"Revolutionary.... a runaway, over-the-top circus... An excursion into areas few, if any, comics creators have tread." – Jim Steranko
"Seven Miles a Second veers between an almost unbearably gritty naturalism and the incendiary heat of surrealist hallucination." – The New Yorker
"A revelatory work of art." – Art in America
"A cult classic... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations." – Jim Jarmusch
136-page two-color 6.5" x 9.25" softcover • $19.99
It would be easy to call Tom Kaczynski the J.G. Ballard of comics. Like Ballard, Kaczynski’s comics riff on dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments. Yet while Kaczynski shares many of Ballard’s obsessions, he processes them in unique ways. His visual storytelling adds an architectural dimension that the written word alone lacks.
Kaczynski takes abstract ideas — capitalism, communism, or utopianism — and makes them tangible. He depicts and meditates on the immense political and technological structures and spaces we inhabit that subtly affect and define the limits of who we are and the freedom we as Americans presume to enjoy. Society and the individual, in perpetual tension. Once you’ve read Kaczynski’s comics, it should come as no surprise to learn that he studied architecture before embarking on a career as a cartoonist.
Beta Testing includes approximately 10 short stories, most notably "The New," a brand new story created expressly for this book. It’s Kaczynski’s longest story to date. "The New" is set in an unnamed third-world megalopolis. It could be Dhaka, Lagos or Mumbai. The city creaks under the pressure of explosive growth. Whole districts are built in a week. The story follows an internationally renowned starchitect as he struggles to impose his vision on the metropolis. A vision threatened by the massive dispossessed slum-proletariat inhabiting the slums and favelas on the edges of the city. From the fetid ferment of garbage dumps and shanties emerges a new feral architecture.
The Comics Journal #302
edited by Mike Dean & Kristy Valenti; Gary Groth, Executive Editor
672-page black & white/color 7" x 8.5" softcover
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
128-page black & white/color 8.5" x 11" softcover • $19.99
Starring Fritz the Cat includes Crumb's classic original Fritz stories from 1965, including "Fritz Bugs Out" and "Fritz the Cat, Special Agent for the CIA," the first two "real" stories in the Fritz canon, as well as "Fritz the Cat, Ace Statesman," four pages of a previously unpublished Fritz story, and several Fritz illos never before printed in color. Plus: Crumb's first published work from Help! and Yell, including the "Harlem Sketchbook" and the "Bulgarian Sketchbook," most never before reprinted; two dozen of his Topps trading cards, plus extremely rare promotional items, as well as many creeting cards done for American Greetings, several in full color; and many pages of strips from Crumb's 20-year-old sketchbooks. Plus more of Marty Pahls's ongoing Crumb biography, including the story of Crumb's first acid trip, with more rare photos of the young Crumb!
1989 Harvey Award Winner, Best Domestic Reprint Project
Buy Two, Get One Half Off! When ordering this volume, add any two other available volumes from The Complete Crumb Comics series and the third volume will be half price! See product page for more details.
352-page 6.25" x 9.25" hardcover • $28.99
National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killah), but he considers stupid rhymes, as well — nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more.
In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language — the power of words and the nature of syntax — in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.
320-page black & white 7.5" x 10.25" hardcover • $35.00
Jack Jackson loved American history and creating comics. He combined these into a single vocation and created a legacy of historical graphic novels that has never been equaled.
Jackson is credited with creating what many consider the first underground comic, God Nose, in 1964. He co-founded Rip-Off Press in 1969, and made some of the most scathing satirical comics about contemporary America ever seen. But, Jackson was a Texan, and in the 1970s he returned to his roots and began writing and drawing short historical comics about Texas history. He then went on to produce six graphic novels chronicling 19th century Western history focusing on his beloved Texas and the Plains Indians. Fantagraphics, which published Los Tejanos originally in 1981, is proud to bring his graphic histories back into print in a series of three volumes, each reprinting two of his long narratives.
The first volume features Los Tejanos, which Fantagraphics published as a solo book in 1981, and Lost Cause (1998) — chronicling Texas history before and after the Civil War.
Los Tejanos is the story of the Texas-Mexican conflict between 1835 and 1875 as seen through the eyes of tejano (literally Texan of Mexican, as distinct from anglo, heritage) Juan Seguín. It is through Seguín, a pivotal and tragic figure, that Jackson humanizes Texas’ fight for independence and provides a human scale for this vast and complex story.
Lost Cause documents the violent reaction to Reconstruction by Texans. As Jackson wrote, “Texas reaped a bitter harvest from the War Between the States. Part of this dark legacy was the great unrest that plagued the beaten but unbowed populace.” The tensions caused by Reconstruction are told through the Taylor-Sutton feud, which raged across South Texas, embracing two generations and causing untold grief, and the gunslinger John Wesley Hardin, who swept across Texas killing Carpetbaggers, Federal soldiers, and Indians.
Jackson’s work is as known for its rigorous research — he became as good an historian as he was a cartoonist — as well as its chiseled, raw-boned visual approach, reproducing the time and place with an uncanny verisimilitude.
This edition includes an essay by and interview with Jackson about the controversy Lost Cause generated, and an introduction by the novelist Ron Hansen.
112-page full color 10.25" x 14" hardcover • $35.00
Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World," a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King," during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.
This volume is rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies including our most spectacular bonus feature yet — a double-sized fold-out page reproducing a strip hand-colored by Foster — plus a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art.
As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.
176-page full-color 7.25" x 10" hardcover • $24.99
Hot on the heels of his acclaimed Mark Twain’s Autobiography 1910-2010 comes Michael Kupperman’s second all-comics collection of surreal slapstick and crazy non-sequitur goofiness, all from the pages of his beloved comic book series Tales Designed to Thrizzle.Tales Designed to Thrizzle Volume Two features two of Kupperman’s recurring duos: America’s favorite mustachioed physicist/writer double team of Twain and Einstein (solving new crimes and barreling through exciting new adventures), and the crime-fighting team of Snake and Bacon ("Sssssssssssss!") who make a special return just to star in Reservoir Dogs 2.
Elsewhere in this volume the crusty Quincy, M.E. makes his comic book debut, struggling through the fantastic landscapes of his own dreams in "Quinception" (in which St. Peter also gets his own comic book). And learn the true story of the first lunar landing, guest starring Woodward & Bernstein, Lt. Columbo and... Quincy again??... in "Moon 69."
Also: The Jungle Princess battles rhino traders... A story of Broadway theatrics in "All About Drainage"... Slightly cursed merchandise and other dubious products... Cockney grave robbers... Cowboy Oscar Wilde... McArf the Crime Dog takes a bite out of scum... The origin of The Hamanimal... A photocomic starring comedian Julie Klausner, "Voyage To Narnia"... Break out your crayons for the highly educational "Train & Bus Coloring Book"... The story of French national hero "The Scythe"... and "Murder, She Goat."
Plus! This volume contains a full issue's worth of never-before-published, brand new Thrizzle material featuring "Mandate the Magician," "Fart Boobs," "The Odd Couple of Draculas," "Skull Groin," "Gladiator & Snivolus," "Mr. Flopears," "Gordon Ramsay's Fairy Tale Toilet Kitchen Nightmares," "McGritte the Surrealist Crime Dog," a new Twain & Einstein adventure and ever so much more!