We are pleased to be distributing the new self-published issue of Sammy Harkham's great comic book series Crickets to comics specialty shops, scheduled to arrive today!
We have a very limited number of copiesavailable for order through our website for those of you who don't have a shop in your local area. (While we don't necessarily want to discourage you from ordering it from us, we do encorage you to obtain it from your local shop if at all possible.) We will also have a handful of copies available at Fantagraphics Bookstore & Gallery starting tomorrow.
Crickets #3 dedicates the bulk of its oversized pages to the first part of a new story, "Blood of the Virgin," which tracks the upside down world of exploitation movie making in Los Angeles in the early seventies through the eyes of an ambitious young film editor who catches a big break. Rounding at the issue are handful of short strips, letters and gags featuring Franz Kafka, boxing, Yale University, and pregnant wives. Crickets Lives!
"Being the latest comic book release by Sammy Harkham, now self-publisher of an oversized 48-page showcase for self-contained material, some of it published online by Vice. The showpiece is 'Blood of the Virgin,' a fascinating stretch of time from the life of a 1970s exploitation movie studio functionary, constantly seeing his desires swapped out like spicy footage cut from one picture for the benefit of another. Smartly detailed, keenly observed lit comics stuff. Note that the serial from issues #1 and #2 does not continue. I reviewed it here..." – Joe McCulloch, Comics Comics
"As somebody who's been known to call things 'Crickets' myself, I am extra-fond of Sammy Harkham's extra-intermittent anthology for all things Sammy Harkham-related." – Douglas Wolk, Comics Alliance
"I picked up a copy of this at the Brooklyn show but if you weren’t there, then the third issue of Sammy Harkham’s Crickets is easily the pick of the week, at least as far as I’m concerned. Harkham has seemingly abandoned, at least for now, his tale of wandering golems and invulnerable men for two self-contained pieces, each with a decided literary bent (the first one is rather cheekily titled 'The New Yorker.'). Both tales show a slight movement towards more introspective, character building work, with the second tale 'Blood of the Virgin,' offering a nice homage of sorts to the late 1960s and early ’70s era of Roger Corman-style cheapie b-films, or at least how they were produced. Definitely one of the nicer surprises at the Brooklyn show this month and highly recommended." – Chris Mautner, Robot 6
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