Comprising a full two and a half years' worth of dailies and full-color Sundays, The Dingburg Diaries is the third Zippy book featuring tales of "Dingburg, the City Inhabited Entirely by Pinheads" — Zippy’s home town. There’s even a long series of "Historical Dingburg" strips, chronicling the pinhead population through the years, from 1840, when Dingburg’s "Town Fool" accidentally invented disco, to 1958 when Dingburg Beatniks flourished in the town’s Bohemian neighborhood. Like, Yowl, man.
God also has his own chapter (and verse). In the guise of a clip art "authority figure," he dispenses unwanted advice and conditional love upon the citizens of Dingburg. His tendency to cross-dress reaches new heights when he appears in a performance of "Swine Lake," wearing a tutu. Sacrilegious, yet sensitive.
There are large chunks of Mr. The Toad, Zerbina, Little Zippy and the rest of Griffith's cast of characters throughout this expanded collection. Published in a larger 8" by 10" format, The Dingburg Diaries also features a big color section, showcasing Griffith's inventive palette. There are parodies of the paintings of Edward Hopper and Film Noir, and "Griffy’s Top Ten List On Comics and Their Creation," a semi-serious mini-tutorial on everything (well, ten things) he’s learned in over forty years at the drawing board.
"Contemporary readers of Bill Griffith’s comic strip, Zippy the Pinhead, know with certainty that the illustrator is one of the most accomplished draftsmen working in comics today, his talents on a par with those of Robert Crumb. His art — nuanced shading; economical linework; evocative textures; fidelity to dress, gesture, expression, architecture, automotive design, and the thousand and one other accoutrements of modern life — is an unfailing daily marvel, especially considering the speed and regularity at which the strip is produced.” – Paul Di Filippo, Barnes & Noble Review
"If you're already a fan, you'll love this new collection. If you're not afraid to dip into Zippy's unique style of humor, philosophy and social critique, this book may make you a fan." – S.C. Ringgenberg, Heavy Metal
"I am so thankful for these collections... they're so good I wonder if Griffith isn't in the middle of one of those late-period renaissances that sometimes grip strip cartoonists, where everything kind of comes together in a considered fashion that's somehow more vital than the dozen or so years of comics that precede it." – The Comics Reporter
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