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It's All One Case: The Illustrated Ross Macdonald Archives

$44.99
✔ In print
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In 1976, the critic Paul Nelson spent several weeks interviewing his literary hero, legendary detective writer Ross Macdonald. Beginning in the late 1940s with his shadowy creation, ruminating private eye Lew Archer, Macdonald had followed in the footsteps of Dashiell Hammett and Raymond Chandler, but ultimately elevated the form to a new level. “We talked about everything imaginable,” Nelson wrote—including Macdonald’s often meager beginnings; his dual citizenship; writers, painters, music, books, and movies he admired; how he used symbolism to change detective writing; his own novels and why Archer was not the most important character — “my God, everything.” Commemorating last year’s centenary of the innovative and influential author’s birth, in a handsome, oversized format, It’s All One Case provides an open door to Macdonald at his most unguarded. Featuring in full color the covers of the various editions of Macdonald’s more than two dozen books, facsimile reproductions of pages from his manuscripts, magazine spreads, and many never before seen photos of Macdonald and his friends (such as Kurt Vonnegut), including those by celebrated photojournalist Jill Krementz. It’s All One Case is an intellectual delight and a visual feast, a fitting tribute to Macdonald’s distinguished career.

Pages:
304
Colors:
full color
Format:
Hardcover
Dimensions:
10 ¼” x 10”
ISBN-13:
978-1-60699-888-5
Year:
2016
“Macdonald fans might be this book’s primary audience, but I like to think it would enchant anyone interested in Macdonald’s era. He was a cultured, literate and eloquent man who wrote about an era of tremendous social upheaval. The book, in a coffee-table format, is copiously illustrated with photos, book jackets and other ephemera from Macdonald’s life.”
The Seattle Times
   

In 1976, the critic Paul Nelson spent several weeks interviewing his literary hero, legendary detective writer Ross Macdonald. Beginning in the late 1940s with his shadowy creation, ruminating private eye Lew Archer, Macdonald had followed in the footsteps of Dashiell Hammett and Raymond Chandler, but ultimately elevated the form to a new level. “We talked about everything imaginable,” Nelson wrote—including Macdonald’s often meager beginnings; his dual citizenship; writers, painters, music, books, and movies he admired; how he used symbolism to change detective writing; his own novels and why Archer was not the most important character — “my God, everything.” Commemorating last year’s centenary of the innovative and influential author’s birth, in a handsome, oversized format, It’s All One Case provides an open door to Macdonald at his most unguarded. Featuring in full color the covers of the various editions of Macdonald’s more than two dozen books, facsimile reproductions of pages from his manuscripts, magazine spreads, and many never before seen photos of Macdonald and his friends (such as Kurt Vonnegut), including those by celebrated photojournalist Jill Krementz. It’s All One Case is an intellectual delight and a visual feast, a fitting tribute to Macdonald’s distinguished career.

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