"With a keen eye for the absurd and unsettling, this wordless debut pokes fun at sci-fi tropes as it infuses the proceedings with sharp observation and pointed social commentary." — Booklist
"Like an episode of Futurama directed by Charlie Chaplin, this slapstick story full of sci-fi adventure follows two dueling corporations and their attempts to sabotage one another." — The Quietus
"I read this twice, savoring every beautiful panel, filled with insanely weird and wonderful robots, buildings, vehicles, and creatures. I can't wait to see what Varela does next." — Boing Boing
"Varela’s pages are finely detailed and exquisitely rendered. With very few lines and only a few words, he creates an entire world." — Seattle Review of Books
"Longest Day’s elegant linework and subtle humor shine through, and the entire comic seems to quiver under Varela’s purposefully fragile construction."— The Creators Project
"The book is darkly funny—or is it deeply sad?" — Paste Magazine
"There is a great deal of delight to be found in Varela’s cartooning. Although the storytelling is clear and lucid, the reader will nonetheless want to read the book more than once in order to see how all the myriad pieces fit together. Without words to signal connections, narrative details can often be found hiding in plain sight, and need multiple readings to be properly uncovered. This would be a problem if the book weren’t so fun to read." — A.V. Club
In a futuristic city, two mega-companies share power, while indulging in a thankless war to eliminate the other by any means necessary. The crash of an extraterrestrial flying saucer will, perhaps, change that. This masterfully crafted, witty and irreverent graphic novel is the debut from Argentine cartoonist and graphic designer Lucas Varela. “Inspired by the pioneering comic books of the early twentieth century,” Varela has crafted a wordless thriller reminiscent of the work of Jason (I Killed Adolf Hitler). Under the guise of science fiction, Varela has spun a fable, almost an indictment, against consumerism and unfettered capitalism. The individual no longer exists; it is just a pawn in corporate gamesmanship. As the plot unfolds, and the layers of betrayal accumulate, The Longest Day of the Future also proves to be an addictive thriller.