2013 Lambda Literary Award Winner: LGBT Anthology
2013 Stumptown Comic Arts Award Nominee: Best Anthology
A Top Ten selection on the 2013 ALA GBLT Roundtable "Over the Rainbow" list
Ranked #4 (tie) on Boing Boing's "Best Damn Comics of the Year" survey
"I discovered... what I was looking for, a queer world with stories and characters that I could recognize, that I could laugh with and care about. What I needed was a book like this: hairy legs and all." Lana Wachowski (The Matrix, Bound), from her introduction
"We've all been waiting too long for a collection like this! You must buy this book!" Alison Bechdel (Fun Home, Dykes to Watch Out For)
Follow the No Straight Lines project, with oral-history video interviews and more, at http://no-straight-lines.tumblr.com/.
No Straight Lines showcases major names such as Alison Bechdel, Howard Cruse, and Ralf Koenig (one of Europes most popular cartoonists), as well as high-profile, crossover creators who have dabbled in LGBT artooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.
Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.
Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.
These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines has been heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.