"Pogo is beautifully produced — no surprise to anyone familiar with the work of Fantagraphics Books in Seattle — and a joy to read. It comes as a genuine gift to anyone who loved Pogo and, it is to be hoped, as an introduction for younger readers to what many people believe was the best comic strip ever drawn in this country." — The Washington Post
"The book is lovingly made and the strips presented with care and pleasure. But is it any good? Oh yes. It's funny and charming, bursting with witty wordplay and vivid characters you love immediately. ... In short, read Pogo and you can immediately see it slide into the pop cultural matrix and how it drew upon the work that came earlier, moved forward the art form of comic strips and influenced artists after it for generations to come. But most of all, you'll laugh..." — The Huffington Post
"There's simply no denying Kelly's mastery: he evokes full characters with nothing but a few choice words, and the sprightliness of his visual style is all fun here, laying the groundwork for what would become profoundly subversive later. The included essays, as is usually the case for Fantagraphics reissues, absolutely nail the context and import of the strip, too. I just dont think you can say you love comics and not have this around." — National Post
"These collections will leave even the most dyspeptic Pogo fan wide-eyed with wonder and gratitude." — San Francisco Chronicle
It's in this volume (featuring another two years' worth of Pogo strips) that we meet one of Walt Kelly's boldest political caricatures. Folks across America had little trouble equating the insidious wildcat Simple J. Malarkey with the ascendant anti-Communist senator, Joseph McCarthy. The subject was sensitive enough that by the following year a Providence, Rhode Island newspaper threatened to drop the strip if Malarkey's face were to appear in it again. Kellys response? He had Malarkey appear again but put a bag over the character's head for his next appearance. Ergo, his face did not appear. (Typical of Kelly's layers of verbal wit, the character Malarkey was hiding from was a "Rhode Island Red" hen, referencing both the source of his need to conceal Malarkey and the underlying political controversy.) The entirety of these sequences can be found in this book.
But the Malarkey storyline is only a tiny portion of those rich, eventful two years, which include such classic sequences as con-man Seminole Sam's attempts to corner the market on water (which Porkypine's Uncle Baldwin tries to one-up by cornering the market on dirt); a return engagement of Pup Dog and Houn'dog's blank-eyed Little Orphan Annie parody "Li'l Arf and Nonny"; Churchy La Femme going in drag to deliver a love poem he wrote, Cyrano style, on Deacon Mushrats behalf to Sis Boombah (the aforementioned hen); P.T. Bridgeport's return to the swamp in search of new talent; and of course two rousing choruses of "Deck Us All With Boston Charlie."
In addition to presenting all of 1953 and 1954's daily strips complete and in order for the first time anywhere (many of them once again scanned from original syndicate proofs, for their crispest and most detailed appearance ever), Pogo Volume 3: "Evidence to the Contrary" also contains all 104 Sunday strips from these two years, presented in lush full color for the first time since their original appearance in Sunday sections 60 years ago — plus the usual in-depth "Swamp Talk" historical annotations by R.C. Harvey, spectacular samples of Kelly's work scanned from original art, and a whole lot more!