Whether you choose to call them comics lit, graphic novels, or just thick comic books, book-length narratives told in words and pictures confidently elbowed their way into the cultural spotlight in the first decade of this new millennium beginning with the simultaneous 2001 release of Chris Wares Jimmy Corrigan: The Smartest Kid on Earth and Daniel Clowes David Boring, and continuing on through ground-breaking and best-selling works such as Marjane Satrapis Persepolis, Robert Crumbs Genesis, Alison Bechdels Fun Home, and Joe Saccos Palestine.
This renaissance in turn brought forth a chorus of critical commentary that not only addressed these recent works, but also initiated a much-needed look back at the previous centurys neglected and forgotten masterpieces.
This chorus, as presented in The Best American Comics Criticism, comprises both criticism (Douglas Wolk on Frank Miller and Will Eisner, Robert C. Harvey on Fun Home, Donald Phelps on Steve Ditko and Phoebe Gloeckner) and history (David Hajdu on the 1950s comic-book burnings, Jeet Heer on Gasoline Alley, Ben Schwartz on Little Orphan Annie, Gerard Jones on the birth of the comic-book business), as well as revelatory peer-on-peer essays by novelists (Jonathan Franzen on Peanuts, John Updike on James Thurber) and cartoonists (Chris Ware on Rodolphe Töpffer, Clowes on Mads Will Elder, and Seth on John Stanley).
Add in still more voices (The Daily Shows John Hodgman on Jack Kirby, Sarah Boxer on Krazy Kat, Ken Parille with a meticulous deconstruction of Clowess David Boring), and a selection of revelatory interviews with comics masters (Kim Deitch, Yoshihiro Tatsumi, Marjane Satrapi, Will Elder, Chester Brown) and cartoonist tête-à-têtes (Eisner/Miller, Jonatham Lethem/Clowes, Dan Nadel/Sammy Harkham), and The Best American Comics Criticism offers a riveting and comprehensive look at a medium finally come into its ownnot just creatively, but in terms of the respect and prominence within American culture it has so long deserved.
The Best American Comics Criticism is edited by Ben Schwartz, a contributor to The New York Times, The Washington Post, Salon, The Atlantic On-Line, and Bookforum.
See the full Table of Contents and read Ben Schwartz's Introduction in this EXCLUSIVE 15-page PDF download (193 KB).
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