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The Troublemakers

$19.99
✔ In print
Buy it digitally: Buy The Troublemakers on comiXology Buy The Troublemakers on Google Play Buy The Troublemakers through the Sequential app

A "Notable Comic" in The Best American Comics 2011

One of Hypergeek's Best Original Graphic Novels of 2010

Dig this scene! Low-life drug dealer Dewey Booth has $200,000 that even-lower-lifes want. BLING! Wes is a rock and roll loser that only wants to buy a club where nobody can tell him he can't sing or perform. WAILIN'! He's known Dewey for years, but that isn't enough to get his dough. Wes needs help. Nala is an über-stacked bombshell whose pleasure in life is to seduce and then humiliate men dumb enough to fall for her. HUSH HUSH! For half the dough, she agrees to help Wes get Dewey's ill-gotten goods. Things don't go so well when a wily grifter from Wes's past shows up to complicate things. GULP! Vincene is another troublemaker who enjoys wrecking people's plans and wants the Dewey dough, too. In the end, deadly fires ignite, heads literally roll, eyes are shot out — and all Wes wants to do is sing in a rock and roll club.

The Troublemakers is the second volume in a series of original graphic novels in which Gilbert Hernandez creates comics adaptations of movies starring or co-starring Luba's half-sister Rosalba "Fritz" Martinez from Love and Rockets. The first, the dystopian Chance in Hell (in which Fritz has only a bit part), was released in 2007. This hard boiled, pulp graphic novel will delight longtime Hernandez fans as well as provide a perfect introduction to newcomers to Hernandez's work.

Download an EXCLUSIVE 12-page PDF excerpt (532 MB).

Video & Photo Slideshow Preview (view in new window):

"" – Frank Santoro, Comics Comics

"The outlandish plot piles double-crosses upon double-crosses, leading up to an over-the-top, apocalyptic denouement. It’s pulpy fun that, appropriately, has the dashed-off, anything-goes spirit of a straight-to-video caper flick. The cinematic feel is accentuated by Hernandez’s use of uniformly sized panels matching the proportions of a wide-screen film. While this self-imposed restriction limits the artist’s visual flourishes, it accentuates his other graphic strengths—powerfully bold compositions, vivid character design—as well as serving to ground the often-hyperbolic goings-on." – Gordon Flagg, Booklist

Bargain Combo

+
Chance in Hell
$16.95 $11.26
+
Love from the Shadows
$19.99 $14.30
List price $56.93
Total $45.55
Format:
Hardcover
Dimensions:
5.75" x 8.5"
ISBN-13:
978-1-56097-922-7
   

A "Notable Comic" in The Best American Comics 2011

One of Hypergeek's Best Original Graphic Novels of 2010

Dig this scene! Low-life drug dealer Dewey Booth has $200,000 that even-lower-lifes want. BLING! Wes is a rock and roll loser that only wants to buy a club where nobody can tell him he can't sing or perform. WAILIN'! He's known Dewey for years, but that isn't enough to get his dough. Wes needs help. Nala is an über-stacked bombshell whose pleasure in life is to seduce and then humiliate men dumb enough to fall for her. HUSH HUSH! For half the dough, she agrees to help Wes get Dewey's ill-gotten goods. Things don't go so well when a wily grifter from Wes's past shows up to complicate things. GULP! Vincene is another troublemaker who enjoys wrecking people's plans and wants the Dewey dough, too. In the end, deadly fires ignite, heads literally roll, eyes are shot out — and all Wes wants to do is sing in a rock and roll club.

The Troublemakers is the second volume in a series of original graphic novels in which Gilbert Hernandez creates comics adaptations of movies starring or co-starring Luba's half-sister Rosalba "Fritz" Martinez from Love and Rockets. The first, the dystopian Chance in Hell (in which Fritz has only a bit part), was released in 2007. This hard boiled, pulp graphic novel will delight longtime Hernandez fans as well as provide a perfect introduction to newcomers to Hernandez's work.

Download an EXCLUSIVE 12-page PDF excerpt (532 MB).

Video & Photo Slideshow Preview (view in new window):

"" – Frank Santoro, Comics Comics

"The outlandish plot piles double-crosses upon double-crosses, leading up to an over-the-top, apocalyptic denouement. It’s pulpy fun that, appropriately, has the dashed-off, anything-goes spirit of a straight-to-video caper flick. The cinematic feel is accentuated by Hernandez’s use of uniformly sized panels matching the proportions of a wide-screen film. While this self-imposed restriction limits the artist’s visual flourishes, it accentuates his other graphic strengths—powerfully bold compositions, vivid character design—as well as serving to ground the often-hyperbolic goings-on." – Gordon Flagg, Booklist

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