"The potency of the soldiers' tragic stories is enhanced by the elegance of Tardi's lucid drawing and keen compositions that are accentuated by the use of three horizontal panels per page throughout. This masterful condemnation of the cruelty and stupidity of war is a cri de coeur that stands out even amid Tardi's impressive body of work." — Gordon Flagg, Booklist Starred Review
"French master Tardi gives an infantry-level view of World War I's meat-grinder carnage in grim vignettes that primarily keep tight, telling focus on the stories of individual soldiers. ... It Was the War of the Trenches deserves a place on the top shelf of graphic lit." — St. Louis Post-Dispatch
"It Was the War of the Trenches is an utterly convincing collection of stories, and arguably one Tardi has never bettered." — Slings & Arrows
2011 Eisner Award Winner: Best Reality-Based Work and Best U.S. Edition of International Material
2011 Harvey Award Nominee: Best American Edition of Foreign Material
One of Booklist's Top 10 Adult Graphic Novels for 2010
One of Library Journal's Best Graphic Novels 2010
Named Best Graphic Novel of 2010 by Joe McCulloch (Comics Comics, Jog The Blog) at Flashlight Worthy
Named to numerous "Best of 2010" lists including the Austin American-Statesman's Best Comics and Graphic Novels of 2010, NPR's Most Memorable Comics & Graphic Novels of 2010, Robot 6, Comic Book Resources, Rob Clough's Top 50 Books of 2010 at High-Low, Seen, The SF Site: Nexus Graphica, comiXology, The Forbidden Planet International Blog Log, Memories Fade, and Ambrosia (Brazil)
Listed as a favorite comic of 2010 by Dan Nadel in a survey of comics creators at Robot 6
World War I, that awful, gaping wound in the history of Europe, has long been an obsession of Jacques Tardis. (His very firstrejectedcomics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the trenches is Tardis defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarques All Quiet on the Western Front and Ernest Hemingways A Farewell to Arms.
Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.
Trenches features some of Tardis most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, Trenches is somehow simultaneously atypical and a perfect encapsulation of Tardis mature style. It is the indisputable centerpiece of Tardis oeuvre.
It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.
The war to end all wars has become a magisterial comic book to end all comic books. I seldom give blurbs, but this book is an essential classic. Among all of Jacques Tardi's towering achievements as a comics artist, nothing looms larger than this devastating crater of a work. Its a compulsively readable wail of Existential despair, a kaleidoscope of wars dehumanizing brutality and of Everymans suffering, as well as a deadpan masterpiece of the darkest black humor. The richly composed and obsessively researched drawings — perfectly poised between cartoon and illustration — march to the relentless beats of Tardis three horizontal panels per page to dig a hole deep inside your brain. This is one Hell of a book. Art Spiegelman
"Tardis depiction of the First World War is so impassioned and visceral that it can be compared to the work of the artists who actually served in the trenches." – Joe Sacco
Video & Photo Slideshow Preview (view in new window):