• List: Esteemed Washington, DC bookstore Politics & Prose has posted their list of "Favorite Graphic Literature of 2011":
"It seems sort of cruel to celebrate the final issue of Mome, Fantagraphics’ premier anthology of comics. But one can hardly resist such a celebratory finale. As to be expected, Mome Volume 22 packs a wallop, throwing in a mind-bending array of cartoonists, some Mome regulars, some first-time contributors. Some favorites: Joe Kimball’s 'Secret Hand,' Tim Lane’s 'Belly Gunner,' Eleanor Davis’ 'Nita Go Home' and 'Loving Bin Laden' by James Romberger. As always, this is a refreshing and eye-opening anthology. So thank you, Mome, and goodbye."
"Jacques Tardi’s wildly inventive The Arctic Marauder follows Jerome Plumier as he tries to uncover the mystery of why ships keep sinking in the arctic. Written to parody a Victorian and Jules Verne-esque style, Tardi’s illustrations look as if they’re out of a much older book; his seascapes and townscapes are scenic and highly detailed; his creative paneling is fresh and interesting; and the abundance of machinery and wild inventions makes this book a real wonder to read. Ending on a strangely ominous, ironic, and humorous note, this is yet another masterpiece by the French master, finally brought to American audiences."
"Jim Woodring’s little anthropomorph, Frank, has been around for quite some time, and his silent, life altering, universe confusing, epic comics finally get collected into one nice book. Frank has graced the comics page for decades now, and his curiosity, foolishness, but utter innocence leaves one always wishing for more, and to have it collected into one volume is an absolute treasure. There is much to say about The Frank Book, but really, you should just pick it up and wander with Frank and his friends and enemies, into a world that is so different, and yet, so similar to our own."
"Stigmata is one of the greatest virtuoso displays of pen-and-ink work in the history of graphic novels. Illustrator Lorenzo Mattotti’s 'raging fury of intense linework' is mesmerizing on every single page, and drives the novel-length story by Claudio Piersanti set in the hellish world of bars and traveling carnivals (with a final redemptive chapter). Stigmata is a recognized classic in the comics world, and was published in Europe in 1998. It has finally been translated and published here."
"Pogo Possum and the bunch of characters that make up Walt Kelly’s colorful, smart, and witty comic finally get the sort of treatment they deserve. It has taken Fantagraphics a long, long time to find perfect copies of all these fantastic strips, and to make sure Pogo was given its due in the best possible way. So here it is: the first of twelve volumes, complete with dailies and Sunday pages (with absolutely gorgeous color). This is quite possibly one of the best things to come out this year, and one of the best books for any library."
"Hot on the heels of popular Mickey Mouse hardcover comics collections, Fantagraphics puts forth a second Disney classic, Donald Duck: Lost in the Andes. While some readers may have been surprised by Mickey’s exploits in the early days, Donald is exactly as you remember and expect him to be: perpetually frustrated with a heart of gold. What is also not surprising is the level of skill behind the cartooning of Carl Barks, whose knack for expressive figures and attention to detail makes this collection an endlessly entertaining read. So well-loved were these stories, that none other than the great Steven Spielberg paid tribute to them in the famous scene of Indiana Jones versus the boulder in Raiders of the Lost Ark. Sure to please any fan of good-humored Golden Age comics."
"I’ve never quite liked Mickey Mouse. He was always a little too tame, too good. And while he was always the hero, he never seemed to earn it. Fantagraphics recent release of the classic 1930’s comic strips has completely changed my mind. While Mickey’s essential character hasn’t changed, he is certainly more bold, more willing to throw a punch or rush into a haunted house, or even into a brawl with Pegleg Pete and his gang. Floyd Gottfredson’s artwork bears the trademark Disney look (given that it is clear and at times inventive), but the limit on panels and the daily format of the strip forced Gottfredson to tell his stories in intriguing, and always brilliant ways. These comic strips are full of adventure and clever satire. With the usual Fantagraphics treatment, there are over 50 pages of supplemental material, so these books provide a wealth of information on the series and on Gottfredson’s life. Also available in a slipcased set!"
"For those who still think that Prince Valiant is simply an illustrated version of your boring high school history textbook, it is time to take heed. Fantagraphics continues to release these gorgeous remastered editions of one of America’s most beloved and enduring comics. This is a story steeped in family and tradition, with a dash of fantasy. Hal Foster’s professionalism shines in every painstakingly-researched and well-composed page of Prince Valiant Volumes 3and4. Each panel’s composition immediately draws you in and invites you to linger in a world of romance and adventure, in which you may spend many Sunday afternoons. Previously released editions were high-contrast, lurid affairs that seemed determined to destroy the good name of the original color artist; however, the impeccable restoration of the comic’s original colors makes it enjoyable for the modern audiences and almost a brand new experience for fans lucky enough to have read it in their youth."
• List/Review: "Finally starting to be collected, Gottfredson's masterful first year was released by Fantagraphics, publisher of all good things, in a wonderful hardbound... Aside from the subject matter, the most striking thing about this volume is Gottfredson's art. He demonstrates a supernatural knack for detail and fluidity that remains largely unchallenged in his representation of Mickey, as well as in animation/ cartooning/ sequential art.... As a longtime appreciator of Gottfredson and proponent for his legacy, Race to Death Valley was the best comic release of 2011 — a feat, considering the material is 70 years old. Take that, modern literature!" – Rafael Gaitan, Spectrum Culture "Best Books of the Year"
• Review: "The fact is that Paul Nelson was one of the handful of people who have scribbled about rock-and-roll over the years who might be described as a genuinely important writer, regardless of the (some would say) transience of much of his subject matter. In that regard, while re-reading Everything [Is an Afterthought] I was struck by how little any of it has dated; the various reviews and think pieces Avery has anthologized are as passionate, perceptive and hilarious as they seemed back in the day, and given that most of them have been out of print since forever (in fact, almost all the work collected here has never been between hardcovers) this is a major piece of cultural exhumation at the very least." – Steve Simels, PowerPop
• Review: "The gender orientations of eleven-year-olds just isn’t the stuff of stories here. In fact, it is the stuff of reality. Shimura balances a full plate in this story, all the while offering it with the kind of easy grace that makes the balance appear to be almost magical.... In Shimura’s sympathetic hands, this manga is neither gag nor message heavy: both main characters, their peers, and their family members are credible and developed with enough depth that readers can think about them beyond the bounds of the book. ...[Wandering Son Vol. 1] belongs in every high school library, as well as in public collections that are accessible to both youth and adults." – Francisca Goldsmith, School Library Journal
• Review: "But upon reflection, I wonder if these terrible people’s wholly alien way of interacting with the world isn’t just the writing equivalent of Tardi’s nimble, scribbled line and sooty blacks — a heightened reality in which things are rendered at their loosest, darkest, ugliest, and weirdest at all times. God knows both creators can rigorously focus when they want... Tardi’s backgrounds and lighting effects are a realist’s dream and his action sequences and set-pieces are choreographed tighter than a drum. The absurdist demeanors may prevent everything from gelling as well as they might have done, but overall [Like a Sniper Lining Up His Shot] delivers a fastball to your face so hard that you barely have time to notice that some of the stitches need straightening." – Sean T. Collins, Attentiondeficitdisorderly
In a year-long wind-up to the end of all time (according to the Mayan calendar), Elysian Brewing Company and Fantagraphics Books, both of Seattle, are planning a series of twelve beers, issued on the 21st of each month in 2012 and featuring label artwork by Charles Burns. Taken from Burns's weirdly apocalyptic work Black Hole, the labels will adorn Elysian's "Twelve Beers of the Apocalypse," featuring the creativity and unusual ingredients for which its brewing team is known. What twelve beers would you brew (and drink) if you knew they would be your last?
First up in January is NIBIRU, named for the mysterious planet X supposedly on a collision course toward Earth. The Elysian / Fantagraphics Nibiru will be a Belgian-style Tripel, flavored with an infusion of yerba maté. Combining the tasty esters of Belgian yeast and the compelling tea-like flavors of the South American herb mixture, the beer will weigh in at around 7.6% alcohol by volume (ABV). A mixture of German Northern Brewer, Czech Saaz and American Amarillo hops round out the uniqueness of the first beer of the Apocalypse. Oddly enough there's another apocalyptic-themed Nibiru out there: a super volcano currently burbling most dangerously beneath Yellowstone National Park. It too is scheduled to end life as we know it very very soon.
February 21 will usher in RAPTURE, an ale of opulent proportions flavored with heather tips. Unlike the various Rapture events predicted by pseudoscientists and alarmist evangelicals, the beer will be very real and frankly delicious, combining the floral fragrance and slight bite of high country heather with Northwest Glacier hops in another 7% ABV beer. FALLOUT follows in March, right around the time of the vernal equinox. Fallout will be a pale ale made with green cardamom.
As Earth's last year unfolds, other beers will appear as if by dangerous magic. Persimmons, chilies, raisins, blood oranges, rosemary and other herbs will be integrated into ales, lagers and Belgian styles using the finest local and imported ingredients. These limited brews will be available in bottles and draft and at select bars and bottle shops. We will celebrate as they are released — on the 21st of every month in 2012 — with events at one or the other of Elysian's three Seattle pubs and at Fantagraphics headquarters in the Georgetown neighborhood. Once they're gone, these beers will never be brewed again. Then again, come December 21, that will be the least of our worries.
In this month's issue of Booklist you can find praise for three of our recent releases:
Nuts by Gahan Wilson: "One of the greatest gag cartoonists, whose monthly contributions to Playboy may prove that magazine’s most durable legacy, Wilson gave National Lampoon something to be remembered for, too — his only comic strip, collected here. Titled to echo Charles Schulz’s great newspaper feature full of kids who think and talk like adults, the six-paneled Nuts develops a realistic situation from out of memory (the strips typically begin with the word “remember”). All the fully visible characters are children, mostly boys, but, contra Peanuts, what they say expresses kids’ enthusiasms, fears, and frustrations in the words grown-up memory gives them (the slightly precocious language is Wilson’s primary departure from naturalism, except for his loopy drawing, of course). The frustrations are particularly important, so much so that, despite the acorn next to it in every first panel, the strip’s title is best understood as a child’s curse, “Nuts!” The scenarios include summer camp, going to horror movies, being sick and obsessing about it, making models, eating too much, not knowing the answer (or even the subject) in school, selecting comics in the local cigar store, and other normal-enough stuff that holds the potential for humiliation, failure, and maybe worse. In Nuts, that potential is always realized and, as memory colors it, so uproariously that you just about choke with laughter. For sheer hilarity, this is Wilson’s masterpiece." – Ray Olson (Starred Review)
Oil and Water by Steve Duin & Shannon Wheeler: "Four months after the 2010 Deepwater Horizon oil spill, a small group of Oregonians traveled to the Gulf Coast to assess the damage. In this graphic-novel recounting of their expedition, we follow the well-intentioned but naive activists as they meet scientists, crabbers, bird rehabilitators, the local head of Homeland Security (found shark fishing on a beach), and other locals whose lives were roiled by the disaster. ...[T]he work effectively sets forth the essential dilemma: the region’s economy remains dependent on the very industry that ravaged the coast; and the “hush money” paid by BP in the wake of the disaster ensures that most residents continue to see oil as the solution to their woes rather than the problem." – Gordon Flagg
Pogo - The Compete Syndicated Comic Strips Vol. 1: Through the Wild Blue Wonder by Walt Kelly: "After numerous delays, this essential purchase for any collection that values comic-strip reprints is finally
available.... In these... strips from the first two years of Pogo’s two-and-a-half-decades
run, the direct political satire is mostly broadly focused (thinly masked approximations of headliners from
McCarthy and Nixon to Castro and Khrushchev would all spend time in Okefenokee Swamp), but the
inventive wordplay, idiosyncratic swamp patter, and goofy slapstick are all in full effect right from the
start, as is the broad cast of loony critters that would eventually number upwards of 500 distinct characters.
Due to run 12 volumes, this collection completes the holy trifecta, along with Charles Schulz’ Peanuts and
George Herriman’s Krazy Kat, of comic strips whose influence cannot be overstated."
– Ian Chipman
This is a fantastic "extended" clip of Dan Clowes' interview for the Shut Up, Little Man film, although it makes me nostalgiac for the pre-Internet 1990s, when things like these tapes were shrouded in mystery.
As of this typing, there's no set signing times, but we'll keep you updated on Twitter and Facebook as soon as we get more details! Comic Book Jones is located at 2220 Forest Avenue, Staten Island, NY.
UPDATE: Comic Book Jones let us know "He will be appearing at 4pm and will be staying for a few hours."
• Review: "The book is lovingly made and the strips presented with care and pleasure. But is it any good? Oh yes. It's funny and charming, bursting with witty wordplay and vivid characters you love immediately. You can see the influence the Marx Brothers and Krazy Kat and Mark Twain had on Pogo and its love of silly grammatical puns and Southern dialect. And you can see the influence Pogo had on Doonesbury and Calvin & Hobbes... In short, read Pogo and you can immediately see it slide into the pop cultural matrix and how it drew upon the work that came earlier, moved forward the art form of comic strips and influenced artists after it for generations to come. But most of all you'll laugh..." – Michael Giltz, The Huffington Post
• Review: "The only real problem with this beautifully produced book [Jack Davis: Drawing American Pop Culture ] is that it’s much, much too short.... The art reproduces gorgeously, scanned in many cases from the original material, and the volume as a whole is an effort to give Davis the respect he deserves as a legitimate artist.... A few essays, slotted at the front and back of the back, rather than next to the art itself, place him in context and give some biographical details, but the work, with Davis’s fluid, effortless line and gift for characterization, speaks for itself." – Hillary Brown, Paste
• Review: At Greek site Comicdom, Tomas Papadimitropoulos looks at Mark Twain's Autobiography 1910-2010 by Michael Kupperman: "Δεν είμαι σίγουρος αν είναι ο καλύτερος τρόπος για να γνωρίσεις τον Kupperman και τις ιδιαιτερότητές του, αλλά σίγουρα θα ικανοποιήσει (και θα χορτάσει) τους fans του (ίσως και αυτούς του Twain – ο Αμερικανός συγγραφέας δεν έγινε γνωστός για το συμβατικό χιούμορ του, άλλωστε), οι οποίοι θα βρεθούν σε γνώριμα μεν νερά, αλλά με κάποιες καλοδεχούμενες διαφορές."
• Review: At his blog Mandorla, Santiago Garcia looks at the latest chapters of Jaime Hernandez's "Locas" saga: "Estas últimas semanas he comentado que uno de los mejores tebeos que he leído en el 2011 ha sido 'The Love Bunglers,' historieta que Jaime Hernandez ha publicado en los números 3 y 4 de Love and Rockets: New Stories. Pero no había dicho nada sobre ella todavía, quizás porque es de esas historietas sobre las que uno se queda casi sin nada que decir. Son demasiado inmensas para encerrarlas en un puñado de palabras. Pero eso es lo que tenemos aquí, un puñado de palabras, así que vamos a dejar que lleguen hasta donde lleguen, al menos."
• Interview: The writer of Straight 2 DVD blog talks with editor Michel Gagne about Young Romance: The Best of Simon & Kirby's Romance Comics: "I quickly realized that if someone didn’t make an effort to preserve this material, most of it would vanish into oblivion. That’s when it hit me! Perhaps I should be the one to start the ball rolling. I had been itching to do a comic book preservation project for many years and this would be the perfect opportunity."
• Plug: "Another comprehensive package is going to take a bit longer to collect: the complete Peanuts library from Fantagraphics.... Currently the collection has progressed to the early 1980s, where the strip is at its peak... There's nothing that says 'holidays' like the Peanuts gang. Didn't all of us watch A Charlie Brown Christmas and A Charlie Brown Thanksgiving a thousand times?" – Andrew A. Smith, Scripps Howard
• Scene: At Examiner.com, Christian Lipski reports from the Oil and Water discussion group at Bridge City Comics recently, which was crashed by writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen: "Those who had attended the team's convention panels and saw video clips from the trip tended to expect more of a straight travelogue, and were surprised by the addition of fiction to the equation. On the other hand, it was noted that the reader could identify with the observers as an entry into the story. The characters also allowed Duin to tell a side of the story through the reactions of outsiders. 'I think that Fantagraphics was as surprised as you guys,' the author confided."
Drew Friedman has a wonderful, photo-packed account of his time with the great Jack Davis in New York City a couple of weeks ago at the Brooklyn Comics & Graphics Festival, including a recap of the panel discussion with Davis he co-hosted at the festival with Gary Groth. Go, read, be delighted! (Photo by Ryan Flanders.)
We were thrilled to be able to present living legend of comics and illustration Jack Davis in conversation with Gary Groth at the Strand Book Store in NYC a couple of weeks ago, and now we can share the excitement via the Strand's video of the event posted on their YouTube account!
So, I've been in Florida for the past week visiting my wife's family for the holidays. Needless to say, I did a doubletake when I noticed this Honda parked next to our rental car outside a shopping mall in Naples:
I am dying to know whose car this is. Mort Walker? Jeff Mason? The guy from CrossGen? Anyone?
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