In the second volume of Shimura Takako's superb coming-of-age story, our transgendered protagonists, Shuichi and Yoshino, have entered the sixth grade. Shuichi spends a precious gift of cash from his grandmother on a special present for himself, a purchase that triggers a chain of events in which his sister Maho learns his secret, and Shuichi inadvertently steals the heart of a boy Maho in interested in.
The “woman” who showed so much interest in Yoshino (when she was wear- ing a boy’s school uniform) in Volume One reappears with “her” boyfriend, and becomes a mentor and friend to the two children. And the kids go on a class trip that is a rite of passage Shuichi would rather pass up. Shuichi is called a “faggot” by another boy, and the dramatic nature in which Saori comes to Shuichi’s defense leads the two to discover a shared fondness for Anne of Green Gables. But despite his propensity to cry (a propensity noted repeatedly by his more outgoing sister), Shuichi finds strength and courage he didn’t know he had.
A sophisticated work translated with sensitivity by veteran translator and comics scholar Matt Thorn.
• Review: "A lot of the conventions with which we are familiar from Pogo were birthed during this period, and most of the characters with which we are most familiar have already been fully realized during the initial Dell Comics run. Walt Kelly’s wit and charm is unmatched in the history of sequential storytelling, and is in evidence here fully developed. I’d get this book for Jimmy Breslin’s introduction alone. Go. Read this. You’ll charm the pants off of yourself." – Mike Gold, ComicMix
• Review: "Fan/historian Bill Schelly who, like Roy Thomas is from the first generation of organized comics fandom, knows his stuff and it shows. This isthe definitive biography of Joe Kubert, and I would say it is lavishly illustrated but the word 'lavishly' pales in comparison by even a quick flip-through of this 232-page tome. Pure and simple, this is the tribute that Joe deserves." – Mike Gold, ComicMix (same link as above)
In the inaugural edition of Jim Woodring's new email newsletter (which can be subscribed to at jimwoodring.com), he reveals the future (as yet unscheduled) existence of Problematic, a collection reproducing artwork from the many Moleskine sketchbooks he has filled throughout the years. A bit of this artwork was reproduced in The Comics Journal #301, and a bit more can be seen here.
Grab your doodle pad and follow along with Jim Woodring's simple instructions for drawing his beloved protagonist Frank, including his "chow flaps" and "rings of pulchritude," revealing the truth about Frank's "gloves" and "shoes" along the way. (Via our pals at Boing Boing.)
Join Pat at Vermillion as he hosts a reading for the book 33 Days: Touring In A Van, Sleeping on Floors, Chasing A Dream by Bill See. As Pat describes it: "If you remember when R.E.M was an indie-rock band, when the Minuteman were a source of political inspiration, when the Dream Syndicate was the most visceral guitar band in America, when college radio and not the internet was the only way to discover new music, when fanzines and not Facebook was how you made new friends, then Bill See's book about being 'on the road' with his band Divine Weeks in 1987 will entertain and inspire you...along the way the band discovers not just America, but themselves."
Pat welcomes both author Bill See and Divine Weeks' guitarist Raj Makwana. They'll also be joined by Fantagraphics friend, local journalist Chris Estey, who will be doing a reading as well. This free event starts at 6:00 PM at Vermillion [ 1508 11th Ave, Seattle ].
• List:About.com Manga's 2011 Best New Manga, as selected by Deb Aoki, includes Shimura Takako's Wandering Son Vol. 1 as Best New Seinen/Josei: Slice of Life: "Gender-bending is not unusual in manga, but it's rare to see transgender identity issues depicted realistically, not just as a plot gimmick. With her spare, elegant art and slice-of-life storytelling, Shimura tells a sweet and sensitive coming-of-age tale that opens your eyes and your heart to these kids and their unusual, but very real desires to be the boy/girl they know they really meant to be."
• Review: "This giant gift-book portfolio of [Jack] Davis' work reflects the high standard of design and archival presentation that is Fantagraphics' specialty.... There is a brief, punchy, informative introduction by fellow illustrator and conceptual designer William Stout, as well as a longer biographical essay at the end of the book by The Comics Journal's Gary Groth. Between these two helpful pieces are nearly 200 pages of uninterrupted artwork. The reproductions are assisted by the book's large 10-by-13-inch trim size. The size is indicative of Davis' influence, and it affords readers a panoramic view of the evolution and contributions of one of this country's most recognizable and influential cartoonists." – Casey Burchby, SF Weekly
• Review: "One thing that stories in Belgian cartoonist Olivier Schrauwen’s The Man Who Grew His Beard share is that they question their own form — and they usually feature bearded men who draw — but otherwise resist association.... So many storytellers are lauded for creating worlds so believable that they cause readers to forget. Presumably, readers forget their own realities, and become absorbed in the author’s imagined product. Schrauwen creates new worlds in every story, and these worlds envelope us, but he never allows us to forget. He doesn’t let us forget that he’s an artist, and that we are readers, and that those are his pencil lines and paint strokes on the page we’re reading. And this reminder of the form and experience is exactly what makes his stories seem so real. They refuse to deny the process with which we all struggle if rarely acknowledge, and that is the process of continually framing and creating the world in which we live." – John Dermot Woods, The Faster Times
• Review: "Accompanied by cheeky illustrations, Twain's narrative traipses from Gatsbyesque Jazz Age parties to hanging out with space robots to shrinking and befriending sentient ants. The tone is authoritative yet absurd, like your father telling you that he was definitely in an acid-induced threesome with Jessica Lange in the '70s. It's a silly and ironic romp..." – Grace Bello, Bookslut
• Review: "The material has been referred to by some as 'dark,' but I disagree. It’s not cute. It’s not really intended for kids. There are big laughs in Nuts, but they come from the reality of being a kid in America, and how disillusionment came with the territory when you embarked on the road to adulthood." – Rob Bradfield, Examiner.com
• Feature: Comics Alliance's Chris Sims has a fun spotlight on a seasonal Carl Barks story in Walt Disney's Donald Duck: Lost in the Andes: "...'The Golden Christmas Tree' might just take the fruitcake. After all, most of the other Christmas stories I've read don't involve a harvest of tears or someone turning into a woodchipper."
• Plug: "Fantagraphics have released two books in the last few years of Fletcher Hanks's fantastically strange comics. His work was around in the early twentieth century and it’s brimming with personality and energy. The books bring together some amazing stories and I can’t recommend them enough. Prepare to have your mind blown." – Jack Teagle, Lost at E Minor
I Like Comics likes Oil and Water, and this Vancouver, WA comic shop will be hosting a signing this Saturday, December 10th!
Author Steve Duin, columnist for The Oregonian, and Eisner-winning artist Shannon Wheeler will be signing from 1:00 to 4:00 PM. And a personalized copy of Oil and Water would make an awesome holiday gift, y'know.
I Like Comics is located at 2101 E. 4th Plain Blvd, Vancouver WA.
500 Portraits collects for the first time over two decades of portrait work by the beloved and award-winning creator of Drinky Crow’s Maakies, Sock Monkey and Billy Hazelnuts. Tony Millionaire’s gorgeous fountain pen illustrations, which mingle naturalistic detail with strong doses of the fanciful and grotesque, include the famous (Bob Dylan), the infamous (Abu Ghraib soldier/model Lynndie England), the fictional (Yoda), the animal kingdom (a cockroach), and everything in between. Literary figures (Hemingway), literary characters (Don Quixote & Sancho Panza), Hollywood legends (Steven Spielberg), comics icons (Hergé) and historical figures (Hitler) also figure prominently.
Millionaire’s impeccable linework resembles that of Johnny Gruelle (creator of Raggedy Ann and Andy), whom he cites as one of his main sources of inspiration along with Ernest Shepard and "all those freaks from the '20s and '30s who did the newspaper strips."
Many of these 500 portraits were created for The Believer, the magazine founded by Dave Eggers that Millionaire has helped define visually with his signature portraits of interview subjects in every issue since the magazine started. But it also includes dozens if not hundreds of illustrations from various other publications, including The New York Times, The New Yorker, Ephemera Press Historical Maps, The Wall Street Journal, and others.
“I think Tony Millionaire can only do important things.” — Dave Eggers
• List: The Austin American-Statesman's Joe Gross names Love and Rockets: New Stories #4 the best comic of 2011: "One of the wonderful things about seeing a masterpiece in the making is the mysterious feeling, the racing of the soul that takes place when it hits you that you are, in fact, seeing a masterpiece in the making.... Symphonic, tragic, revelatory, exciting and devastating as only great art can be, 'The Love Bunglers' is one of the best comics ever made."
• List:Paste ranks Dave McKean's Celluloid at #5 on The 10 Best New Comics of 2011: "The visionary art director behind The Sandman’s covers creates a coital masterwork that elicits beauty and excitement in equal measure.... Celluloid is a treasure of technical finesse and sensual mystique that transcends its potential controversy."
• List:Paste's list of The Ten Best Reissues/Collections of 2011 includes Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson at #9 ("Gottfredson had an animator’s knack for storytelling, and his layouts remain clear no matter how busy they get. Much of the humor is stilted by modern standards, but you’ll be too enthralled by the exciting plots and likable characters to care"), Jack Davis: Drawing American Pop Culture – A Career Retrospective at #7 ("Fantagraphics has finally given him the grand and serious treatment he deserves, without minimizing his goofy sense of humor"), and Walt Disney’s Donald Duck: Lost in the Andes in the #1 spot ("Barks’ strips combine high adventure with humor and subtle cultural commentaries, but they remain grounded in character... Lost in the Andes is a gorgeously packaged collection of some of the finest comics ever made.")
• List: At Poopsheet Foundation, Justin Giampaoli names Kevin Huizenga's Ganges #4 one of the "Best Mini-Comics & Small Press Titles of 2011": "It’s the continuing adventures of Glenn Ganges and his latest nocturnal outing, as he navigates his sleepless existence on a seemingly endless night. With the degree of interactivity occurring between the page and the readers, there’s as much technique on display here as there is original storytelling."
• List: Leeds, UK comic shop OK Comics posts their Top Ten Graphic Novels of 2011: "9. Like a Sniper Lining Up His Shot by Jaques Tardi published by @fantagraphics. A hitman's reluctance to perform one last job leads to an emotional breakdown. Legendary French comics artist Jacques Tardi on fine form."
• List:The Globe and Mail includes Pogo - The Complete Syndicated Comic Strips Volume 1: Through the Wild Blue Wonder by Walt Kelly in their "2011 gift book guide": "Fans of what for many is the greatest of all comic strips have waited a long time for this, the first of a projected 12 volumes (1949-1950) from the brilliant Walt Kelly. The congenial Pogo Possum and his swampland friends... spring to life in this collection of daily and Sunday comics, filled with Kelly’s characteristic wordplay. One hopes this will introduce a new generation to this comic, satiric masterwork."
• Review: "Pogo: The Complete Syndicated Comic Strips: Volume 1—Through the Wild Blue Wonder proves to be worth the wait.... Overall, the package serves Pogo well.... The biggest revelation of reading the first two years of Pogo is how polished and funny the strip was right from the start, and also how nearly every Pogo panel is a delight unto itself. Kelly didn’t necessarily build to big punchlines; he’d slip funny sight gags and memorable lines everywhere there was room. ...[T]here’s a classic Pogo moment on just about every page of this book." – Noel Murray, The A.V. Club
• Review: "Even now, Barks’ stories are clever and funny, as he leads the ducks into impossible situations and then gives them unexpected ways out. And they’re poignant in their own way, too.... What’s impressive about Fantagraphics’ Lost in the Andes is that it encourages both a fannish and an intellectual approach to the material. For those who want to skew highbrow, the book includes an appendix with scholarly analysis of each story.... And for those who just want to curl up with more than 200 pages of some of the best-written comics ever published, Lost in the Andes has all the square eggs, rubber bricks, golden Christmas trees, and races around the world that any kid or grown-up could ever want." – Noel Murray, The A.V. Club
• Review: "Fantagraphics’ initial release of its new series of Carl Barks books is titled, Walt Disney’s Donald Duck: Lost in the Andes and reprints one of the most famous, and most BELOVED, comic book stories which Carl ever wrote and drew! ...I’m impressed with the quality of the publication. In my estimation, the coloring is excellent and the format engaging…. The critical essays composed by a number of Barks scholars are also insightful and well written.... In my opinion, as a Carl Barks fan, this initial volume is well worth acquiring!" – Carl Barks Fan Club Newsletter
• Reviews: "Two... giants of American illustration get the handsome coffee-table-book treatment with Jack Davis: Drawing American Pop Culture and The Art of Joe Kubert... The Kubert book — edited by Bill Schelly — is more text-heavy, covering Kubert’s early years as a journeyman penciler and inker on a slew of indistinct superhero and adventure comics, then exploring how Kubert developed the fine shading and gritty realism he’d become famed for starting in the late ’50s. The Davis book saves most of its biographical detail and critical analysis for the intro and appendix, filling the intervening 200 pages with full-sized examples of the half-cartoony/half-photographic approach that Davis brought to Mad magazine and countless movie posters. Both offer ample visual evidence of how two men found the 'art' in commercial art, turning work-for-hire assignments into opportunities to express their particular visions of the world." – Noel Murray, The A.V. Club
• Review: "To (re-)discover a first-rate critic, and read about a life that went wrong in a harrowing way, you must read Everything Is an Afterthought: The Life and Writings of Paul Nelson, by Kevin Avery.... This volume is exhilarating. Avery tells with great energy Nelson’s tale, with copious details about the active period of his subject’s life, and in so doing limns a portrait of a certain kind of pop-culture/bohemian existence in the late-70s. And Avery’s generous selection of Nelson’s writings are certainly among Paul’s best..." – Ken Tucker (Entertainment Weekly), The Best American Poetry
• Review: "What makes Wandering Son work is its slow-burn pace and calm atmosphere. It takes a delicate subject – transgender children- and explores it slowly and carefully. Much like its characters, it moves at its own pace, easing the reader into the characters’ lives.... I am really eager to read volume two of Wandering Son, though a little hesitant as well. I know that the road in front of Shu and Yoshino isn’t going to be an easy one and I don’t want to see them get hurt. But the fact that I’m talking about the characters as though they’re real people just shows how deep this manga has gotten under my skin." – Shannon Fay, Kuriousity
• Review: "Richard Sala is one of those creators that holds a fairly unique voice in comics. Many people have tried to replicate his off-beat brand of horror, but ultimately nothing out there quite like his. So with a new graphic novel called The Hidden out, the question for most people won’t be, 'Should I read it?' but 'When should I read it?'... The Hidden isn’t perfect... but what Sala does well, he does very well indeed. There’s quite a lot to love in The Hidden, with some scenes in particular that will stick with the reader for a long time." – Greg McElhatton, Read About Comics
• Plug: "Have you ever wondered what happened after 'Happily Ever After'? This graphic novel [Castle Waiting] is a modern tale that incorporates fairytale characters and settings. Funny, thoughtful and not at all what you'd expect." – The Victoria Times Colonist
• Interview:Wall Street Journal subscribers can read a Q&A with Jack Davis conducted last week in NYC by Bruce Bennett here: "Every time you went in to see Bill Gaines, he would write you a check when you brought in a story. You didn't have to put in a bill or anything. I was very, very hungry and I was thinking about getting married. So I kept the road pretty hot between home and Canal Street. I would go in for that almighty check, go home and do the work, bring it in and get another check and pick up another story." [Update: A clever reader has pointed out that non-subscribers can read the article in Google's cache]
• Profile:CNN's Todd Leopold profiles the great Al Jaffee: "After a bumpy several years in which he bounced like a pinball between his parents -- moving from Savannah, Georgia, to Lithuania, to one borough and then another of New York City, back to Lithuania and back again to New York -- art was something to hold on to, a way to establish an identity. He had no idea it would lead anywhere."
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