Since their original publication, Peanuts Sundays have almost always been collected and reprinted in black and white, and generations of Peanuts fans have grown up enjoying this iteration of these strips. But many who read Peanuts in their original Sunday papers remain fond of the striking coloring, which makes for a surprisingly different reading experience.
It is for these fans (and for Peanuts fans in general who want to experience this alternate/original version) that we now present a series of larger, Sundays-only Peanuts reprints, which more closely duplicate that delightful, Sunday-morning reading experience and brings a splash of real color to Schulz's cast of colorful characters. Designed as a series of ten massive coffee-table quality books, each one containing a half-decade’s worth of Sunday strips, Peanuts Every Sunday will be a proud addition to any Peanuts fan's bookshelf.
As with most strips, Peanuts showed by far the quickest and richest development in its first decade, and Peanuts Every Sunday: 1952-1955, by compiling every strip from the first four years, offers a fascinating peek at Schulz's evolving creative process. Not only does the graphic side of the strips change drastically, from the strip's initial stiff, ultra-simple stylizations through a period of uncommonly lush, almost Pogo-ishly detailed drawings to something close to the final, elegant Peanuts style we’ve all come to know and love, but several main characters are gradually introduced — oddly enough, usually as infants who would then grow up to full, articulate Peanut-hood! — and then refined: Schroeder, Lucy, and Linus (Sally will make her very first appearance as a baby in our next volume.)
Following in the footsteps of Fantagraphics' acclaimed presentation of the Carl Barks material in Walt Disney's Donald Duck, Peanuts Every Sunday: 1952-1955 has been scrupulously re-colored to match the original syndicate coloring (including some unusual colors for Charlie Brown's trademark zig-zag shirt, before it was officially yellow), and is being printed using the same process of "mellowing" out of tones to avoid the sharp colors that sometimes mar reprints of syndicated strips — allowing readers once again to plunge back into Charles Schulz's marvelous world.
The various plot points and mysteries that Johnny Ryan has been sprinkling between disembowelings, pummelings, severed limbs, freakouts, transmogrifications, defecation, and messed-up genitals over the first four installments of his hit series Prison Pit begin to come together in Book 5.
In our downloadable excerpt, meet the asshole Prison Boss and his dumbshit minions, who witness what they think is the destruction of Cannibal Fuckface. But their premature celebration is interrupted with some bad news.
This book should arrive in time to grab the scythe away from the withered fingers of 2013 and hack baby 2014 into flying gobbets of meat. Pre-order (and get the exclusive "Cool Shit from the Pit" mini-comic) here.
"Being in an Ed Piskor comic is cool enough to freeze hot water." – Fab Five Freddy
"This is the comic of all time." – Biz Markie
"This is the comic I've been waiting 40 years to read." – Harry Allen (Public Enemy Media Assassin)
"If ever a chapter of modern American history were ripe for the Classics Illustrated comic book treatment, it is hip-hop's first decade. Ed Piskor, a talented writer and artist who has long savored the connections between comic books and hip-hop, has now written that chapter in the seductive and entertaining form of Hip Hop Family Tree. He weaves dozens and dozens of individual stories into an unprecedented book-length narrative encapsulating the out-sized drive, creativity, humor and violence that defined hip-hop culture from its gestation in New York's outer boroughs in the early Seventies to its thrilling first steps onto the world stage via records and tv in the early Eighties. ... It's a great great story and Piskor tells it immaculately well." – Bill Adler, co-author, Def Jam: The First 25 Years of the Last Great Record Label
"They say the story of Jesus is the greatest ever told, but JC didn’t steal a DJ mixer during the New York Blackout of '77 or bomb a subway car with Fab 5 Freddy. With his 'Hip Hop Family Tree,' comics artist Ed Piskor delves into the history of hip-hop and gets straight-up biblical, penning a 'who-begat-whom' with a b-boy twist." – Jonathan Zwickel, MTV.com
Will Elder: "Robert Crumb said that he's gotten everything he needed from me. That son of a gun."
William Gaines: "I've never believed in any kind of censorship against anything in any way for anybody nohow."
Al Feldstein: "It was an industry of a few innovators and a lot of followers."
Johnny Craig: "The Code insisted that we put in the last sentence, about how 'he knew in his heart she could not escape, for he wouldn't rest until she was punished.' And that made me angry at the time…"
Frank Frazetta: "I didn't realize you could actually paint for a living and get paid for it, that kind of thing. I just did it for fun. But you did comics to make a buck, see?"
Joe Kubert: "I did the best I could … and for whatever the reason, it just wasn't up to Harvey [Kurtzman]'s expectations, and I just couldn't see myself twisting myself any more than I already had."
Harvey Kurtzman: "I have many friends and acquaintances who literally were on something when they worked and you can see it in their work, which is not necessarily meant as a compliment."
George Evans: "This was the joy of working for Al [Feldstein]. When you brought in the finished art, he would say, 'Oh geez, I never imagined a picture like that."
Al Jaffee: "Haiti had one subscriber. The whole country. One subscriber. And he did not renew. And they had his address because it was mailed to him. So Bill got the whole Mad crew to go down to his house and ask him why he didn't renew."
"John Severin: "I walked down the line there, went up to Stan Lee, pulled out the gun and stuck it at him and I said, 'Stan. I came in for a raise.'"
The Pacific Northwest has become the center of a growing movement of handcrafted small press publishing. “Short Run Small Press Fest” is one of the country’s leading gatherings of self-publishing communities. Fantagraphics Bookstore & Gallery curator Larry Reid has selected two dozen artists to represent this movement in “Marathon: A Short Run Art Show.” This show of original drawings, prints and publications opens on Saturday, November 9 from 6:00 to 9:00 PM. The exhibition continues through December 11, 2013.
The Marathon title implies the epic effort often required to create a career in comix. To illustrate this concept, Reid has assembled an eclectic mix of emerging artists and accomplished cartoonists with self-publishing backgrounds. The show also acknowledges a new paradigm which affords artists the opportunity to fashion viable professions without the benefit of a major publisher. Fantagraphics Bookstore was an early advocate of the revival of small press media, which was once endangered by the ubiquity of the Internet.
Local artists Eroyn Franklin and Kelly Froh, joined by Fantagraphics Bookstore staffer Janice Headley, will present an expanded version of the annual “Short Run Small Press Fest” on Saturday, November 30 at Washington Hall in Seattle. “Marathon: A Short Run Art Show” provides a preview of festival exhibitors, including Robyn Jordan, Noel Franklin, Mita Mahato, Joe Garber, Fiona Avocado, Scott Travis, Peter Bagge, Tom Neely, Bettina McEntyre, Skill Shot, Max Badger, TBASA, Jim Blanchard, Aron Nels Steinke, Elaine Lin, and more.
The opening reception on Saturday, November 9 from 6:00 to 9:00 PM features musical entertainment by Tummy. This event coincides with the festive Georgetown Art Attack featuring challenging visual and performing arts presentations throughout the historic art community. Fantagraphics Bookstore is located at 1201 S. Vale Street (at Airport Way S.), minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM. Sundays until 5:00 PM. Phone 206.658.0110.
MARATHON A Short Run art show curated by Larry Reid.
Featuring Gabrielle Gamboa, Robyn Jordan, Noel Franklin, Coin Op, Mita Mahato, Scott Travis, Joe Garber, Fiona Avocado, Tom Neely, Nate Neal, Elaine Lin, Bettina McEntyre, Skill Shot, TBASA, Reid Psaltis, Bobby Mono, Aron Nels Steinke, Jim Blanchard, Peter Bagge, Kelly Froh, Eroyn Franklin, Max Badger, Shannon Wheeler, and more.
Opening reception Saturday, November 9, 6:00 to 9:00 PM Musical entertainment by TUMMY
A gender-swapped class production of Romeo and Juliet... what could possibly be more fraught for a couple of gender-questioning junior high schoolers? Maybe shopping for underwear for their changing bodies? That's the territory Shimura Takako sends her heroes Nitori-kun and Takatsuki-san into in the new volume of Wandering Son, with their idiosyncratic cast of friends, rivals, mentors, teachers and families adding to the drama, embarrassment and laughs.
In our free downloadable excerpt of the complete first chapter, see what the kids are up to on the first half of their summer vacation. The book should be out right around Christmas or New Year's, and you can pre-order your copy right here.
The lore of the early days of hip hop has become the stuff of myth, so what better way to document this fascinating, epic true story than in another great American mythological medium — the comic book? From exciting young talent and self-proclaimed hip hop nerd Ed Piskor, acclaimed for his hacker graphic novel Wizzywig, comes this explosively entertaining, encyclopedic history of the formative years of the music genre that changed global culture.
Originally serialized on the hugely popular website Boing Boing, Hip Hop Family Tree is now collected in a single volume cleverly presented and packaged in a style mimicking the Marvel comics of the same era. Piskor's exuberant yet controlled cartooning takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios, and radio stations where the scene started to boom, capturing the flavor of late-1970s New York City in panels bursting with obsessively authentic detail. With a painstaking, vigorous and engaging Ken Burns-meets-Stan Lee approach, the battles and rivalries, the technical innovations, the triumphs and failures are all thoroughly researched and lovingly depicted.
Piskor captures the vivid personalities and magnetic performances of old-school pioneers and early stars like DJ Kool Herc, Grandmaster Flash and the Furious Five, the Funky 4 + 1, Afrika Bambaataa, Kurtis Blow, The Sugarhill Gang, and three kids who would later become RUN-DMC, plus the charismatic players behind the scenes like Russell Simmons, Sylvia Robinson and then-punker Rick Rubin. Piskor also traces graffiti master Fab 5 Freddy's rise in the art world, and Debbie Harry, Keith Haring, The Clash, and other luminaries make cameos as the music and culture begin to penetrate downtown Manhattan and the mainstream at large.
Like the acclaimed hip hop documentaries Style Wars and Scratch, Hip Hop Family Tree is an exciting and essential cultural chronicle and a must for hip hop fans, pop-culture addicts, and anyone who wants to know how it went down back in the day.
Ed Piskor's first volume of the graphic novel that takes place in the past and is down with the beats, Hip Hop Family Tree, is available to read digitally on comiXology. The lore of the early days of hip hop has become the stuff of myth, so what better way to document this fascinating, epic true story than in another great American mythological medium - the comic book? From exciting young talent and self-proclaimed hip hop nerd Piskor, acclaimed for his hacker graphic novel Wizzywig, comes this explosively entertaining, encyclopedic history of the formative years of the music genre that changed global culture. Did you fall in love with Hip Hop Family Tree on BoingBoing or maybe this is your first foray into Piskor's well-documented universe.
One hundred and four full-color pages scream to be read. Plus, you get rapper and hip hop pinups by the likes of Brandon Graham, Jim Rugg and Jim Mahfood await you. Download Hip Hop Family Tree (volume one) on your reading device today for $18.99.
"This is the comic of all time." - Biz Markie
"His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers." -J.P. McNamara, DeMencha
The Comics Journal Library series is the most comprehensive series of lavishly illustrated interviews conducted with cartoonists ever published. To celebrate our republication of the legendary EC line, we proudly present the first of a two-volume set of interviews with the artists and writers (and publisher!) who made EC great. Included in the first volume: career-spanning conversations with EC legends Will Elder, John Severin, Harvey Kurtzman, and Al Feldstein, as well as short interviews with EC short-timers Frank Frazetta and Joe Kubert. Also: EC Publisher William Gaines on his infamous Senate subcommittee testimony, and probing conversations between Silver Age cartoonist Gil Kane and Harvey Kurtzman, as well as contemporary alternative cartoonist Sam Henderson and MAD great Al Jaffee.
Part of what made EC the best publisher in the history of mainstream comics was some of the most beautiful drawing ever published in comic books, and every interview is profusely illustrated by pertinent examples of the work under discussion. The EC artists were renowned for their attention to detail, and the reproduction here takes full advantage of the oversized art book format.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
240-page full-color 7.25" x 10" hardcover • $39.99 ISBN: 978-1-60699-640-9
"I think [Ditko's] a foundational mainstream talent, and one of the interesting ones like Johnny Craig in that a lot of his influence is felt more directly in areas outside of conventional mainstream funnybooks. I could read him all day. And then the next day." –Tom Spurgeon, Comics Reporter
"Ditko's distinctly off-kilter drawings and boldly potent composition" and the "meticulous restoration means that the stories look far better here than they did upon their original appearances." –Gordon Flagg, Booklist Online
156-page black & white/color 8.5" x 11" softcover • $19.99 978-1-60699-683-6
"These are all must haves, and every positive vibe I emanated up the screen in the direction of Steve Ditko goes double for Mr. Crumb. This is pretty prime time material in terms of the material that made and kept him an icon in the 1970s, but then again, nearly all of these volumes has something. I admire Fantagraphics for their commitment to keep this material in print." –Tom Spurgeon, Comics Reporter
144-page black & white/color 8.5" x 11" softcover • $19.99 978-1-56097-076-7
"The Complete Crumb series is especially useful in reminding us that Crumb has continued to evolve through the sixties. His more recent work is quieter and more literary... The most recent installment, collecting material originally published in Weirdo magazine, contains some of Crumb's best work." –The National Post
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