Are you ready to get Ghastly? Our next EC Comics Library volume Sucker Bait and Other Stories, featuring the nauseatingly expressive artwork of Graham Ingels, is a couple of months from haunting your shelves, as evidenced by the acrid arrival of advance copies in our cobwebbed lair. The Old Witch serves up a cauldron-ful of grue and rue in over two dozen classic creepfests, reprinted in glorious, gory-ous black and white. Peek through your fingers at 3 full stories and pre-order your copy right here.
208-page full-color 8.5" x 11" hardcover • $29.99 ISBN: 978-1-60699-742-0
“Great howling crashwagons!” The Richest Duck in the World is back — and so are noisy nephew Donald, wunderkinder Huey, Dewey, and Louie, and rascally richnik Flintheart Glomgold! Because you asked for it, we’re proud to present our first complete, chronological book of Duck adventures by contemporary fan favorite Don Rosa — following in the footsteps of Disney legend Carl Barks with an exciting, lovingly detailed visual style all his own! Rosa, among the world’s most beloved modern cartoonists, launched his Barksian career in 1987. Famed for his prizewinning “Life and Times of Scrooge McDuck,” Rosa wrote and drew a whopping two decades’ worth of ripping Scrooge and Donald yarns! Presented with sparkling color and “extras,” these Duckburg epics are getting a definitive, comprehensive North American edition for the very first time — at a price even Scrooge would consider a bargain!
(Note: specifications for this book have changed from the catalog!)
216-page full-color 7.5" x 10.25" hardcover • $28.99 ISBN: 978-1-60699-741-3
It’s off to Shangri-Lala for Donald, Huey, Dewey, and Louie, on a perilous expedition to bring back a rare unicorn for Uncle Scrooge! But it’s not as easy as it sounds, with a mysterious stowaway, intrigue, and double-crosses in this land of many secrets. But once you do catch a unicorn, what, exactly, do you do with him? Then, in a trio of frigid challenges — “Luck of the North,” “Land of the Totem Poles,” and “Serum to Codfish Cove” — the Ducks must face the perils of the north. Each story has been meticulously restored and re-colored. Insightful story notes by an international panel of Barks experts. Introduction by Jeff Kinney, bestselling author of Diary of a Wimpy Kid. Edited by Gary Groth.
"Beautiful. Gfrörer has a light touch in finding the yearning and humor amongst life's hard luck and even harder truths. A genuinely romantic and sensitive book." – Sammy Harkham
"Julia Gfrörer is amongst the most promising artist/authors of her generation. Her work is spare and elegant, yet the hand of the artist is always evident in her line. Her characters inhabit cold or desolate environments, often on the brink of inanition or beyond, yet still yearning to love and be loved. Do not be misled by this artist's sylphlike appearance and those great carrot-colored ramparts at her ear. Gfrörer is a powerhouse. Learn to spell her name." – Phoebe Gloeckner
"No one is wedding horror's darkness to an equally black, equally lacerating emotional palette as effectively as Julia Gfrörer.... When coupled with her delicate linework, the fragile physicality of her characters, and her explicit and non-idealized depictions of sex, the effect is gripping and even in our mundane world, ominously familiar." – Sean T. Collins
"Julia Gfrörer’s Black Is the Color... is sublimely weird. Or weirdly sublime — probably both." – Nick Abadzis
It was one thing to read Sunday color Peanuts comic strips from 1952 to 1955 at the rate of one per week, when they came out — and not only because they would have wound up in the trash like the rest of the Sunday paper, long before my brothers and I went to sleep that night. And it's quite another thing to read them all today, piled together in the present volume, one after the other, seven or eight panels at a time, as if they're the successive chapters of an ongoing serial — or maybe just the latest portions of an endless white picket fence that stretches towards some version of infinity or eternity (or at least roughly half a century of dependable continuity, in any case).
72-page black & white (with spot color) 6" x 9" softcover • $14.99 ISBN: 978-1-60699-734-5
A local medical expert and sheriff are summoned to investigate a strange sighting that sets the stage for Conor Stechschulte's debut graphic novella: a severed human head that still seems to be talking. We flash back to a pair of butchers who arrive at work one morning to find not only that there is no meat in their shop but also that they have forgotten completely how to do their job. As customers arrive, they are too fearful for their livelihood to admit their dilemma, leading to increasingly disastrous events. But what has caused their strange amnesia? This often hilarious, enigmatic, and uncomfortable book will establish Stechschulte as an exciting new talent.
240-page full-color 6.75" x 9.75" softcover • $28.99 ISBN: 978-1-60699-739-0
Before Spider-Man and Dr. Strange, the legendary comic book artist Steve Ditko was conjuring all manners of horrors at his drawing table. In his first two years in the industry (1953 and 1954), Ditko drew tales of macabre suspense that were not yet hobbled by the imminent Comics Code Authority (adopted in Oct. 1954). These stories featured graphic bloodshed, dismemberment, and blood-curdling acid baths as the ugly end to the lives of the dark and twisted inhabitants of Steve Ditko's imagination. Strange Suspense features spectacular full-color reprints of every story from those first two years of his career. Edited by Ditko expert Blake Bell. Now in paperback!
Black is the Color begins with a 17th century sailor abandoned at sea by his shipmates, and as it progresses he endures, and eventually succumbs to, both his lingering death sentence and the advances of a cruel and amorous mermaid. The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst case scenario.
Julia Gfrörer's delicate drawing style perfectly complements the period era of Black Is the Color, bringing the lyricism and romanticism of Gfrörer's prose to the fore. Black Is the Color is a book as seductive as the sirens it depicts.
416-page two-color 5.75" x 5.75" hardcover • $28.99 ISBN: 978-1-60699-737-6
Summer vacation is here and Tammy Pierce is back with more sometimes ordinary, often humiliating, occasionally poignant, and usually hilarious exploits! Her hopes, dreams, agonies, and defeats are brought to vivid, comedic life by Watson's lovingly grotesque drawings, filled with all the eighties essentials — too much mascara, leg warmers with heels, and huge hair, etc. — as well as timeless teen concerns like acne, dandruff, and the opposite sex (or same sex, in some cases). Unlovable addresses the mysteries of high school through Tammy's naivete; girls and women in particular will find much that resonates, but men will also relate to Unlovable's universal humor and loser cast of characters. Tammy's life isn’t pretty, but it is endlessly endearing and hilarious.
144-page full-color/b&w 7.5" x 9.875" softcover • $24.99 ISBN: 978-1-60699-740-6
Eleanor Davis's How to Be Happy is the artist's first collection of graphic/literary short stories, and it’s about time. Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such connoisseurial venues as Mome, Nobrow, and Lucky Peach, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills — sketchy drawing, polished pen-and-ink line work, and meticulously designed full-color painted panels — which are always in the service of a narrative that builds to a quietly devastating climax.
Do you like beautiful books? Do you like gorgeous illustration? Do you like fun, inventive comics? Then you will love Perfect Nonsense: The Chaotic Comics and Goofy Games of George Carlson, coming in January. Collecting Carlson's mostly youth-oriented work from the first half of the 20th century, Perfect Nonsense is brimming with clever whimsy and swoon-worthy artwork in a package so lovely we all crowded around designer Tony Ong and his pup Otis (out of frame) to congratulate him on a job well done when the first advance copies arrived.
220-page full-color 8" x 8" softcover • $29.99 ISBN: 978-1-60699-738-3
SuperTrash is the awaited, mutagenic sequel to Trash: The Graphic Genius of Xploitation Movie Posters (2002, Chronicle), the book that became a prophecy of the lasting influence of grindhouse and a model describing the shared evolution between art and trash. Now, original Trash author and curator Jacques Boyreau returns to the gonzo archives of 20th century design in pursuit of more bionic art-agony and trash-ecstasy. Serving together a mix of traditional movie signage and transgressive shout-outs, SuperTrash collages a trail of freakish delights and intellectual spin-kicks that track the co-dependencies of art and trash through sly, uncompromising essays about new wave hookers, bad gods, hermaphro chic, and, of course, Lee Marvin. Part psychedelic psychotronic, part poster book, part album cover book, part paperback pulp book. Interdisciplinary, quantal, and polyglottal, SuperTrash is Surrealism for the 21st century.
608-page black & white/color 8.5" x 11" two-volume hardcover boxed set • $94.99 ISBN: 978-1-60699-744-4
When the formulaic constraints, censorious nature, and onerous lack of creators' rights in mainstream comics got to be too much for the brilliant cartoonist Wallace Wood in 1966, he struck out on his own with the self-published witzend. It became a haven for Wood and his fellow professional cartoonist friends where they could produce the kind of personal work that they wanted to do, without regard to commercial demands — and with friends like Frank Frazetta, Al Williamson, Reed Crandall, Ralph Reese, Archie Goodwin, Angelo Torres, Steve Ditko, Harvey Kurtzman, Will Elder, Art Spiegelman, Don Martin, Vaughn Bodé, Jim Steranko, Jeff Jones, Howard Chaykin, Trina Robbins, Bernie Wrightson, and literally dozens more, it was bound to be a great ride! Now, Fantagraphics presents the complete run of witzend in this beautiful slipcased two-volume set with a special introduction by Bill Pearson and a history by Patrick Rosenkranz.
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