200-page full-color 7.75" x 10" hardcover • $29.99 ISBN: 978-1-60699-732-1
From tears to soda fountains, from mobsters to pretty ingénues in freshly pressed dresses, the stories of love and betrayal herein will prompt you to grab a tissue box or swoon in delight. Joe Simon and Jack Kirby's sensational romance comics continue in this sequel to 2012's acclaimed Young Romance. This volume covers 1947 through 1949 and includes stories about women from all walks of life — from French widows to released prisoners. Simon and Kirby invented the romance comics genre and explored all the flirtations, dalliances, and passions of the young men and women who populated their stories. Get swept away by the sheer delirium that these pages induced so long ago. These comics have been meticulously restored in order to produce one of the most striking and faithful reproductions of 1940s comics ever published. Edited by acclaimed animator and cartoonist Michel Gagné.
200-page full-color 7.75" x 10" hardcover • $29.99 ISBN: 978-1-60699-732-1
What is it about odd-looking comic strip characters that catch the public's attention? Carl Anderson's classic comic strip character Henry was certainly not your average-looking youngster, with knobby knees, a pencil neck, and a bulbous, bald head, but for years, he entertained millions of readers worldwide with his pantomime pranks. He was also the subject of a long-running comic book series, with one significant difference from the newspaper strip — in the comic books, Henry spoke! Written and drawn by John Liney, who also handled art chores on the daily Henry strip, these stories were done in a Tintin-esque clean-line art style that made them attractive to the younger set, but with writing clever enough to cause the adults to chuckle while reading to their children. These 1940s-'50s stories have never before been reprinted, and this collection provides a long-overdue look at a forgotten "kid's comic" masterpiece.
184-page black & white 7.25" x 10.25" hardcover • $28.99 ISBN: 978-1-60699-727-7
Joe Orlando was a mainstay at EC, especially on science fiction, and this collects 23 of his best sci-fi stories. All of them, most scripted by Al Feldstein, serve up classic O. Henry-style endings, such as “I, Robot,” and “Fallen Idol.” The title story is one of EC’s most famous, with its blunt anti-racism message. When it was printed during the era of the Comics Code, publisher Bill Gaines and Feldstein had to fight to keep the story’s final panel “reveal” (and thus its whole point) intact. It was a pyrrhic victory, however, as “Judgment Day” became the last story in the last comic book EC published. This volume also features two of Orlando’s outstanding adaptations of classic Ray Bradbury science-fiction stories: “The Long Year” and “Outcast of the Stars.” Also included are all of EC’s “Adam Link” adaptations, a series which was later adapted for The Outer Limits TV show featuring Leonard Nimoy.
four black & white hardcover volumes in a 7.5" x 10.5" boxed set, 832 pages • $94.99 ISBN: 978-1-60699-728-4
A boxed set of our first four books in our acclaimed EC Comics Library, which collects the best comics of the 1950s from the greatest mass market comic book publisher in history. Featured are: Corpse on the Imjin! by Harvey Kurtzman, et al.; Came the Dawn by Wallace “Wally” Wood, Al Feldstein, et al.; 50 Girls 50 by Al Williamson, Al Feldstein, et al.; and 'Tain’t the Meat... It’s the Humanity! by Jack Davis, Al Feldstein, et al. A great gift for Father’s Day or for the genre fiction fan in your life!
"EC Comics' output of crime, horror, and war comics have been reprinted and collected multiple times, but never like in Fantagraphics' new 'EC Comics Library,' which repackages some of the most influential comics ever published in writer/artist-driven volumes, printed in black and white.” – The A.V. Club
"The EC Comics Library collections display the grace of cartooning." – The Chicago Tribune
"Fantagraphics has been inventing unique ways to publish [this] treasure trove of '40s and '50s crime, horror and war comics." – The Toronto Star
"[Hornschemeier's] art encompass[es] many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache." – Publishers Weekly
"Hornschemeier's style is every style. ...a formidable creative." – Byron Kerman, PLAYBACK:stl
"Paul avoids the hammering sentimentality and labored connect-all-the-dots obviousness of too much contemporary work, in any media." – Jonathan Lethem
A self-portrait through one hundred portraits, Artists Authors Thinkers Directors explores cartoonist Paul Hornschemeier's sketchbook renderings of those who shaped his (and many others') artistic views.
Culled from his drawing blog — The Daily Forlorn, one of Tumblr's featured illustration blogs — these portraits are as stylistically varied as the subjects they portray. A scrawled, single line drawing of Lenny Bruce shares space with a triangular Werner Heisenberg. A monochromatic, stippled Stanley Kubrick stares intently at a muppet-headed Frank Oz. Each turn of the page offers a new take on a familiar face.
In the afterword, Hornschemeier includes brief notes on each portrait and that creator's particular work or insight that spoke specifically to him. And in that specificity, much of what is universally affecting in each creator shines through.
Hornschemeier's graphic novels hop from one aesthetic to the next, varying the line and color quality to depict his narrative's mood. He plays with the language of comics. In these portraits we can clearly see him hard at experimentation, adding to his vocabulary.
BONUS: The first four pre-orders we get for this book will also receive So-So Heroes, Paul's portfolio of 30 colorful, witty postcards, for FREE courtesy of Chronicle Books! It's an oddball collection of misfits, monsters, and utterly curious characters, all involved in hilariously insignificant adventures. Each image is rich with Hornschemeier's signature wit and visual flair. Order now!
144-page full-color 6" x 9" softcover • $19.99 ISBN: 978-1-60699-745-1
He’s back! Now in his 30s and married with child, onetime slacker hero Buddy Bradley gets a "real" job, shaves his head, dons an eyepatch, quits his "real" job and buys the local dump — because what better place to raise a toddler? Peter Bagge’s iconic character is to alternative comics what Homer Simpson has been to television animation over the past quarter-century: a generation-defining slacker and the greatest comedic character of its form and era. Featuring stories originally published in the comic book series Hate Annual from 2000–2011, as well as an all-new 20-page conclusion to the story arc, this book marks the first new book of Buddy stories since the now-perennial classics Buddy Does Seattle (2005) and Buddy Does Jersey (2007).
Kickstarter pre-order signed copies are gone for now, but we're working on talking Pete into agreeing to do more, so keep checking!
104-page black & white 8.5" x 11" hardcover • $19.99 ISBN: 978-1-60699-729-1
The suppression of family history is the initial thread that ties together The Love Bunglers, featuring Hernandez’s longtime Love and Rockets heroine Maggie. Because these secrets can’t be dealt with openly, their lingering effect is even more powerful. But Maggie’s ability to navigate and find meaning in her life — despite losing her culture, her brother, her profession, and her friends — is what’s made her a compelling character. After a lifetime of losses, Maggie finds, in the second half, her longtime off and on lover, Ray Dominguez. In taking us through lives, deaths, and near-fatalities, The Love Bunglers encapsulates Maggie’s emotional history as it moves from resignation to memories of loss, to sudden violence (a theme in this story), and eventually to love and contentment. Much like John Updike in his four Rabbit novels, Jaime Hernandez has been following his longtime character Maggie around for several decades, all of which has seemed to be building towards this book in particular.
In the 21st century, women cartoonists have more opportunities than ever before: graphic novels in bookstores and libraries, and comics on the Internet, have created audiences for influential books such as Persepolis (Marjane Satrapi), Fun Home (Alison Bechdel), What It Is (Lynda Barry), and Hark! A Vagrant (Kate Beaton). Trina Robbins’ lavishly illustrated Pretty in Ink shows that, although the comics field was dominated by men, beginning in 1896 and throughout the 20th century, more women have been professional cartoonists than people previously thought. Robbins showcases cartoonists such as Lily Renée — an Austrian woman who escaped from Nazis, only to draw action/adventure comics exploits as exciting as her own — and Eva Mirabal, a Native American corporal whose G.I. Gertie strip showed the wacky side of the Women Army Corps (WAC). Trina Robbins is and has been the preeminent scholar of comics “herstory” for more than 30 years, and those new to comics and longtime fans alike will find much to discover in this updated and comprehensive volume.
This glorious compilation of Peanuts Every Sunday is the debut volume that collects, for the first time ever, all the Peanuts strips that ran in everyone’s newspaper on Sundays — each comic strip reproduced in vibrant, warm full color! In this luxurious hardcover reprinting the years 1952 through 1955, Charles Schulz introduces Schroeder, Lucy, and Linus to his archetypal Peanuts cast of Charlie Brown and Snoopy.
"Charles Schulz was an American treasure — an artist, philosopher, and keen observer of human life." — Bill Clinton
Yes yes, y'all! Acclaimed young cartoonist Ed Piskor (Wizzywig) schools you on the old school in this essential, explosively entertaining, encyclopedic cultural chronicle of an American art form that changed the world. Hip Hop Family Tree (originally serialized online at Boing Boing) takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios and radio stations where the scene started to boom, in panels bursting with obsessively authentic detail.
The vivid personalities and magnetic performances of early stars like Grandmaster Flash, Afrika Bambaataa, Kurtis Blow, DJ Kool Herc, The Sugarhill Gang, and Funky 4+1 come to life, as do the no-less-charismatic players behind the scenes like Russell Simmons, Sylvia Robinson and Rick Rubin. And graffiti master Fab 5 Freddy meets Debbie Harry, Keith Haring, and Jean-Michel Basquiat as the music and culture begin to penetrate downtown Manhattan and the mainstream at large.
The Comics Journal Library series is the most comprehensive series of lavishly illustrated interviews conducted with cartoonists ever published. To celebrate our republication of the legendary EC line, we proudly present the first of a two-volume set of interviews with the artists and writers (and publisher!) who made EC great. Included in the first volume: career-spanning conversations with EC legends Will Elder, John Severin, Harvey Kurtzman, and Al Feldstein, as well as short interviews with EC short-timers Frank Frazetta and Joe Kubert. Also: EC Publisher William Gaines on his infamous Senate subcommittee testimony, and probing conversations between Silver Age cartoonist Gil Kane and Harvey Kurtzman, as well as contemporary alternative cartoonist Sam Henderson and MAD great Al Jaffee.
Part of what made EC the best publisher in the history of mainstream comics was some of the most beautiful drawing ever published in comic books, and every interview is profusely illustrated by pertinent examples of the work under discussion. The EC artists were renowned for their attention to detail, and the reproduction here takes full advantage of the oversized art book format.
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