Ten words I got to use in my translation of the upcoming second Adèle Blanc-Sec book (trying valiantly for an SPX premiere!): bollix, bolster (as a noun), deucedly, dingus, harridan, insensate, pied-à-terre, pithecanthropus, plinth, and thoroughfare.
"Cut from linoleum with oil-based ink applied to the ridges, the drawings are rudimentary but charming, a stripped down version of what Marjane Satrapi did in Persepolis. What's clear, though, is the perspective of the outsider, which O'Connor refined in her debut novel Wise Blood and stories such as 'A Good Man is Hard to Find.' ... Even though the cartoons are largely comic, and lack the richness of detail that a short story affords, it would be wrong to dismiss them as juvenilia…. The darkness she would make her own is already showing its teeth…. The cartoons, then, remain a glimpse of what might have been. And for fans, this is that all-too-rare commodity: a 'new' Flannery O'Connor book to slip on the shelf besides the scant few books she left us with."
"O’Connor’s funny drawings are distinguished both by the author’s morbid sense of humor and surprisingly sharp and memorable visual sense. Nearly a half-century after her death, O’Connor continues to surprise."
For those wondering whether there would be a follow-up to our well-received 2010 anthology Newave! The Underground Mini-Comix of the 1980s, good news! Editor Michael Dowers is now seeking submissions for two more volumes with a wider chronological reach. Here's the announcement, as posted at the mini-comics community site Poopsheet Foundation:
This series will cover mini comics from the dawn of time (early 70's) to the present. Since Newave has already been covered, the main focus will be on the 1990's to the present although earlier minis will be covered too. The books will be the same size (only more like 700 pages each) but will only reproduce mini comics that are 5 1/2 X 4 1/4 or smaller just like the Newave book. The two volumes are to be simply titled "Treasury of Mini Comics" Volumes one & two.
I am looking for contributors. I am looking for the best of the best. Any creator can send me their mini comics, disks, or photocopies to be considered for publication for this project. Or email me and send low-res jpegs to:
Please send titles to: Michael Dowers, 361 E. Birnie Slough Rd., Cathlamet, WA 98612.
If they want their material returned it is important to enclose return postage. Any mini comics that are kept will be placed in the Fantagraphics collection after the books are published. Also anybody sending actual mini comics will receive comics in trade from Brownfield press.
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread with our releases scheduled to arrive in your local comic shop in September 2011 (give or take — some release dates have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
You'll find hotly-anticipated titles like the next volume of Walt Disney's Mickey Mouse by Floyd Gottfredson (a Diamond "Staff Pick"!), Pogo Vol. 1 (yes, Pogo!); The Art of Joe Kubert ("Certified Cool"!); the new Prison Pit; the Golden Age cover collection Action! Mystery! Thrills!; and our next prose book, Alexander Theroux's Estonia. See them all here!
Gary Panter's collected Dal Tokyo is on our spring list and production on the book is proceeding apace. Here, courtesy of Raymond Sohn, who is working on the book with Gary P., is a sneak peek at the new, much much improved (from the "horrible protocover" — Gary's words — that we used for our catalogs last time) cover.
If we publish the first Pogo book, the Joost Swarte collection, and this one all within about six months of each other, then, dear readers, what will you have left to complain about in terms of superlate books from Fantagraphics by next summer?
Don't answer that; we know there's a bunch. (B. Krigstein Vol. 2, for one.) Allow us our moment of relative triumph here.
Kevin Huizenga has revealed the cover art for Ganges #4 over on his blog — there will be a few tweaks before it goes to press, but this is pretty close to the final version. The issue makes its debut at Comic-Con next month and it's in the Previews catalog this month (with the old cover art) for shipping to comic shops in August! (Hats off to Sean T. Collins at Robot 6 for scooping us with the reveal.)
Joyous news for those of us who feared we had seen the last of Tammy Pierce: Esther Pearl Watson reports on Facebook that she's completed the first 120 pages of Unlovable Vol. 3! Will it cover summer vacation at Meemaw's on Lake Texoma or jump to first semester Junior year? I can't tell from these tantalizing glimpses of the work in progress. Esther's always busy with multiple projects so a completion date is unknown, but in the meantime if you haven't experienced Tammy's sophomore year yet, get to it!
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread with our releases scheduled to arrive in your local comic shop in August 2011 (give or take — some release dates have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions. (And we'll continue and hopefully improve this feature every month!)
You'll find hotly-anticipated titles like the next Love and Rockets, Oil & Water (both "Certified Cool"!), the new Ganges, Kupperman's Twain book, our long-awaited Toth book, new editions of The Frank Book, and a new classic pin-up collection. See them all here!
Here's your first look at the final cover art for Mark Twain's Autobiography 1910-2010 by Michael Kupperman, which we just sent off to the printer for a September release! (We may need to adjust the color of the cloth binding in the image once we see printed samples, but it should be pretty close.) Earlier today our own Eric Reynolds tweeted: "A funnier book you will not read this year. I think the old coot would approve."
THE ADVENTURES OF JODELLE Written by: Pierre Bartier; Drawn by: Guy Peellaert Hardcover • Full-Color Release: May 2012
PRAVDA Written by: Pascal Thomas; Drawn by: Guy Peellaert Hardcover • Full-Color Release: November 2012
FANTAGRAPHICS ACQUIRES RIGHTS TO TWO LEGENDARY BELGIAN CLASSICS: PEELLAERT'S THE ADVENTURES OF JODELLE AND PRAVDA
Fantagraphics Books has signed a deal to release two groundbreaking graphic novels from cult Belgian artist Guy Peellaert (1934-2008): The Adventures of Jodelle (1966) and Pravda (1967). The remastered editions will be produced in collaboration with the late artist's estate, which will contribute previously unseen material for extensive archival supplements.
Both albums were originally released in France by Eric Losfeld, the controversial publisher who passionately defied censorship in the lead-up to the cultural revolution of 1968; along with Jean-Claude Forest's Barbarella, Peellaert's Jodelle and Pravda were among the earliest of European adult-oriented graphic novels.
The Adventures of Jodelle, whose voluptuous title heroine was modeled after French teen idol Sylvie Vartan, is a satirical spy story set in a Space Age Roman-Empire fantasy world. Its then-revolutionary clashing of high and low culture references, borrowing as much from Renaissance painting as from a fetishized American consumer culture, marked the advent of the Pop movement within the nascent "9th art" of comic books, not yet dignified as "graphic novels" but already a source of great influence in avant-garde artistic circles. Visually, Jodelle was a major aesthetic shock. According to New York magazine, its "lusciously designed, flat color patterns and dizzy forced perspective reminiscent of Matisse and Japanese prints set a new record in comic-strip sophistication."
Released a year later and first serialized in the French counter-culture bible Hara-Kiri, Pravda follows the surreal travels of an all-female motorcycle gang across a mythical American landscape, led by a mesmerizing cold-blooded heroine whose hyper-sexualized elastic anatomy was this time inspired by quintessential Gallic chanteuse Françoise Hardy. Pravda's eye-popping graphics pushed the psychedelic edge of Jodelle to dazzling new heights, further liberating the story from narrative conventions to focus the reader's attention on the stunning composition and glaring acid colors of the strips, with each frame functioning as a stand-alone cinematic picture.
From Pravda — click to enlarge
Pravda, with its themes of female empowerment and beauty emerging from chaos, became an instant sensation on the European underground scene, inspiring various tributes and appropriations from the worlds of film, literature, fashion, music, live arts, advertising or graphic design. Over the years, it has acquired a rarefied status as a unique and timeless piece of Pop Art defying categorization or trends, and has found itself exhibited in such unlikely "high culture" institutions as the Musée d'Orsay or the Centre Pompidou. An early admirer of Peellaert's radical vision — along with luminaries as diverse as Jean-Luc Godard (who optioned the film rights to Pravda) and Mick Jagger — Frederico Fellini praised Jodelle and Pravda as "the literature of intelligence, imagination and romanticism."
The Adventures of Jodelle was published in the United States in 1967 by Grove Press, whose legendary editor-in-chief Richard Seaver (the man credited with introducing Samuel Beckett, William Burroughs and Henry Miller to America) also provided the translation; Pravda has never been released in English, despite its lead character transcending the long out-of-print book where she originated to become a peculiar iconic figure, the maverick muse of a few "au courant" art and design aficionados from Paris to Tokyo.
Refusing to cash in on the phenomenal success of Jodelle and Pravda (he viewed the former as a one-time graphic "experiment" of which the latter marked the accomplishment) the reclusive Peellaert abruptly left cartoons behind after only two albums at the dawn of the 1970s to pursue an obsessive kind of image-making which painstakingly combined photography, airbrush painting and collage in the pre-computer age. His best-known achievement in America remains the seminal 1973 book Rock Dreams, a collection of portraits which resulted from this distinctive technique and was hailed as "the Sistine Chapel of the Seventies" by Andy Warhol's Interview magazine, eventually selling over a million copies worldwide, influencing a generation of photographers and earning its place in the pantheon of rock culture. Other well-known creations include the iconic artwork for David Bowie's Diamond Dogs album cover (1974) as well as The Rolling Stones' It's Only Rock ‘N' Roll the same year. Peellaert also created the indelible original poster for Martin Scorcese's Taxi Driver (1978), the first of many commissions from renowned auteurs including Wim Wenders, Robert Altman, Stephen Frears, Alain Resnais and Robert Bresson.
As the original negatives and color separations for Jodelle and Pravda are long lost (interestingly, Peellaert never reclaimed the original ink-on-paper pages from Losfeld) Fantagraphics will be re-coloring both books digitally. "The original books were colored via hand-cut separations from Peellaert's detailed color indications," said Fantagraphics co-publisher Kim Thompson, who will be editing and translating the new editions. "Since the Losfeld editions were printed quite well and Peellaert's linework is thick and simple, we're going to be able to generate crisp black-and-white versions of the line art to start from which should duplicate the original ‘look' exactly. Although actually our edition of Pravda should be better than the original, which had some pretty erratic color registration."
The Adventures of Jodelle is scheduled for release in May 2012, and Pravda in November 2012, both in deluxe oversized hardcover editions. Each will feature an extensive original essay discussing the works and their historical context, accompanied by numerous archival illustrations and photographs.
"I am terrifically excited to bring these two landmark books to American audiences — especially Pravda, which has never been published in English," said Thompson. "They are some of the most graphically jaw-dropping comics ever put to paper. They remain both quintessentially 1960s in attitude and look, and utterly timeless."
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