I had a great time at OCX last weekend. I'm too caught up in catching up to write any kind of report, except to say that the convention is tiny and splendidly run, Norwegians are all wonderful people, the weather was exactly like Seattle except the days were longer (the shots outside Jason's gallery opening were at something like nine o'clock at night as I recall) and any cartoonist who gets invited by OCX, go, just go!
All photos by Lynn Emmert except as noted.
Jason had a small art show opening during the convention, featuring priceless original art elegantly hung from a clothesline, a little selection of cool new paintings (zombies, Hitler, the usual) on corrugated cardboard featuring several of his characters, and Jason animations.
Outside the Jason opening. From left to right, Steffen Kverneland, the back of Dash Shaw's head, me, unknown, Lars Fiske, Jason. Fiske and Kverneland are the co-creators of the great graphic novel/biography Olaf G., about which you will be hearing much more soon.
Reverse angle: From left to right, the back of Jason's head, Fiske, Kverneland, Shaw, me. I don't know why the store sign in the background apparently says "Bugger." Which is almost as funny as the sign my wife and I saw on a Danish ferry once, since "Have a Good Trip" in Danish is "God Fart."
The banner-festooned entrance to the library, the upper floor of which is entirely taken up by the comics library,"Serieteket." Picturesque Scandinavian blonde woman on bicycle in foreground. (They're just everywhere.)
Me being interviewed on stage by journalist Erle Sřrheim. [Photo provided by OCX]
The Drinky Crow bar is open for business. Patrons include Dash Shaw and Dave Cooper to the left; the bartender was from Oregon, oddly enough.
Close-up of the counter, advertising "Beer -- wine -- sodas."
Tony Millionaire, me, and a couple of Finns, one bearing a Drinky Crow tote bag with the Scandinavian equivalent of DOOK DOOK DOOK.
Now the joint is hopping! I can't identify most of these people but the tall dude in the group on the left is dashing No Lo Comprendo Press publisher Espen Holtestaul (publisher of Olaf G., Daniel Clowes, Persepolis, and the Norwegian edition of Jimmy Corrigan, which deservedly won the "best Norwegian edition of a foreign comic" Sproing award the following day), and you can see Lars Fiske next to him.
Yes, let's visit that library! Kverneland and the blurry back of my head.
The "Serieteket" library. Please, lock me in here and throw away the key. [Photo provided by OCX]
Look at all those comics! And hey, there's our own MOME! "Gorilla" is the name of an anthology, by the way, not a thematic grouping (which if so would have had a lot of 1960s DC comics).
Dash Shaw art display at the convention, studied closely by female fans -- perhaps lured by the amazing glam photo of Dash that led off his introduction to convention-goers earlier that day, much to Dash's consternation.
The convention tent. It was lovely until the cold snap hit late in the afternoon. Eventually they had to bring the guy at the door a shawl and mittens. [Photo provided by OCX]
Actually, this picture is in perfect focus: It's Tony who's blurry.
The Fantagraphics panels: Dash Shaw, Dave Cooper, Dave Cooper's dad me, Jason, and Tony Millionaire. We all love Oslo and hope to come back soon!
Like the Patterson-Gimlin film, here is your blurry evidence of the Fantagraphics panel at this past weekend's Oslo Comics Expo, showing (left to right) Dash Shaw, Dave Cooper and Kim Thompson, uploaded by Twitter user @Iselin_Evensen. (Not pictured: fellow panelists Tony Millionaire and Jason.) You can tell from the refreshments on the table there (presumably served from the festival's on-site bar, The Drinky Crow) that this was a European festival. We're hoping to wangle a show report and some photos out of Kim for Flog, and we're keeping our eye on the OCX site for more photos & media, so stay tuned.
Some great news: Dash Shaw and his producing and creative partners for their in-development animated feature film The Ruined Cast have hit the fundraising goal they set for themselves on Kickstarter with several days remaining before the deadline! There's still time to contribute: "Exceeding our goal will allow us to go even deeper into the dark pre-production and production phases — create even more backgrounds, maybe even cast and record all of the dialogue for the film. We will put any funds raised to good and thrifty use." Plus you'll get in on the pledge incentives, which include postcards, prints, or being drawn into the movie.
• Interview: The L.A. Times Hero Complex blog's Noelene Clark talks to Carol Tyler about her L.A. Times Book Prize-nominated You'll Never Know, Book 2: Collateral Damage: "I had to read a lot of war books and Army accounts and talk to veterans and talk to Marines and everybody about what this thing is. Because it’s kind of aside from our culture. It’s not the dominant thing in our culture, so unless you know somebody in the Army that’s been there, it’s not something you’re going to come across. It’s a very nuanced, very difficult thing. It’s often stereotyped. So I was surprised to find the great humanity, the great story inside war service, whether you’re a World War II veteran or any other wars."
• Interview: At the L.A. Times Hero Complex blog, Noelene Clark also talks to Dash Shaw: "I started making comics really early. My dad had comics lying around the house. I’ve always made comics. I feel like I know a lot about comic history because it’s been my primary interest my whole life, from Marvel and superhero comics to Japanese comics to Franco-Belgian comics. I kind of have this psycho interest in comics from all over, so I feel very much like a cartooonist, and I feel really proud to be on the same shelf as all of that other stuff…."
• Laura Park has been busy drawing spot illos for an 826 Chicago project (like Joey & Johnny Ramone buying $20 worth of Brussels sprouts, above) and rescuing cats with fellow cartoonist Julia Wertz — it's all documented on her Flickr page
• Review: At Comix Cube Kevin Czap praises Steven Weissman's "Barack Hussein Obama" (seen here on our website and in Mome Vol. 21): "It actually reminds me of Wally Gropius in terms of the structure, which is not surprising given its appearance in MOME. One can only hope that the whole thing will get collected, at which point I predict it to be one of my favorite comics ever." (Via The Comics Reporter)
• Review: We almost missed this cartoon review by Casey Scieszka and Steven Weinberg at Unshelved Book Club: "…The Last Musketeer… is the epitome of everything we love about Jason: stunning color palette, insane and absurd plot, humor that sneaks up on you, his signature anthropomorphized animals, and surprisingly serious themes of authority, humanity, death, love, jealousy…"
• Profile: At Examiner.com, Gillian Gaar talks to editor/EMP curator Jacob McMurray about Taking Punk to the Masses: From Nowhere to Nevermind: "The book, as its title suggests, views Nirvana’s success as the culmination of the alternative rock scene that blossomed in America during the 1980s. 'That’s the bigger context in the exhibition as well,' McMurray explains. 'It is the story of Nirvana, but it's couched within what was happening throughout the Northwest, and throughout the US, from the rise of punk rock on. It’s the idea that there needs to be a sort of infrastructure in place for a band like Nirvana to even exist; that without all of these advances that had been happening in the underground by a dozen different bands, Nirvana would have never happened.'"
• Interview:Comic Book Resources' Chris Mautner talks to Gilbert Hernandez about Love from the Shadows and the other "Fritz B-Movie" books: "The Fritz series frees me of any obligation to be a do-gooder cartoonist, something most regular L&R readers probably don't want to hear. I felt straight jacketed with 'Palomar' and the like after a while, really. I have a lot more going on in my imagination than I'm expected to utilize." Further reading: at CBR's Robot 6 blog, Sean T. Collins comments on the interview
• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editors Jessica Abel & Matt Madden spotlight two stories from Mome Vol. 13 as 2010 Notable Comics: Abel picks Dash Shaw's "Satellite CMYK" — "Dash Shaw just keeps popping up in our 'can’t miss' pile. [...] Beyond being a good story, the formal element of using color (and black and white) as a storytelling tool is very unusual and makes this work a standout." — and Madden picks Josh Simmons's "Jesus Christ": "The storytelling is fluid and dynamic, and Simmons’s ability to convey the enormity of the monster is bracing. Simmons deliberately mixes elements from different mythologies to defy any obvious reading. In the end, all we have before us is this escstatic Kali-Godzilla-Centaur with a halo of fire and a title to provoke us."
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!