Open reception! Open critique! It's Open Ending, a show opening and closing this weekend, Saturday, August 27th and Sunday, August 28th, featuring new works by CalArts MFA students and recent graduates, such as our very own Esther Pearl Watson!
Esther tells us she's been working on some larger paintings in this space, so if you're in the L.A. area, head to The Farley Building this weekend at 1669 Colorado Blvd. They'll be doing a 12 hour marathon critique on Sunday, with participating artists and the general public. Go tell Esther her stuff rocks!
And if, like us, you live far away and are sad about missing out, Esther has sent over a sneak peek of her new work, so check it out below!
Our friends at Poketo have just released a new series of wallets entitled "You're a Riot, Grrrl!" -- each wallet featuring artwork by bold female artists, like Lisa Hanawalt, Hellen Jo, and our very own, Esther Pearl Watson!
I got the "Unlovable" wallet at San Diego Comic-Con, and lemme tell ya, so far, it's been quite lovable! The inside design boasts the truth "1978 Honda Hatchbacks are sexy" (damn straight) and it comes with a 1" Tammy Pierce button.
Poketo even did an illustrated interview with Esther on their blog, which you can read here, and you can get a wallet for yourself here. Totally.
One of the many awesome things about San Diego Comic-Con was getting to chat with pioneer of female comic art, Joyce Farmer, and current champion of the ladies, Esther Pearl Watson. We talked about how it wasn't always so easy to be a woman in the comics world. So, a show like this, spotlighting the latest wave of amazing women artists, just makes me really, really happy.
The Webb Gallery is located at 209 West Frankin Street in Waxahachie, TX, and the show runs through September 18th. And here's a print I spotted (and snapped a pic of!) at Esther's booth at SDCC that seems particularly appropriate for the show:
Okay, we can't offer you the ninety-minute wait in ninety-degree weather outside the convention center, the greasy ten-dollar pizzas, the terrifying crush of Saturday afternoon attendees here to get an autograph from a Battlestar: Galactica co-star, or the sight of costumed attendees who apparently only chose the Flash costume because their more appropriate pick, Jabba the Hutt, was out. But what we can do is this!
SORRY YOU WON'T GET THE EARLY BOOKS?
The following books will have their world premiere in San Diego. If you order them directly from us we will have them sent to you directly from our main U.S. distributor's warehouse where they land on their journey from overseas in August, which means you will be getting your copy a few days before even the first of our distributors get them. (Note: U.S. orders only. Rush shipping not available — choose Media Mail from the shipping options to avoid being overcharged.) To this list we will even add The Armed Garden, The Cabbie, and Walt Disney's Mickey Mouse by Floyd Gottfredson Volume 2, three books that for various reasons will miss San Diego and thus you will really be the first customers to get!
You can preview many of those books right now here on our website, and the rest of them shortly after our web guy comes back from San Diego! Just hit those links above and you'll see links to download PDF excerpts, and stay tuned for our usual photo and video previews.
Part of everyone's San Diego experience is to ask the Fantagraphics moguls penetrating questions such as "Where the hell is Pogo?" and "Why don't you publish XXXX??" and "Which Jacques Tardi album should I buy first?" For this weekend only, if you have a question for Gary Groth, Kim Thompson, or Eric Reynolds, add your question to your order and whoever you're addressing will personally answer it!
SORRY YOU CAN'T TAKE ADVANTAGE OF DESPERATION SALES?
On the last day of the convention, as Gary, Kim, and Eric survey the piles of unsold books and "God, do we have to lug all these back home?" panic sets in, suddenly fantastic sales deals begin to materialize faster than you can say "HOW MUCH for that Box Set?" Therefore we are not only offering 20% OFF EVERYTHING on our website — use coupon code FANTACON11 at checkout — but a whopping 50% OFF ALL our biggest and heaviest books (see them all here — note that items are discounted 40%, which works out to 50% when the coupon discount is applied) during the convention and beyond, from Thursday, July 21 (that's today!) through Monday, July 25 — and you won't even have to lug them home or pay all those extra baggage fees! We'll send them to you!
Fantagraphics is puttin' the "comics" back in Comic-Con as we head to San Diego this week with a slew of scintillating signings, almost two-dozen dynamite debuts, and a collection of comics sure to please any comics fan... and fill those enormous free tote bags they give away at the door.
Friday, July 22nd: • 10:30-11:30 Comics Arts Conference Session #5: Critical Approaches to Comics: An Introduction to Theories and Methods— Matthew J. Smith and Randy Duncan with panelist, Andrei Molotiu. [Room 26AB] • 1:00-2:00 Comics Arts Conference Session #6: Wordless Comicswith Andrei Molotiu. [Room 26AB] • 12:00-1:00 CBLDF Master Session 3: Jaime Hernandez [Room 30CDE] • 1:00-2:00 Publishing Queer: Producing LGBT Comics and Graphic Novels with moderator Justin Hall [Room 9] • 1:00-2:30 The Golden Age of the Fanzine moderated by Bill Schelly. [Room 24ABC] • 10:30-11:30 Cartoon Network Comedy: Regular Show/The Problem Solverz and More! The Problem Solverz talent includes Ben Jones, John Pham, and Jon Vermilyea. [Room 6A]
• Review: "In Joyce Farmer’s powerful Special Exits the people are more people-like than I have encountered in comics in a long time.... It is moving without being sentimental. Real without being pedantic; a solid graphic novel that reads, well, like a novel! ...Special Exits is packed with details that can only come from observation and experience. Farmer is a close observer.... Special Exits is one of the most engrossingly human comics and, ultimately, one of the most moving... Joyce Famer has brilliantly conveyed what it is to be human. To live, to die. To ripe, to rot. And thereby hangs her tale." – Paul Karasik, The Comics Journal
• Review: "Here is Volume One of Roy Crane's Captain Easy, a wonderfully colorful and nicely designed Sunday page from 1933-35. Crane’s style is a wonderful paradox: broadly cartoony characters against nice filigrees of background illustration. The eye is lost in the pastel colors, the bold crossword puzzle layouts, the simple lines, and the breathless breezy action. The adventures never let up, and no scrape is too tight for this impossibly ingratiating and resourceful hero.... This book is more than a historically interesting sociological artifact; it’s a delight. Rating 9/10" – Michael Barrett, Popmatters
• Review: "[In Isle of 100,000 Graves] Vehlmann seamlessly takes on Jason's laconic style and deadpan irony for a genre-blending adventure with all the subversive wit one would expect from a Jason tale…. This light, entertaining take on 19th century adventure stories is sheer enjoyment. Grade: A" – Mike Sebastian, Campus Circle
• Plug:Comics Alliance's Caleb Goellner recommends Thursday's Love and Rockets panel at Comic-Con: "Even if you haven't had a chance to delve into the admittedly dense (in a very good way) Love & Rockets stories by Gilbert, Jaime, and Mario Hernandez, you can soak up some serious inspiration from this panel and L&R's 30 years of history. Fantagraphics co-founder and The Comics Journal EiC Gary Groth is moderating, which means the book's cultural significance should resonate beyond the fan speak usually associated with these kinds of things. If you've got a free hour, we recommend investing in this panel and checking out L&R on the floor afterward."
Joyous news for those of us who feared we had seen the last of Tammy Pierce: Esther Pearl Watson reports on Facebook that she's completed the first 120 pages of Unlovable Vol. 3! Will it cover summer vacation at Meemaw's on Lake Texoma or jump to first semester Junior year? I can't tell from these tantalizing glimpses of the work in progress. Esther's always busy with multiple projects so a completion date is unknown, but in the meantime if you haven't experienced Tammy's sophomore year yet, get to it!
• Review: "Clemente blazed trails and provided a role model to millions who needed one. Santiago's work here manages to capture the magic and mystery of that position by putting Clemente on something of a pedestal, but it all hangs together very well. It's exciting and incredibly easy to read. Santiago's art is fantastic. [...] Santiago's 21 is a treat. Its 200 pages fly by, the visuals are great, and the dialogue dead-on. The last few pages are heartbreaking and effective." – David Brothers, Comics Alliance
• Review: "Unlovable by Esther Pearl Watson has to be the best contemporary comic strip. [...] One would think the story of some suburban high school girl in the eighties has been done before. And, yes, it has been done before time and time again. Yet, what Watson does is somehow find a strange world that has yet to be traversed, regardless of time period: it crosses the lines Ghost World drew and that Freaks & Geeks clarified, but it views it through the eyes of a more confident Anaïs from Fat Girl. The result is a brilliant and 'Ain’t Too Proud To Beg' account from a high school wannabe who thought she was — and wanted to be — it all. It’s brilliant: the comic anthology is the best piece of literature that I have read since the last time I read any sort of book in its entirety..." – Kyle Fitzpatrick, The Fox Is Black
• Interview: The subject of Richard Gehr's latest "Know Your New Yorker Cartoonists" column for The Comics Journal is Gahan Wilson: "But the outfit I fit in with instantly, was National Lampoon. That was a remarkable assemblage of brilliant sons of bitches. Its spirit was insidious. It was like being part of a pirate crew. We were like some kind of religious sect. We were out to show the bastards, by God, and we did, very effectively. I just wish something like that would happen again. But there’s no sign of it whatsoever, even though things are much worse now than they were then."
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