• Review: "Remember that kid in school? The one with the pen sketchings on the back of his Trapper Keeper full of wicked violence and jagged lines? Ever wonder what happened to him? Well, he's Johnny Ryan and he's all grown up and making some of the most in your face comics today. Prison Pit is something you have to experience to believe. An artistic achievement in storytelling (most of the pages are wordless) on a pure guttural and simplistic level. Highly recommended for those of you who like a bit of dirt and grit with your comics." – Mark L. Miller, Ain't It Cool News
• Commentary: "My sit-down read of this Captain Easy volume is really the first time I’ve devoted much time to actually digesting the narrative of Crane’s work — and the first time I’ve really read and enjoyed an 'adventure' strip (unless you count Segar’s Popeye)." – Ben Towle
• Analysis: At The Manga Curmudgeon, David Welsh uses a sampling of critical reaction to Moto Hagio's A Drunken Dream and Other Stories to examine "the notion that the creative work of women, particularly when that work is created for women, is critically undervalued."
• Review: "Literally, I could not put down this book once I hit the second half. Every story is fantastic, because it takes these interesting genre detours and makes them seem just as more true than you could possibly imagine. ...I think sometimes people overlook the sheer potential that human conflict can give. Moto Hagio's A Drunken Dream, if nothing else, is a reminder of that, giving a plethora of all-too-human situations under the occasional sci-fi or fantasy trope. If you're looking for a densely-written change of pace that gives great insight into the career of a fantastic artist, you owe it to yourself to give this a look." – David Pepose, Newsarama
• Review: "All and Sundry is a very traditional sort of random-stuff-from-my-file-drawers collection, subtitled "Uncollected Work 2004-2009": the first half is "Drawings and Stories"... Most of these pieces were designed to stand as separate artistic works, and they're all pretty successful. (There are some mostly-text pieces here as well, all published originally in Mome, which are of respectable-literary-quarterly style and quality...) [...] And then the second half of the book is "Sketches and Notes"... These pages are less finished, obviously, and would be of greatest interest to other cartoonists... [I]f you are [a Paul Hornschemeier fan], you'll find a lot to be excited about here." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview: John Hogan of Graphic Novel Reporter talks to Cathy Malkasian about her graphic novel Temperance: "Moderation has been taking a beating in our culture for a while now. If you measure things by our shock-soaked media environment, then the whole world is wallowing in nuttiness and hysteria. Moderation has been reduced to a quaint ideal, but it’s really the engine in the back room, running everything."
• Interview: At Examiner.com, Marvin Miranda posts a months-spanning email conversation with Jacques Boyreau about Portable Grindhouse and the joys of VHS: "There's this chicken/egg first and very fascinating question about 'what we are' based on whether as career voyeurs our first exposure was to [analog] or digital, and what it means to switch from one texture consumption to the other.... I don't know how else to really put it except that it is important to be vigilantly beware of digital. It is a closed, sealed signal whereas the burning grain of projected film and its bastard buddy analog video, are open signals."
Online Commentary & Diversions returns from the U.S. holiday:
• List:About.com: Manga places Moto Hagio's A Drunken Dream and Other Stories at #19 on their list of "50 Essential Manga for Libraries": "Collected for the first time in a gorgeous hardcover edition, A Drunken Dream offers a rare glimpse into the work of one of Japan's most distinctive and influential creators in shojo manga, and heck, manga, period. Worth recommending to both older teen and adult readers alike."
• Review: "Hagio draws these stories as if a full symphonic score were playing in the background. Her delicate, razor-thin pen line expertly captures her characters’ wide-eyed, open-mouthed anguish effectively. [...] I, certainly, am very glad that Fantagraphics made the effort (and judging by the exceptional production values it was a tremendous effort) to get this book out there ...because... beyond Hagio’s historical significance, [A]Drunken Dream [and Other Stories] is a book that deserves attention." – Chris Mautner, Robot 6
• Review: "Ever since it was announced in March (was it really that long ago?), I’d been looking forward to reading [A Drunken Dream and Other Stories] by legendary Moto Hagio. [...] It would be a real shame if Fantagraphics didn’t get any supportive business from this collection and demand for more. [...] I’m looking forward to reading more, and adding to the crying list!" – Sunday Comics Debt (who also provides the following two links)
• Review: "BUY. THIS. BOOK. No, seriously, buy it now. [...] I don’t think there is a single thing wrong with this book; Hagio-sensei touches on each of the topics she chooses to use with such perfection and …delicacy? that you can’t help but be amazed at how she does it. [...] I can’t wait for the next volume of manga Fantagraphics chooses to put out! They did a beyond amazing job with [A Drunken Dream and Other Stories]." – Kelakagandy's Ramblings
• Plug: "This week... everything fades in the presence of a newly-released collection of short manga from shojo pioneer Moto Hagio, A Drunken Dream and Other Stories. [...] Simply put, this book is gorgeous. [...] This is a release I’ve been eagerly anticipating since its announcement. Visit your local bookstore to find out why." – Melinda Beasi, Manga Bookshelf
• Review: "'Greatest Generation' hoopla will never seem the same after You’ll Never Know: Collateral Damage, book two in Carol Tyler’s sprightly but relentlessly honest 'graphic memoir'... [T]his is the story of not just a family but a generation, or two or three. And all are told with a saving dash of humor. Tyler’s form, a mix of scrapbook, diary, and cartoon panels, is likewise messy and eccentric, but it pays off in layered textures and viewpoints. Two famous precedents, Art Spiegelman’s Maus and Marjane Satrapi’s Persepolis, seem almost one-dimensional by comparison." – Eric Scigliano, Seattle Met
• Review: "While there aren’t necessarily many surprises in the story, Set to Sea is more about the savoring of a series of vivid moments (both for the lead character and the reader) than any sort of narrative complexity. With each page acting as a single panel, the true joy of reading Set to Sea is luxuriating in Weing’s intense crosshatching and detail. [...] Indeed, in a book whose visuals have such a powerful impact, Weing’s decision not to overwrite (and especially not to over-narrate) was his wisest. With nearly 70 of the book’s pages appearing as silent, the result was a book that understood and maximized its charms." – Rob Clough, The Comics Journal
• Interview:Nicola D'Agostino presents the original English text of the Drew Weing interview which ran at Comicsblog.it so you don't have to struggle through the mangled autotranslation: "So one day in 2005, I drew a panel with a guy sleeping. The only thing I knew about him was that he was a big fellow. I spent more than a year adding to it bit by bit, just improvising panels as I went. I started Set to Sea with no idea that it would be set in the past, or even set on the sea, so to speak!"
• Review: "...[T]he Billy Hazelnuts books are safe for children, while still being unique and complex enough for adults. Here Millionaire combines a gung-ho adventure spirit with a tempered yet still present darkness — two strains that have been the keys to so much of the greatest children’s literature. [...] Tony Millionaire is a genius and the Billy Hazelnuts books may be his best work. Imagine if Beatrix Potter had dropped acid with the 60s underground comix crowd or if A.A. Milne had collaborated with Franz Kafka. If you love fun, hilarious, and plain weird stories, then Billy Hazelnuts is for you." – Lincoln Michel, The Faster Times
• Profile/Preview: A gallery of images from the book accompanies this article: "See the work of Dan DeCarlo in the book The Pin-Up Art of Dan DeCarlo, published by Fantagraphics, which plunges into an alternate universe where Betty, Veronica, Sabrina grew up and live out situations that summed up the lewd sexual desire of men in the time before the sexual revolution of the twentieth century." – Ambrosia (translated from Portuguese)
• Interview: At his Cats Without Dogs blog, Jason presents a brief Q&A he recently did with the Spanish newspaper El Periodico de Catalunya: "I can hear the voice of a woman, from somewhere above me. 'Don't cry,' her voice says. 'One day you will see Neal Adams at a comic book convention in America.'"
• Feature:USA Today Pop Candy's Whitney Matheson spotlights Jim Woodring and his giant pen project: "I can't wait to see the pen and the drawings! (Also, can we start a campaign to get a live demonstration in New York?)"
• Commentary: At The Hooded Utilitarian, Ng Suat Tong surveys the use of buildings in comics and then looks specifically at architecture in Josh Simmons’s House
• Review: "For the most part, Four Color Fear: Forgotten Horror Comics of the 1950s might be viewed as a graphic/comic aficionado’s plaything, but there are lots of material that a social historian should find relevant. [...] Editors John Benson and Greg Sadowski have done extensive research to collate the best of EC’s competitors... and have diligently digitally restored the art to reflect the standards of that era. [...] By the way, I found the images hilarious. Yup." – Robert Birnbaum, The Morning News
• Review: "A Drunken Dream and Other Stories, the Fantagraphics collection of short stories from across Moto Hagio’s career, is one of those books that spoils you. It’s so lovingly conceived and beautifully produced, and the material it contains is so strong that it’s hard not to envision who might be next to receive this generous treatment. Hagio, one of the founders of modern shôjo manga and great contemporary manga in general, certainly deserves as much of a gracious spotlight as publishers are able to provide. [...] It’s also vibrant reading." – David Welsh, The Manga Curmudgeon (He's also giving away a copy — click for details.)
• Plugs: "There’s a nice pile of interesting things from Fantagraphics this week. Firstly there’s A Drunken Dream & Other Stories by the legendary Moto Hagio, whose acclaimed shōjo (girls’ comics) are seeing print in English for the very first time. There are ten stories in this collection which spans an entire career of work (Hagio’s been at it for over 40 years) along with an interview and a foreword by underground comix iconTrina Robbins. [...] Grotesque #4 is the final chapter of Sergio Ponchione’s bizarre masterpiece, Interiorae #4 is the final glimpse you’ll get into the lives of everyone in the apartment building, but Niger #3 is not the end and nor isSammy the Mouse #3. Handsome books. And they always smell nice." – The Gosh! Comics Blog
One of our most anticipated books of the year is scheduled to hit comic shops this week. Read on to see what comics-blog commentators are saying about our releases this week, click the book links for more info and previews, and contact your local shop to confirm availability.
288-page black & white/color 7.25" x 9.75" hardcover • $24.99 ISBN: 978-1-60699-377-4
"...[T]his much-anticipated 288-page hardcover Fantagraphics collection of assorted short comics by Japanese girls’ comics pioneer Moto Hagio is functionally (if not intentionally) a corrective of sorts. [...] This... is a new gold-hued Hagio for a Golden Age of Reprints in the mighty manga manner..." – Joe McCulloch, Comics Comics (extracted from a full review)
"The class of this week's offering, an engaging selection of stories from a very talented creator. The history, but the stories just work as weird, little stories." [I think there might be some words missing there – Ed.] – Tom Spurgeon, The Comics Reporter
"Let’s go right to the pick of the week, shall we? That would be Moto Hagio’s A Drunken Dream and Other Stories, the first result of the Fantagraphics-Shogakukan team-up that’s being curated by Matt Thorn. It’s a deeply glorious book that brims with Hagio’s psychological and emotional insights." – David Welsh, The Manga Curmudgeon
"It’s a book with a great deal of historic and literary importance, but beyond that, it’s just a great read, and that’s good enough for me." – Brigid Alverson, Robot 6
"...[A] collection of short stories spanning several decades from a true pioneer and a cartoonist who helped shape the shape the face of manga, shojo manga especially." – Chris Mautner, Robot 6
• Review: "It's hard not to get swept away your first time reading this book through. The gentle tug of the stories' allure that keeps you reading is hard to ignore so it's recommended you give in. Read it all the way through at your own pace. Once you're done, wait a few days or a couple weeks even, and then read it again. A Drunken Dream and Other Stories is a collection of subtleties as much as it is one of short stories. While the plots themselves are straight-forward enough (taking to mind how strange some can be), the emotional tone of each individual experience is where these stories truly pack a memorable punch. [...] Inside and out, Moto Hagio's A Drunken Dream and Other Stories is a mature collection of stories that aims to provoke thought and feeling and succeeds endearingly at just that. A piece of manga history that only becomes more engaging with each subsequent read, A Drunken Dream presents a great opportunity to experience the charms, both subtle and poignant, of Moto Hagio's craft." – Lissa Pattillo, Anime News Network
• Review: "While reading A Drunken Dream and Other Stories, it felt like I was not so much reading the stories as getting submerged in pure book, and rather than try to explain why that is, I just feel the need to force everyone I know to buy it while making vaguely incoherent happy cries. [...] It is a dazzling treat, and will mesmerize you. [...] If this doesn't win some awards it will be a travesty. Wholeheartedly recommended." – Sean Gaffney, A Case Suitable for Treatment
• Tweet of the Week: "Best story in Drunken Dream is the antisocial girl/puppy one, though it's missing the last page where Mr. A kicks the shit out of everybody." – Joe "@snubpollard" McCulloch
• Review: "...[T]his superb retrospective compilation and biography [The Artist Himself: A Rand Holmes Retrospective] featur[es] scads of sketches, reproductions of drawings, cartoons and the paintings he created in his later life..., preserved with a copious collection of his wickedly wonderful underground and alternative comic strips for fans and soon to be devotees. [...] Rand Holmes was a true artist in every sense of the world and mostly produced work intended to change society, not fill his pockets. This book is a wonderful tribute and one any grown-up art lover will marvel at and cherish." – Win Wiacek, Now Read This!
• Review: "As usual with Jason, these stories [in Low Moon ] are blackly funny, with characters whose core motivations are often unknown. [...] He's been a creator of great stories for many years, but there has always been something glancing and surface-y about his works before. Jason has always been deadpan, but he's showing, some of the time, unexpected depths in that pan." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "There are books that can be easily reviewed — they have straightforward plots that either make sense or don't, characters whose motives are explicable and definable, and settings that relate to places in the real world. And then there are the works of Jim Woodring, where nothing is explained, nothing is stable, and nothing is like anyone else's work. And it's absolutely goddamn genius. [...] There is no one like Jim Woodring, and comics are immeasurably strengthened by the fact that he's chosen this art-form to work in. [...] If you have any feeling in your soul, Weathercraft will confuse and mesmerize you." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "At the age of seven (right on schedule!) Dylan has discovered Charles Schulz, and has polished off my entire collection of The Complete Peanuts hardcovers, from 1950 to 1976. As a result, by my math, he has read nearly 9,500 daily and Sunday strips. Most published before I was born, let alone before he was born." – Ken Jennings
• Plug (no pun intened): "Michael Kupperman is a funny guy, and pretty weird. His Tales Designed to Thrizzle carries on the madness... This one, however, rises to new heights with its appreciation of DRAINAGE!" – Lichanos, Journey to Perplexity
• Plug: "Drew Weing has finished his nautical adventure Set to Sea, bringing the story neatly back around in a circle. Told in a series of beautifully drawn single panels, Weing’s comic is the story of a sea-loving poet who gets shanghaied and learns the real thing is rougher and yet more beautiful than he had imagined. Fantagraphics has published a lovely print volume, and Weing is selling the original panels as well." – Brigid Alverson, Robot 6
• Interview: Our Italophone readers (or readers with the patience to work through a slightly jumbled autotranslation) will want to check out Comicsblog.it's interview with Set to Sea creator Drew Weing
• Coming Attractions: "It seems like it’s been forever since the gorgeous hardcover collection of the first set of Linda Medley's Castle Waiting stories. Fantagraphics will release 384 more pages of charming comics about the family-of-choice residents of a falling-down castle along the way." – David Welsh, The Manga Curmudgeon
• Review: "What to say about Catalog 439? It's a crazy-arse thing, full of richly illustrated intricate drawings of smartly dressed men torturing each other with ridiculous devices. [...] What you get with this book then is not just a fascinating glimpse into a little known corner of American social history, but the template for many of the ad pages from the silver and bronze age comics that so many of us comic collectors love. I really enjoyed it and, although it isn't about comics, I would recommend it to anyone with an interest in the history of comic book advertising." – Dom Sutton, London Loves Comics
• Review: "At this point, I don’t know what else there is to say about Jamie Hernandez or Love and Rockets. I suspect that one day he’s going to make a truly terrible comic, if only because he must feel at least a little bit bad about showing nearly every other creator up so often. ...Penny Century is yet another masterpiece from a guy who turns them out seemingly like clockwork. If you haven’t read it, you need to. ...Jamie Hernandez’s exploration of life continues as an unimpeachable standard for comic book mastery." – Michael C. Lorah, Newsarama
• Review: "[Artichoke Tales] is far and away the best comic I've ever read from Megan Kelso, succeeding on almost every level. Her clear-line style gives an airy ease to her often detail-heavy drawings of nature and the people who inhabit it; similarly, her complex exercise in fantasy worldbuilding — and I don't mean detailed maps with funny names, I mean real worldbuilding, constructing cultural and religious and economic structures rooted in environment and history and exerting macro and micro influence across the lives of all the characters involved — is subsumed into an absorbing, briskly moving house-divided family soap opera. [...] I dug this book to a degree that surprised me and look forward to returning to it. It's a rich vein of alt-fantasy being tapped here." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Kelso's simple line and rounded forms belie the seriousness of the story. [...] Ultimately, Artichoke Tales is not so much a story about conflict as a story about the people reacting to the conflict, doing their best to live lives of integrity in a land of constant unrest. Although good intentions are often thwarted, it ends on a note of hope." – Brigid Alverson, Graphic Novel Reporter
• Plug: "I picked [A Drunken Dream and Other Stories] up at San Diego and it's one of those 'seminal' manga works that actually lives up to its hype. If you like Tatsumi, this is a good bet." Lydia Park, Ask Yavin IV (Funny, we don't remember seeing her at San Diego... That's a joke because she's a cartoon character.)
• Plug: "This is amazing news — one of my favourite cartoonists finally receives his due. I was starting to think that he had slipped through the cracks of cartoon history. ...[Rand Holmes] was a fantastic draftsman, surprisingly old-school, and his meticulous inking something that I could only ever hope to dream to aspire to." – Rod Filbrandt
• Plug: "...[T]he second volume of [Johnny Ryan's] battle epic Prison Pit... is amazing, nasty, and Lovecraftian." – Ryan Sands, Same Hat!
• Interview: "Newsarama: Billy Hazlenuts is like a children’s fable gone wrong, reminiscent in way of the old, dark Grimm Brothers tales with a modern, high-octane approach. Is that what you’re going for? Tony Millionaire: Take a closer look at those Grimm's Fairy tales, or even better, Hans Christian Anderson, and you'll tell me my stories are chocolate milk sopped on toast compared to that stuff."
This book is available with a signed bookplate as a FREE premium! The bookplate has been uniquely designed for this book, and each bookplate is printed on acid-free cardstock and hand-signed by the author. (Click here for more books available with signed bookplates.) Please select your preference when adding the item to your shopping cart. Signature plates are VERY limited in quantity and available only WHILE SUPPLIES LAST.
Forty years ago, the legendary manga artist Moto Hagio reinvented the shōjo (girls' comics) genre with an ongoing series of whip-smart, psychologically complex, and tenderly poetic stories. Here, now, in English for the very first time, as the debut release in Fantagraphics Books' ambitious manga line of graphic novels, are ten of the very best of these tales.
The work in A Drunken Dream and Other Stories spans Hagio's entire career, from 1970's "Bianca" to 2007's "The Willow Tree," and includes the mind-bending, full-color title story; the famously heartbreaking "Iguana Girl"; and the haunting "The Child Who Comes Home" — as well as "Autumn Journey," "Girl on Porch With Puppy," the eerie conjoined-twins shocker "Hanshin: Half-God," "Angel Mimic," and one of the saddest of all romance stories, "Marié, Ten Years Later."
A Drunken Dream and Other Stories is supplemented with a feature-length interview with Hagio, where she discusses her art, her career, and her life with the same combination of wit, candor and warmth that radiates from every panel of her comics.
At Comics Alliance, David Brothers presents a sampling of 6 pages from A Drunken Dream and Other Stories, saying "Moto Hagio is one of the greatest Japanese manga creators you've never heard of. ...Hagio helped take the genre to new heights, incorporating science-fiction, boys' love, and mature themes of sexuality and gender. She not only blazed trails as one of the earliest female manga creators, but also proved to be particularly successful and critically-acclaimed over the course of her career in Japan. [...] Fantagraphics' release of A Drunken Dream is only the first step of educating American manga fans and neophytes alike about this influential pioneer."
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