Comic-Con keeps rolling out their 2011 programming schedule — today they've posted Saturday's lineup and it features our can't-miss 35th Anniversary panel which will include a couple of announcements that will knock your socks off. Here's what Fanta fans will want to catch:
10:00-11:30 50 Years of Comic Fandom: The Founders— It's hard to believe but it's been fifty years (more or less) since that peculiar institution called Comic Book Fandom was born. Meet some of those who were there at the inception, including Jean Bails, Paul Levitz, Dick and Pat Lupoff, Richard Kyle, Bill Schelly, Roy Thomas, and Maggie Thompson along with moderator Mark Evanier, as they discuss how fandom came to be and just what it was. Room 24ABC
11:30-12:30 Bill Blackbeard: The Man Who Saved Comics— In the 1960s, while writing a history of the American comic strip, Bill Blackbeard learned that most of the nation's libraries were discarding their newspaper archives in favor of microfilm, destroying countless pages of comics in the process. Over the course of the next three decades, Blackbeard and his volunteers at the San Francisco Academy of Comic Art amassed a collection of more than 2.5 million comics, including virtually every comic strip ever syndicated in U.S. newspapers. When he passed away earlier this year, Blackbeard had contributed to more than 200 comic strip collections, including the beloved Smithsonian Collection of Newspaper Comics, and his work had inspired generations of cartoonists, historians and fans. Cartoon Art Museum curator Andrew Farago, publishers Gary Groth and Dean Mullaney, editor and herstorian Trina Robbins, and Jenny Robb, curator/assistant professor from Ohio State University's Billy Ireland Cartoon Library & Museum celebrate Blackbeard's life and legacy. Room 24ABC
12:30-1:30 Fantagraphics 35th Anniversary— Fantagraphics Books was founded in 1976 with the launch of their first publication, The Comics Journal. Since then, they've grown to become one of the world's foremost publishers of literary comix and comic strips. Publishers Gary Groth and Kim Thompson offer a multimedia presentation highlighting their favorite works from the past 35 years, as well as previewing some of their upcoming favorites. Expect a major announcement or two, as well! Room 24ABC
1:00-2:00 Spotlight on Anders Nilsen— Comic-Con special guest Anders Nilsen debuts his magnum opus, the 800+-page Big Questions, which he began self-publishing over 10 years ago and which quickly placed Nilsen at the forefront of alternative cartoonists. He is part of the Chicago comics collective The Holy Consumption with Jeffrey Brown, John Hankiewicz, and Paul Horsnchemeier and was recently featured in the Museum of Contemporary Art in Chicago. Join him as he presents a slideshow of his work from his haunting postmodern fable. Room 4
2:30-3:30 The Art of the Graphic Novel—Andrew Farago (curator, Cartoon Art Museum) talks with graphic novelists Chester Brown (Paying for It), Seymour Chwast (Dante's Divine Comedy), Eric Drooker (Blood Song), Joyce Farmer (Special Exits, A Memoir), Joëlle Jones (Troublemaker), Jason Shiga (Empire State: A Love Story (Or Not)), and Craig Thompson (Habibi) about their work in the genre that has elevated comics to mainstream bookstores all over the world. Room 24ABC
This fascinating-looking exhibit which originated at the Cartoon Art Museum in San Francisco last summer is now traveling to Toronto. From the announcement:
Graphic Details is a groundbreaking touring exhibition, providing the first in-depth look at a unique and prolific niche of graphic storytelling — Jewish women's autobiographical comics. While the influential role of Jews in cartooning has long been acknowledged, the role of Jewish women in shaping the medium is largely unexplored. This exhibition of original drawings, full comic books and graphic novels, presents the powerful work of eighteen Canadian and international artists whose intimate, confessional work has influenced the world of comics over the last four decades, creating an entirely new genre.
Featuring work from artists: Vanessa Davis, Bernice Eisenstein, Sarah Glidden, Miriam Katin, Aline Kominsky-Crumb, Miss Lasko-Gross, Sarah Lazarovic, Miriam Libicki, Sarah Lightman, Diane Noomin, Corinne Pearlman, Trina Robbins, Racheli Rotner, Sharon Rudahl, Laurie Sandell, Ariel Schrag, Lauren Weinstein, Ilana Zeffren
Graphic Details: Confessional Comics by Jewish Women Originated by Michael Kaminer and Sarah Lightman February 17th to April 17th, 2011 Opening Reception Thursday February 17th, 7:30PM-10PM (Artists in attendance) @ Koffler Gallery Off-Site at the Gladstone Hotel, 1214 Queen St W Free to Attend
More info here; there's a great lineup of related events here.
This looks like an excellent and well-due survey of a robust but underacknowledged area of comics: "Graphic Details: Confessional Comics by Jewish Women" opens at San Francisco's Cartoon Art Museum on October 1, featuring work by Vanessa Davis, Bernice Eisenstein, Sarah Glidden, Miriam Katin, Aline Kominsky-Crumb, Miss Lasko-Gross, Miriam Libicki, Corinne Pearlman, Sarah Lightman, Sarah Lazarovic, Diane Noomin, Trina Robbins (above), Racheli Rottner, Sharon Rudahl, Laurie Sandell, Ariel Schrag, Lauren Weinstein, and Ilana Zeffren.
From the announcement: "The Forward, the leading independent Jewish weekly newspaper and web site, is media sponsor, and will publish the show’s catalog as an eight-page newspaper broadsheet. The catalog will include the last story written by Harvey Pekar, the legendary writer and pioneer and autobiographical comics. Pekar had been collaborating with artist Tara Seibel on the essay for 'Graphic Details' at the time of his death."
We are exceedingly pleased to report that Fantagraphics publications and artists received a record 18 nominations for the 2010 Eisner Awards. To celebrate, we're offering these titles at 18% off for a limited time! Click here for the full sale selection. (Sale is valid for online and phone orders only.) Winners will be announced at a ceremony on Friday, July 23, 2010 at Comic-Con International in San Diego. Congratulations to all the nominees! Fantagraphics' nominations are as follows:
• Best Adaptation from Another Work: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi • Best U.S. Edition of International Material: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
Spot the common thread in today's Online Commentary & Diversions:
• List: At The Truth About Comics Mario Z. Alipio (aka MZA) posts his top 11 comics of 2009, including You'll Never Know Book 1: A Good and Decent Man by C. Tyler at #6 ("A brilliant and disarmingly vulnerable historical memoir that converts a family's personal anguish into adult wisdom and grace. Part documentarian and part emotional wreck, Tyler examines her secretive father's WWII past and her own disintegrating marriage w/ an enviable balance between sensitivity and fearlessness"), Pim & Francie by Al Columbia at #9 ("Gorgeously reproduced — rough pencil marks, taped edges, discolourations, and all — this might be the sweetest thing to stare at, dumbly, in my whole library"), and Ganges #3 by Kevin Huizenga at #10 ("Huizenga conceives brilliant new methods of shorthand comix communication the way monkeys learn sign language to get the banana") (via The Comics Reporter)
• Plug: "New in this week from Fantagraphics is Almost Silent, a collection of four earlier original graphic novels by the brilliant Jason. Regulars will know we love Jason’s work and if you’ve been meaning to read some and somehow never quite got round to grabbing the earlier works then this lovely little hardback is the perfect introduction (and it even looks pretty on your shelf)." – The Forbidden Planet International Blog Log
• Interview: At Super I.T.C.H., Beth Davies-Stofka, who says "Fantagraphics’ The Brinkley Girls: The Best of Nell Brinkley’s Cartoons from 1913-1940 is seductive and spell-binding, a siren call of exploding color and really, really pretty girls," talks to the editor of the book, Trina Robbins, who says "If you see Nell out of context, all you see is beautiful art, but the writing that goes with it is necessary in order to really understand what she was doing."
#1, You'll Never Know, Book 1: A Good and Decent Man by C. Tyler: "A mash-up of family portrait, generational analysis, autobiography and scrapbook, this book was not only the most emotionally powerful work of the year, it was the most attractively designed. The first part of what will likely be Tyler’s masterwork."
#6, Like a Dog by Zak Sally: "This was a stunningly honest account and collection of early work by one of the most underrated cartoonists working today. While the collected early issues of Recidivist ranged from interesting to astounding, it was Sally’s frank and emotional essay following the collection that really struck me as a statement of purpose — not just as an artist, but as a person."
#10, Tales Designed to Thrizzle Vol. 1 by Michael Kupperman: "The first collection from Kupperman’s surprising hit really helped spread the word about his unique and delightfully warped genius as a gagsmith and artist."
#15, Sublife Vol. 2 by John Pham: "This one-man anthology featured Pham fully harnessing every aspect of his skills as a writer and artist. His use of color dominated and provided a sort of visual through-line for his different narratives. Pham alternately pushed the reader away and then pulled them in, depending on the story, a tension that made this his most successful work to date."
And #17, Ho! by Ivan Brunetti: "It’s fascinating to see the two directions Brunetti was headed in with regard to these gags. First, his gags became ever-more boundary pushing, but always in service to the punchline. Second, his line became more and more simplified to the point of nearly geometric simplicity: squares, circles and triangles wound up creating most of his characters by the end of the book."
• List:Paul Gravett names The Best of 2009: Classic Comic Reprints. At #6, it's The Brinkley Girls: The Best of Nell Brinkley's Cartoons 1913-1940: "Trina [Robbins] follows up her thorough biography of Brinkley with this oversized collection of Sunday 'comics,' often more like ravishing illustrated romantic yarns of big hair, clothes and emotions, but stunning to linger over and revealing in their period mood and concerns. In their time, Brinkley’s spirited, vivacious females were as iconic and inspirational in early 20th century America as the famous Gibson Girls before her. They truly deserve this gorgeous commemoration."
• List: On the annual Fun Fifty countdown at Bully Says: Comics Oughta Be Fun!, at #15, Tales Designed to Thrizzle Vol. 1 by Michael Kupperman: "Without hyperbole, Thrizzle is simply the funniest, most guffaw-out-loud comic book they're going to have to pry out of your cold, dead hands when you die laughing. ... Thrizzle's stuffed from front cover to impressive back page blurbs with Kupperman's splendiferous pulps-meet-woodblock-print artwork and lunatic stories, it's one of those rare humor books that actually is downright hilarious."
• Reviews: Nick Gazin of Vice (link NSFW) weighs in on a number of titles:
"I love Unlovable. Take that, book title. ... Unlovable 2 is a fun and funny read all the way through. ... Girls are gonna like this book and dudes are gonna like this book. It’ll remind you of how stupid you were and also of suburban sadness and realizing that your high school crush will probably never love you back."
"[High Soft Lisp] is incredible... The world in this book is one I wouldn’t want to live in but I can’t stop thinking about the story of Fritz."
"...[Almost Silent] is a really good book and Jason is a strong cartoonist. He does a lot with his simple-but-well-drawn characters and little to no dialogue. ... For $25 you get a nice sampler of what Jason can do. This is entirely worth owning."
• Review: "The Definitive Prince Valiant Companion is the indispensable guide to the strip and a must have for its legions of fans new and old. Fantagraphics has been re-printing these original strips in chronological order in beautiful hardcover volumes and this guide makes the perfect complement. ... No matter how long you’ve been a Prince Valiant fan…one year or seventy years, you’re certain to find this book informative and entertaining. Fantagraphics has produced another spectacular book! Grade A" – Tim Janson, The Gouverneur Times
• Review: "Similar to Charles Addams and Gahan Wilson, Jason relies on the humorous side of horror in these mostly wordless tales. ... Throughout the sublime Almost Silent, Jason examines traditional relationships and social norms via a deliciously warped lens, quite probably one constructed by Dr. Frankenstein himself." – Rick Klaw, The SF Site: Nexus Graphica (spoiler alert!)
• Review: "I can’t think of a better single volume of what the period style of fast looked like in practice than last year’s Supermen! anthology. Yes, there’s an added winnowing by genre but that just sharpens the sense of the reductive visual and narrative requirements that were standard for the hot new gravy train that hit the business." – Rich Kreiner, "Yearlong Best of the Year," The Comics Journal
• Review: "As a whole, I like Abstract Comics a lot. I’d say that it works like a good art exhibition, or at least an exhibition unburdened by obligations to teach history, one in which multiple formal and aesthetic connections are there but not shouted out, rather left to be discovered (or not) by the strolling viewer according to his or her inclinations." – Charles Hatfield, Thought Balloonists
• Plug: "[Steven] Weissman's work is very often like a brain-damaged Charles Schulz... His newest book, Chocolate Cheeks, raises the stakes in a really dramatic way. I think this might be his last book in this series, but it goes out with a doozy of a book." – Paul Constant, The Stranger
• Plug: "Matt’s response to my squeeing over the announced May, 2010 publication date of Tales Designed to Thrizzle #6: 'Yes, as there were so many plots unresolved in the last issue. Who won, blimps or holes??'" – TofuPunk.com (I don't know who Matt is – ed.)
• Plug: "With new work by the likes of Johnny Ryan, Max Andersson, Sam Henderson, Stephane Blanquet, Doug Allen, Michael Kupperman, Mack White, and Jeremy Onsmith, Hotwire 3 is certain to deliver the psychic jolt it promises." – Richard Cowdry, Love the Line
• Plug: "Since Beatriz 'Penny Century' Garcia is my favorite Love & Rockets' Locas, I'm very excited to see the advance solicitation for the new soft cover Penny Century... In my opinion, the soft cover collected volumes are the best way to read Love & Rockets. They are the easiest way to follow the reading order, and with the cheap price of $18.99, you can't find a better launching point for one of the most regarded independent comics of all time. " – The Star Clipper Blog
• Analysis:Abstract Comics contributor Derik Badman posts an in-depth email discussion between himself and critic Craig Fischer about the book
• Interview:The Daily Yomiuri's Tom Baker talks Usagi Yojimbo with Stan Sakai: "I think the first few years I really tried to make him cute and cuddly like a stuffed animal, whereas the stories tended to [take] a more dramatic turn. So I think the character has changed. Most of it's unconscious on my part." (via The Comics Reporter )
• Review: "Imagine then what yesterday — or today's — right wingers would say about The Great Anti-War Cartoons... Sadly... what these cartoons have made us 'see' is how little things have changed 'round the planet, or within our species. ... And while being the spark for various brilliant cartoons over the decades doesn't justify the institutional addiction to war (or its always-looming threat), these cartoons can at least provide some solace. Or good fallout shelter reading." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "Jaime Hernandez’s side of the Love and Rockets anthology may have started in a world of futuristic fantasy, but [The Girl from H.O.P.P.E.R.S.] is the volume where he finds his feet and hits a groove. ... Jaime’s illustration is beautiful and effortless. His characters mix a near perfect clear-line style with cartoonish expression, used with particular aplomb when emotions are running high. It’s a masterclass in comic illustration." – Grovel
• Plug:Library Journal features May 2010's Artichoke Tales by Megan Kelso in their inaugural Graphic Novels Prepub Alert: "A coming-of-age story about a young girl from a family caught between sides in a civil war, set in a world similar to ours but where people have artichoke leaves instead of hair. ... Its delicate, rather impish black-and-white line work comes from the creator of the subtle and poignant Squirrel Mother."
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