Locas II: Maggie, Hopey & Ray is the second omnibus hardcover collection of "Locas" stories by Jaime Hernandez, compiling roughly a decade's worth of masterful comics from the pages of Penny Century and Love and Rockets Vol. II under one set of covers. You can pre-order the book now for delivery later this month; it will also be debuting at Comic-Con in San Diego this week (with Jaime in attendance) and it should hit stores some time next month (dates subject to change).
Look, it's my desk, with advance copies of two brand new books on it: All and Sundry: Uncollected Work 2004-2009 by Paul Hornschemeier (you can pre-order it from us and check out a preview here) and This Side of Jordan by Monte Schulz (with cover art by Al Columbia; no pre-order yet, but lots more info about the book here). Both will be debuting at Comic-Con next week with the authors in attendance!
Now back in print in a new, affordable 2009 softcover edition!
Charles Burns is the creator of the landmark horror graphic novel Black Hole (in development as a major motion picture directed by David Fincher as of this writing). Skin Deep is the third (following El Borbah and Big Baby) of a series of three volumes reprinting his acclaimed oeuvre up to Black Hole. Skin Deep includes Burns's popular character Dog Boy (a red-blooded all-American boy with the transplanted heart of a dog) and the classic strip "Dog Days," in which a hash-slinging vixen wags her tail at our fearful hero. The book also collects "Burn Again," which features a strange fella named Bliss Blister, claiming to bring the Word of God, but some fear he brings something evil and profane. In "A Marriage Made in Hell," a young wife's flesh tingled with passion, but the sight of her made her husband's skin crawl. Was the love-knot she tied really a hangman's noose? These tales of doomed romance set a tone for the rest of Skin Deep. In addition to the comics, Skin Deep includes several pages of new illustrations reprinted from Burns's sketchbooks as well as covers and other pieces from foreign editions of Burns's work.
Act now and get a signed bookplate as a FREE premium! The bookplate has been uniquely designed for this book, and each bookplate is printed on acid-free cardstock and hand-signed by the author. (Click here for more books available with signed bookplates.) See product listing for more details.
Robert Crumb's long day's journey into the '70s continues with this volume of classic material from 1972 and 1973. The sunny psychedelic era is a fading memory for the counterculture, and Crumb's work of that period reflects a darker, more introspective artist at work. This volume includes Crumb's first collaboration with Harvey Pekar — a long partnership that would help turn Pekar into an alternative comics star. This politically incorrect volume spotlights some of Crumb's most outrageous strips, including the complete contents of XYZ Comics, plus selections from Zap #6, Tales from the Leather Nun, San Francisco, and others. This volume also includes the ultra-rare drawings from the 1972 cookbook Eat It written by Crumb's ex-wife (20 pages' worth — a bonanza for Crumb lovers), rare and unpublished album cover art, and (in full color) Crumb's funny spoof of fellow undergrounder Jay Lynch's Nard 'n' Pat. All this, plus an all-new cover and introduction by the ol' Pooperoo himself — is it any wonder this is one of the most highly acclaimed and best-selling collections of classic comics ever released?
TENNIS, ANYONE? BILLIE JEAN KING SERVES UP AN INTRODUCTION... AND WE CELEBRATE WOODSTOCK!
The 12th volume of Peanuts features a number of tennis strips and several extended sequences involving Peppermint Patty’s friend Marcie (including a riotous, rarely seen sequence in which Marcie’s costume-making and hairstyling skills utterly spoil a skating competition for PP), so it seems only right that this volume’s introduction should be served up by Schulz’s longtime friend, tennis champion Billie Jean King.
This volume also picks up on a few loose threads from the previous year, as the mysterious “Poochie” shows up in the flesh; Linus and Lucy’s new kid brother “Rerun” makes his first appearance, is almost immediately drafted onto the baseball team (where, thanks to his tiny strike zone, he wins a game), and embarks on his first terrifying journey on the back of his mom’s bike; and, in one of Peanuts’ oddest recurring storylines, the schoolhouse Sally used to talk to starts talking, or at least thinking, back at her!
The Complete Peanuts 1973-1974 also includes one of the all-time classic Peanuts sequences, in which Charlie Brown’s baseball-oriented hallucinations finally manifest themselves in a baseball-shaped rash on his head. Forced to conceal the embarrassing discoloration with a bag worn over his head, Charlie Brown goes to camp as “Mister Sack” and discovers that, shorn of his identity, he’s suddenly well liked and successful.
NOTE: BECAUSE OF OUR CONTRACT WITH THE LICENSOR THESE ITEMS CANNOT BE SOLD OUTSIDE OF NORTH AMERICA. IF YOU RESIDE ANYWHERE OTHER THAN THE U.S. OR CANADA PLEASE DO NOT TRY TO ORDER THEM FROM OUR WEBSITE; YOUR ORDER WILL NOT BE PROCESSED.
A boxed set of the eleventh and twelfth volumes of The Complete Peanuts, designed by the award-winning graphic novelist, Seth. Shipping shrinkwrapped, with volumes 1971-1972 and 1973-1974 packed in a sturdy custom box designed especially for this set, it's the perfect gift book item. (For more information on the contents of each volume, see the individual product listings linked above.)
two 344-page black & white 8.5" x 7" hardcovers in a custom slipcase • $49.99 Add to Cart • More Info
Even if you purchased the fifth pair of volumes of The Complete Peanuts (1971-1972 and 1973-1974) separately rather than in the two-volume set, you can still have this handsome, durable two-volume slipcase designed by Complete Peanuts series designer Seth. This item is exclusively available directly from Fantagraphics. (Books not included.)
In all the excitement over manga from Japan and bandes dessinées from France, it’s easy to forget that other countries have a thriving comics culture all their own. This eye-popping anthology, assembled by Danish publisher/editor/ translator Steffen P. Maarup, introduces adventurous readers to 19 exciting talents, most of whom are taking their first bow on the English-speaking stage.
One centerpiece of the book is Nikoline Werdelin’s stunning “Because I Love You So Much,” a Doonesbury-style slice-of-life daily strip about a suburban Danish couple who discover their daughter is being molested — is it happening at her daycare center, or, horrifyingly, closer to home? Other major revelations include Julie Nord’s elegantly drawn “From Wonderland With Love” (which gives the collection its title), a modernistic riff on Alice in Wonderland, and Ib Kjeldsmark’s “Sloth,” a riotously punk-inflected day-glo duo-toned road trip.
The book also spotlights the snarky and surreal single-panel work and gags by HuskMitNavn, Christoffer Zieler, and Johan F. Krarup; the visually explosive silent comics of Mårdøn Smet and Peter Kielland; cover artist T. Thorhauge’s spectacular philosophical piece “M”; and many other stories in a wide variety of styles from the sinister black and white Lynchian surrealism of Simon Bukhave’s wooden robot story “All that I Hold in My Hand” to the watercolored animal-fable extravaganza “Tomb of the Rabbit King” by Allan Haverholm, from Søren Mosdal and Jacob Ørsted’s meticulously delineated and colored nightmare yarn “Dog God” to Zven Balslev’s slashing, black and white, Panter-esque “Cadarul Zombie.” Vibe Bredahl, Jan Solheim, Maria Isenbecker, Signe Parkins, Zven Balslev and G.R. Mantard round out the list of contributors to this smorgasbord (OK, that's actually Swedish) of exuberantly creative graphic narratives by Denmark's premier comics artists.
Fletcher Hanks was the first great comic book auteur. That is, he wrote, penciled, inked, and lettered all of his own stories. He completed an astonishing 48 stories in three years from 1939-1941. As a one-man-cartooning-band, his work packs the wallop of a unique and unified artistic vision. He was a true comics visionary. In the earliest days of the comic book, before censorship, it was “anything goes!” — and in the tales of Fletcher Hanks, anything went!
The superhero Stardust gazes down at evil-doers from space and doles out ice cold slabs of poetic justice with his wizardry. A villain out to kidnap all the heads of state gets turned into a giant head, himself… no body, just a head! The jungle protectress, Fantomah, looks like Jean Harlow in a skin-tight black negligee. But when she sees an evil scientist drugging gorillas to become slaves, her head transforms into a flaming skull and she tosses the villain to the gorillas who proceed to graphically tear the guy limb from ragged limb.
Although the early comic books were meant for the kiddies, today’s mature readers are stunned by their pop surrealism and outright violent mayhem. The first volume of Fletcher Hanks stories, I Shall Destroy All Civilized Planets! (in multiple printings) was an Eisner Award-winning smash hit and a staple on “Best of the Year” lists.
Comics fans were thrilled to come upon a cartoonist of this caliber whom they had never heard of before. Non-comics fans who read about the book in The Believer and other journals were stunned to discover an Outsider Artist in comic book form. Edited by cartoonist Paul Karasik (who also provides an insightful introduction), this second volume, You Shall Die By Your Own Evil Creation!, collects all of the rest of Hanks's comic book work. That’s right... ALL! The 31 tales in this book (more than TWICE as many as in the first), when combined with the first volume, comprise The Complete Fletcher Hanks!
Order this book from us and get an exclusive FREE bonus: Color Me or Die!!, a black-and-white Fletcher Hanks mini-comic with a cover illustration by Charles Burns (pictured here with the dashing Mr. Karasik)! You will receive one of three randomly selected cover colors: yellow, orange, or hot pink. This offer is only available direct from Fantagraphics!
It's here! The horrifying final chapter of the critically acclaimed macabre mini-series by Richard Sala, the gleefully demented creator of Peculia and The Chuckling Whatsit. Lauded by Rue Morgue magazine, among others, Delphine follows a traveler searching for his lost love and encountering a number of frightening obstacles along the way. These include witches, werewolves, bloody murder and a pack of sinister dwarfs (did we mention that this is a twisted re-imagining of "Snow White"?). Despite all this, the traveler persists, staggering onward towards a hair-raising climax and an inevitable confrontation with unspeakable evil!
In the second half of the two-part "Cryptic City" epic, Professor Hackensack continues his battle against the Wicked Barons alongside Inspector Doppiofaccio, the mysterious Lady Puzzle, and an unexpected ally from beyond the grave — with the enigmatic Mr. O'Blique on the sidelines. This amazingly inventive work of surreal fantasy from one of Italy's hottest new talents is proving to be a sleeper hit!
Long a superstar in his native Italy, Lorenzo Mattotti has made sporadic incursions into the U.S. via appearances in RAW magazine, the classic Fires graphic novel, and the more recent, 2003 Eisner-winning Dr. Jekyll and Mr. Hyde adaptation from NBM. (Not to mention regular gigs in The New Yorker.) All of these previous works have showcased his full-color painter style, but Chimera, with its intricate, hyper-expressive swirls of crisp line work, shows that Mattotti's genius is bound by no single technique. A wordless fantasia of birth, death, gods, monsters, and humans, Chimera is the most astonishing visual narrative you'll see all year.
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!