"Just as Usagi has learned that swordsmanship is more than fighting, Stan Sakai has obviously learned that art is more than drawing. The entire field would be richer if more artists embraced this lesson." – Robert Asprin, from the introduction
"If you haven't seen this ultra-cool series, you must! It involves a rabbit samurai — yes, a rabbit samurai — that young readers will love for the action and sophisticated art. I adore it for those reasons too, but there's more substance to it than you might expect. A good Zen comic is hard to find, and this one is nearly perfect." – USA Today Pop Candy
"These bittersweet adventure stories offer entertaining reading, especially for young Asian-Americans who feel excluded from mainstream juvenile literature." – Los Angeles Times
"One of the most original, innovative, well-executed comic books anywhere to be found." – Stan Lee
It’s off to Shangri-Lala for Donald, Huey, Dewey, and Louie, on a perilous expedition to bring back a rare unicorn for Uncle Scrooge! But it’s not as easy as it sounds, with a mysterious stowaway, intrigue, and double-crosses in this land of many secrets. But once you do catch a unicorn, what, exactly, do you do with him? Then, in a trio of frigid challenges — “Luck of the North,” “Land of the Totem Poles,” and “Serum to Codfish Cove” — the Ducks must face the perils of the north. Each story has been meticulously restored and re-colored. Insightful story notes by an international panel of Barks experts. Introduction by Jeff Kinney, bestselling author of Diary of a Wimpy Kid. Edited by Gary Groth.
"Crane expertly mixes high action... with just the right amount of romance, creating a storytelling engine... gorgeous art, with cleanly drawn figures, extensive shading..." — Paste
"...Buz Sawyer features the same seamless blend of derring-do and humor, both in its story lines and in Crane’s economical, slightly cartoonish artwork, which had made Wash Tubbs one of the most popular strips of the era and which would keep Buz flying for more than four decades." — Booklist
"If I had to pick a favorite [classic comic-strip reprint] right now, I’d say the Fantagraphics reprints of Buz Sawyer by Roy Crane. I just love the energy, humor, adventure and charm of them." – Kurt Busiek
“[Roy Crane] is a treasure. There is still no one around who draws any better.” — Charles M. Schulz
“Roy Crane did adventure with a beautiful combination of cartooning and storytelling. Every panel was an entertaining panel, with something to look at. When you combine his storytelling ability, with or without balloons, with his action and those great panels, you can’t fail.” — John Severin
He's back! Now in his 30s and married with child, onetime slacker hero Buddy Bradley gets a "real" job, shaves his head, dons an eyepatch, quits his "real" job and buys the local dump — because what better place to raise a toddler? Peter Bagge's iconic character is to alternative comics what Homer Simpson has been to television animation over the past quarter-century: a generation-defining slacker and the greatest comedic character of its form and era. Featuring stories originally published in the comic book series Hate Annual from 2000–2011, as well as an all-new 20-page conclusion to the story arc, this book marks the first new book of Buddy stories since the now-perennial classics Buddy Does Seattle (2005) and Buddy Does Jersey (2007).
Buz Sawyer — adventurer, bon vivant, and former bachelor — can't let a little thing like romance and marriage slow him down. Buz knows that Christy is the only woman for him — brave, beautiful, and able to handle herself when the going gets tough, and just the kind of woman Buz needs when the chips are down — a lover and a fighter.
And indeed, Christy has her mettle tested, because the road to marriage is a rocky one. First, Buz has to survive a hurricane in the Caribbean, a typhoon in the South Seas, and a stone cold killer with a deceptively mild manner and the innocuous-sounding name of Harry Sparrow. As if that weren't enough, Buz gets himself caught in a political hurricane when he gets trapped behind the Iron Curtain just as the Cold War heats up. And if you think Buz and Christy's African honeymoon is a picnic... think again.
All of this is brought vividly and gorgeously to life through Roy Crane's sure-footed writing and stunning storytelling, a rollicking series of adventures filled with knock-out women, brutal assassins, and extremely bad weather.
This volume also includes some of the best Buz Sawyer Sunday strips (starring Buz's pal Rosco Sweeney), in full color!
From tears to soda fountains, from mobsters to pretty ingénues in freshly pressed dresses, the stories of love and betrayal in Young Romance 2 will prompt you to grab a tissue box or swoon in delight. Joe Simon and Jack Kirby's sensational romance comics continue in this sequel to Fantagraphics' critical hit, Young Romance. This volume includes stories about women from all walks of life — such as the French widow in "War Bride" or the recently released prisoner in "Unwanted." Simon and Kirby invented the romance comics genre and explored all the flirtations, dalliances, and passions of the young men and women who populated their stories. Mothers, lock up your daughters (and yourselves) before you both get swept away by the sheer delirium that these pages induced so long ago.
M.K. Brown is one of the funniest cartoonists of the last four decades — or ever, take your pick — and her body of work has long been savored by aficionados but never comprehensively collected — until now. Stranger Than Life is the first retrospective of Brown's cartoons and comics from their original appearances in the National Lampoon, Mother Jones, The New Yorker, Playboy, and other magazines and underground comics.
M.K. Brown's comics stories satirize suburban anxiety and post-modern ennui by the sheer force of her gentle but piquant, off-kilter observations, along with her slightly pixilated but winsome characters, all of which are perfectly captured in her restless pen line and delicate jewel-tone watercolors.
In these pages: Read instructions for the use of glue, making a pair of pants, home auto repair, coping with chainsaw massacres, and jackknifing your big rig. "Another True-Life Pretty Face in the Field of Medicine" introduces Virginia Spears Ngodátu, who (with a bit of a name change) would go on to star in "Dr. Janice N!Godatu," Brown's series of animated shorts that appeared on The Tracy Ullman Show alongside the first incarnation of The Simpsons. Plus, enjoy aliens, old people, pilgrims, mermen, monitor lizards, tiny floating muggers and other weirdos in Brown's side-splitting single-panel gag strips.
The Cold War heats up in an explosion of sex and violence! John Cannon, programmed to be the perfect assassin and working as a covert operative, is an all-American hero who makes James Bond look like a milquetoast. Undercover and under the covers, Cannon endures nude torture by beautiful women, explosive gunplay, naked catfights, bone-crunching plastic surgery, Hitler, nihilistic lovemaking, nuclear bombs, Weasel the spy, naked women, death from above, and more naked women! You can practically smell the gunpowder and testosterone as Cannon smashes the enemies of America and makes the world safe for democracy!
Comics legend Wallace Wood pulled out all the stops in these strips, produced as entertainment for our men in uniform. This volume also includes Cannon's two-fisted comic book adventures, penciled by the one and only Steve Ditko! Remastered from newly unearthed sources and including an introduction by Howard Chaykin, it's the biggest, baddest, best-looking collection of Cannon ever!
Yes yes, y'all! Acclaimed young cartoonist Ed Piskor (Wizzywig) schools you on the old school in this essential, explosively entertaining, encyclopedic cultural chronicle of an American art form that changed the world. Hip Hop Family Tree (originally serialized online at Boing Boing) takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios and radio stations where the scene started to boom, in panels bursting with obsessively authentic detail.
The vivid personalities and magnetic performances of early stars like Grandmaster Flash, Afrika Bambaataa, Kurtis Blow, DJ Kool Herc, The Sugarhill Gang, and Funky 4+1 come to life, as do the no-less-charismatic players behind the scenes like Russell Simmons, Sylvia Robinson and Rick Rubin. And graffiti master Fab 5 Freddy meets Debbie Harry, Keith Haring, and Jean-Michel Basquiat as the music and culture begin to penetrate downtown Manhattan and the mainstream at large.
The Blighted Eye is the most copious, the most diverse, and the most lavish compilation of original comic art ever published — all from the mind-boggling collection of Glenn Bray. Bray was an enthusiast of marginal or outsider American pop culture when he started to collect original comic art in 1965 — a time when very few people, including the artists themselves, truly valued the original art. Bray has, over the last nearly 50 years, amassed the most eclectic collection of original comic art in private hands. The Blighted Eye is not only the greatest collection of original art ever produced, but a testament to Bray's dogged and visionary commitment to preserving the work by the greatest artists working in an art form habitually sneered at by cultural gatekeepers throughout most of the 20th century.
The book features work by a pantheon of cartooning masters, including Charles Addams, Carl Barks, Charles Burns, Al Capp, Dan Clowes, Jack Cole, R. Crumb, Jack Davis, Kim Deitch, Will Elder, Al Feldstein, Virgil Finlay, Drew Friedman, Chester Gould, Justin Green, Rick Griffin, Bill Griffith, Matt Groening, George Grosz, V.T. Hamlin, Jaime Hernandez, George Herriman, Al Hirshfeld, Graham Ingels, Bernard Krigstein, Harvey Kurtzman, Gary Panter, Virgil Partch, Savage Pencil, Peter Pontiac, Charles Rodrigues, Spain Rodriguez, Charles Schulz, Gilbert Shelton, Joost Swarte, Stanislav Szukalski, Irving Tripp, Chris Ware, S. Clay Wilson, Basil Wolverton, Wallace Wood, Jim Woodring, Art Young, and — it should go without saying — many more.
With the increasing sophistication of comics over the last 20 and 30 years in the form of graphic novels, journalism, and memoirs, the cartoon form is finally taking its place alongside other popular narrative media — novels, films, theatre — as an art form to reckon with, widely reviewed and embraced by a discriminating reading public.
Simultaneous with this growing acceptance of comics as a literary form has been the recognition among museums and galleries that the artists' original drawings are art objects. Public exhibitions of original comics art has proliferated over the last decade with such shows as Masters of American Comics at LA's Hammer Museum and R. Crumb's Underground at Seattle's Frye Museum. Readers have been able to see this original art in museum catalogues and the occasional compilation of work digitally scanned directly from the original art. Although drawn for print, the hand-crafted original art — brush strokes and pen lines inked on paper — offers a beauty and an unique insight into the form, a different way of perceiving the artist's work.