|Hensley homages Kirby|
|Written by Mike Baehr | Filed under Tim Hensley, previews||17 Jun 2009 12:29 PM|
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Fantagraphics is pleased to present to the public our BLAD for Gahan Wilson: Fifty Years of Playboy Cartoons, our 3-volume, 1000+-page slipcased hardcover set collecting half a century's work by the macabre master, due this October. (BLAD is the appropriately vampiric-sounding acronym for Book Layout and Design, a promotional piece made for the book trade which showcases upcoming books.) Click each page for larger, higher-res versions, which include specs, production details, excerpts from the introductions by Neil Gaiman and Hugh Hefner, and, of course, samples of the unparallelled artwork collected in the book.
If you weren't able to peruse our advance preview copy of Abstract Comics at the MoCCA festival, now you can check out an extensive photo preview posted by editor Andrei Molotiu over at the Abstract Comics blog.
From editor Irwin Chusid, the first photographic evidence of The Sweetly Diabolic Art of Jim Flora, our third Jim Flora art book. We're hoping to have our own photos of the exterior and interior of the book taken and posted soon (not to mention getting it listed here on our gol' dang website so you can order the blessed thing).
Updates of Online Commentary & Diversions may be oddly timed for the rest of the week as we're eyeball deep in MoCCA preparations.
• Review: "[Harvey] Kurtzman and company aimed high for a more sophisticated humor mag than the competition... Fantagraphics’ package for it is bar none — handsome, sturdy and restored with great care... I was most interested in the behind-the-scenes story of Humbug and the creative process that went into it — not to mention doomed it — and the book’s introduction and exclusive interviews more than satisfy on that count." - Rod Lott, Bookgasm
• Review: "...[U]nparallel parodists Kurtzman and Elder ran rampant for themselves when they published these 11 exceptional issues of comic art anarchy. This two-volume hardcover box set has been reproduced from the original art and digitally restored to make everything look even better than when it first came out in 1957. This long-overdue definitive edition of Humbug is an essential slice of satire from the masters of the genre." - Jeffrey Morgan, Detroit Metro Times
• Review: "Everybody Is Stupid Except For Me [is] a compilation of the notorious Seattle libertarian [Peter Bagge]’s politically (and sexually) charged comics for Reason magazine... It’s great. So colourful (always my favourite part of Pete’s comics) and acerbic and smart-ass, but with a heart and purpose behind the bickering and keenly observes caricatures... It’s too early to say now, but right now I’m thinking it’s perhaps my favourite stuff of his, full stop..." - Everett True
• Review: "Connective Tissue... make[s] for an engaging read... While Darla sounds like she could be a handful, she is a good and sympathetic protagonist, making her a modern-day Alice in a 21st century Wonderland." - Jason Borelli, Beyond Race Magazine
• Preview: Spotlighting comics shipping this week, The Comics Reporter says of Uptight #3: "The previous issue of this series from the great Jordan Crane was super, super strong." Likewise, Chris Mautner at Robot 6: "The latest issue in Jordan Crane’s very good series about ghosts and melancholy comes to town. I feel we should be doing all we can to ensure Crane keeps making comics, don’t you?" And Matthew Brady says: "I missed the second issue of this series, but the first one was great... Check it out if you see it on the shelves."
• Profile: My Adventure Is Your Advantage spotlights the design work of our very own Art Director Jacob Covey, calling him "the bees knees of design" and presenting previously unseen previews of the forthcoming Abstract Comics anthology
• Profile: "[Dash] Shaw's online and bound comics inhabit surreal spaces both cerebral and emotional, leaping from zombie love stories to futuristic set pieces without resorting to predictability... It's probably safe to say he has arrived." - Wired
• Interview: Publishers Weekly's Heidi MacDonald asks our own Eric Reynolds for his thoughts about Book Expo America and its value for comics publishers like us; The Comics Reporter's Tom Spurgeon comments on the interview; meanwhile, The Daily Cross Hatch's Brian Heater gets a few words from Eric on the show floor
• Interview: Newsarama's Michael C. Lorah talks to Stan Sakai about the 25th anniversary of Usagi Yojimbo and gets a little bit of scoop about our forthcoming Usagi Yojimbo: Special Edition deluxe set
(Click for larger version)
Jason's latest book, Low Moon, has not even been released yet in the U.S. (look for it to premiere at MoCCA, as well as to-be-officially-announced June events at the Strand in NYC, Portland OR, and our very own bookstore), and our hard-working Norwegian has already completed his next opus, another full-color 48-pager in the same format as the Eisner-Award nominated The Last Musketeer and the Eisner Award-winning The Left Bank Gang. Here is an exclusive preview of the first page from Werewolves of Montpellier, scheduled for release next summer. (In between, we will be releasing a Low Moon-format omnibus collection of several out of print Jason books, including Meow, Baby!, Tell Me Something, and You Can't Get There from Here, titled Almost Silent.)
Jason's regular colorist Hubert will soon be applying his magical hues to Werewolves. And in fact this seems like as good a moment as any to offer our heartfelt apologies to Hubert for forgetting to include his credit in the printed edition of Low Moon. Hubert has colored every full-color book of Jason's since Why Are You Doing This?, done an exemplary job every time (in fact, he was Eisner nominated too, for The Left Bank Gang), so I'm sure most regular Jason fans will automatically know that he was the man behind Low Moon's typically stunning chromatics, but we're still embarrassed. We hope Low Moon will sell out quickly so we can rectify this in a future edition.
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