Easily the funniest super-hero comic to come down the pike since Harvey Kurtzman and Wally Wood’s “Superduperman!,” Angelman is Austrian cartoonist Nicolas Mahler’s sardonic take on super-heroes, their fans, the businessmen behind them, the current media obsession with them, not to mention fancy-ass “Ultimate” collections of dopey super-hero comics.
Created by Korporate Comics in a flash of money-grubbing cynicism appalling even by their standards, Angelman’s powers (which include empathy and the ability to be a good listener) prove less than adequate to deal with the sinister threat of the insane plastic-surgeon villain Gender Bender — or for that matter with the fickleness of fashion, the rapacious super-heroine Lady Dentata, the increasingly desperate re-boot attempts by Korporate Comics, his oddly twin-like wife, a disastrously bad movie adaptation that single-handedly brings the vogue for super-hero movies to a screeching halt… all delineated in Mahler’s trademarked ultra-minimalism (albeit this time in spectacular color), and with his drier-than-dry wit.
Includes a special checklist/price list of Angelman comics, a gallery, and extensive historical and explanatory footnotes by the author, this book will occupy a place of pride on the bookshelf of any comic book geek — or anyone who just likes hilarious comics.
"Angelman is funny, original, beautifully drawn, with a touching story. Great comics in a minimalist style never before seen." – Tony Millionaire
Filmmaker Helene Christensen took it upon herself to create this marvelous short video about Fantagraphics Bookstore & Gallery, largely shot back in February during our Jack Davis tribute exhibit. Its primary star is, of course, our own Larry Reid, with additional interviews with Gary Groth, Jim Woodring, Frank Santoro and others, and there's also a clip of Jack Davis's video chat at the tribute exhibit opening. Lots more familiar faces make appearances too — maybe you're in it!
Five years before his breakthrough as the co-creator of Spider-Man, Doctor Strange, and other classic super-heroes for Marvel Comics in the early 1960s, Steve Ditko, inspired by the freedom he found at the laissez-faire Charlton Comics, was turning out some of the best work of his career.
Mysterious Traveler, which collects stories from (among others) Tales of the Mysterious Traveler and This Magazine Is Haunted, reprints over 210 full-color pages of Ditko in his early prime. These are stories that have never been properly reprinted until now — thrilling stories of suspense, mystery, haunted houses, and unsuspecting victims.
A high-rise apartment building in an unnamed European city. Its inhabitants come and go, meet each other, talk, dream, regret, hope... in short, live. A ghostly, shape-shifting anthropomorphic white rabbit roams from apartment to apartment, surveying and keeping track of all this humanity... and at the end of every night, he floats down to the basement where he delivers his report to the "great dark one."
Lushly delineated in penciled halftones, this moody graphic novel was orig- inally serialized in Fantagraphics’ acclaimed "Ignatz" series of upscale saddle-stitched booklets in duotone form, but this complete edition restores the artist’s original striking full-color treatment.
"What makes Gabriella Giandelli's world unique is her brave rejection of the fashionable and the stereotypical. Intimate and poetic, sensitive and enigmatic, Interiorae is her masterpiece." – Lorenzo Mattotti
48-page black & white/color 8.5" x 11" softcover • $9.99 ISBN: 978-1-60699-571-6
Ships in: May 2012 (subject to change) – This item will be available to order simultaneous with its release to comic shops.
Five years in the making and meticulously edited by John Benson, Squa Tront returns with a profusion of rare and interesting features from the EC era: the story behind Basil Wolverton’s first EC art; Howard Nostrand’s last interview; art from the unpublished third issue of Flip; Jack Davis’s WWII cartoons; plus EC era art by Wallace Wood, John and Marie Severin, Harvey Kurtzman, and Roy Krenkel. The longest running EC historical magazine and a perfect companion to Fantagraphics’ new series of EC reprints.
Download and read a 6-page PDF excerpt (1.7 MB) including the Table of Contents.
Lovers of art comics know Hans Rickheit from his smashing graphic novel The Squirrel Machine (2008), but Rickheit has, for over a decade, been producing his own self-published comics — reaching into the deepest cupboards of the back-mind and culling these strange artifacts. He has been a basement-dweller, gallery troll, and a purveyor of forbidden notions. Originally distributed into the world as Xeroxed pamphlets, these “underground comix” reflect the true nature of its nomenclature: Here are the archeological findings of the subterranean ruins of the psyche. Finally, these scattered elements have been compiled into a compact, lushly illustrated bedside reader. Give your cerebellum a tug and become a spelunker of the subconscious as we trespass among the scorched archaic wastelands of the offspring of apes and fools. Here we find the profane, beautiful progeny of prurient ideals. Immerse yourself in the nocturnal meanderings of unnamed protagonists. Ponder the uncomfortable sexuality of the twins, Cochlea & Eustachia. Recoil at the doings of a dwarfish malefactor in "Hail Jeffrey," or simply stare at the pretty pictures. Suffice to say that readers of The Squirrel Machine will not be disappointed.
The author instructs you not misuse this tome. Poke it gently with a long stick, if you must. Careful, it might ruin the carpet. Placate it with a belly-rub or sweet pastry before it attacks the children. Don’t worry, your tongue won’t stick. If it fits, don’t shove it in too quickly. Keep it as your own cherished object; a shameful, guarded secret. The filter for reality’s blinding glare. Detritus of the Under-Brain. The Unspeakable Thing You Always Knew.
Folly: The Consequences of Indiscretion. By one of the most inscrutable and discomfiting cartoonists alive.
Gilbert and Jaime Hernandez happened to be together in L.A. recently for the launch of the Daniel Clowes art book at Meltdown Comics and the folks there seized the opportunity to have the brothers sit down for an enjoyable chat on the Meltcast 2.0 video podcast. Topics include formative comics reading experiences, favorite superheroes, inspiration for their characters, and of course Dan: "The guy knew Mexican monster movies, like us, so why not be his friend?"
"They were all there, the pimps, the fags, the whores, the curious, the alcoholic, the weird of the late ’50s... blues lovers, Canadian bikers, thrill seekers, junkies, insomniacs, hepcats...” So begins “Down at the Kitty Kat,” one of the 20-plus never-before-collected memoirs and yarns by Spain Rodriguez, one of the original gang of Zap Comix provocateurs.
Although he’s best known for his two-fisted tales of the chopper-riding Trashman, Spain’s blunt graphic style and uncompromising gift for caricature, rendered in eye-punishing slabs of black and white, work equally well for more subtle fare — such as these memoirs of his misspent youth.
Cruisin’ with the Hound ranges from Spain’s days as an innocent young churchgoer to his time as a member of the Road Vultures motorcycle gang, with stops along the way for his discoveries of science fiction and other, more adult pursuits (“The Birth of Porn”) — as well as the “The Education of an Underground Cartoonist,” describing his journey from a pimply Captain Marvel-reading scribbler to his arrival as a professional artist.
But the heart of this collection is a cycle of stories (originally published in the acclaimed Blab! magazine) set during Spain’s teenage days in the 1950s, often featuring the doomed, dot-eyed Fred Tooté, a wild, flaky character in whose company some of his wildest escapades occurred.
Raunchy, hilarious, and often violent as hell, Cruisin’ with the Hound is an unsentimentally nostalgic trip to half a century ago — the anti- Happy Days, set to a true rock ’n’ roll beat.
Finally back in print, Any Similarity... is a collection of Drew Friedman’s earliest comic strips and illustrations, featuring his most obsessively stippled black-and-white panels and his most hilarious wise-guy takes on the stars and demi-stars and never-quite-stars of that swamp we like to call showbiz.
In these strips, many of them written by his brother Josh Alan Friedman (both are sons of the legendary Bruce Jay Friedman: humor genes will tell!), the artist works out his obsession with such celebrities as Jim Nabors, Frank Sinatra Jr., Joe Franklin, Bob Hope, Andy Griffith... and Ed Wood, Jr. film star Tor Johnson, whom Friedman actually catapulted back into some sort of semi-fame when these strips were first published in the 1980s.
Friedman is the kind of pop-culture aficionado whose Three Stooges worship is focused not on Moe, Larry or Curly but on Shemp (whose unmistakable mug graces the new cover of this edition), and whose teasing adoration can often be mistaken for mockery or contempt. But who but a worshipful fan would lavish quite so many dots on the loving delineation of these greats’ every pimple and wrinkle?
“I stand in awe of Drew Friedman’s technique and the certain flavor of sad old America he captures.” – R. Crumb
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