|Prof. Hornschemeier speaks|
|Written by Mike Baehr | Filed under Paul Hornschemeier, events||23 Feb 2010 3:37 PM|
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Archive >> February 2010
We are pleased to announce that Luba by Gilbert Hernandez is a finalist for a 2009 Los Angeles Times Book Prize in their first-ever Graphic Novels category. See the complete list of finalists here. Winners will be announced on Friday, April 23, 2010. Congratulations Gilbert! A monumental honor for a monumental book.
What we have here is an illustration by Joost Swarte depicting himself and Robert Crumb in Crumb's workroom paging through Crumb's Genesis, with a little help from a certain bearded, white-robed fellow. It was produced by (I think) Griffioen Grafiek as a limited-edition giclee print and can be ordered online from Pinceel out of Belgium. Spotted by our own Jason T. Miles.
Have a look, have a click:
• Dame Darcy is having another print sale/painting raffle (that's the painting above; the print is different), and also taking commissions for wedding invitations — all this and more on her latest blog update
• Hey Mike Sterling & Nat Gertler, can we use this image in all of our advertisements forever and ever?
• Speaking of Hans, he painted a couple of murals in his old house
Win big in today's Online Commentary & Diversions:
• List: Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 1 includes Michael Kupperman's Tales Designed to Thrizzle at #52 ("...absurd scenarios proliferate throughout each issue of Kupperman's series, as he follows each loony premise through to its (il)logical end result. He's a versatile stylist as well..."), Eleanor Davis's Mome stories at #51 ("The short stories of Eleanor Davis draw on myth and horror to craft succinct, mysteriously moving little parables, like Grimm fairy tales where the "monsters" are almost always infused with pathos and feeling"), Eightball #23 by Daniel Clowes at #47 ("a self-contained epic in miniature, poking at superhero archetypes, with their ideas about 'responsibility' and 'right,' in order to tell a quiet, maudlin story of loneliness and self-isolation"), and Abstract Comics: The Anthology at #42 ("What's best about the book is how open its territory ultimately is, how much room it leaves for artists to come up with their own ideas about abstraction and sequence. It is a truly groundbreaking book that points the way towards a whole new conception of comics and challenges readers and artists alike to explore this new area.")
• Reviews: "Manchette’s brand of punk noir bears an existential, leftist tinge, with traces of Ballardian anomie. ... Opening Tardi’s adaptation [of West Coast Blues], one is quickly reassured by the faithfulness to the original novel. ... Tardi seems to have read Manchette’s mind when it came to visualizing the characters, scenery and action of the novel.... [and] his superior drafting skills are always in service to a tight rendering of the real world, from trains to forests to city streets. ... Turning to Tardi ‘s earlier work, You Are There, scripted by Forest..., we encounter a looser, sketchier style, admirably suited to the baggy-pants, fabulistic story and exhibiting similarities to the work of such artists as Moebius, Rick Geary, Aubrey Beardsley and Edward Gorey. Outbursts of calculated surrealism complement his unswerving attention to the quotidian. The beautiful and sensitive architectural renderings, as well as shots of nature — fields, a lake, birds, trees — contrast with the goofiness of our protagonist to good effect. ... Forest’s 1979 tale exudes a fin de Sixties, fey whimsicality. Think The Mouse That Roared crossed with Gormenghast and The Prisoner. Beckett-like soliloquies and Pinteresque dialogue round out the ambiance." – Paul Di Filippo, The Barnes & Noble Review
• Review: "This generous volume reprints Maakies strips beginning early in this decade. ... As such, [Drinky Crow's Maakies] Treasury really does represent an overflowing bounty of absolutely primo Millionaire and stands as an invaluable, one–stop companion to Pre-Millennial Maakies for devotees. Newcomers, however, should understand that their sense of humor will be expanded, pulled… actually, think of a medieval rack where subjects were strapped in and stretched to shocking, heretofore inconceivable lengths." – Rich Kreiner, The Comics Journal
• Review: "Jason is a painfully good comic creator – the man has a phenomenal knowledge of pacing, a sense of humour that’s darker than Darth Vader in a mine at midnight and deceptively simple figurework that says a shitload with very little. The stories collected in Low Moon are mostly full of that black, black humour. ... If you’re not reading Jason’s stuff, then you don’t really like comics, because this shit is as pure as it gets." – Bob Temuka, The Tearoom of Despair
Just a note that we just finished shuffling things around on the front page of fantagraphics.com, so it might look a bit different than you've gotten used to — hopefully the new layout is a bit cleaner and more logical in its arrangement and emphasis. Let us know your thoughts.
The official announcement is as follows:
Covered Art Show
March 6, 8-10 pm
Los Angeles, Ca
Artists from North America and Europe re-imagine old comic covers in their own style. Based on the blog: www.coveredblog.blogspot.com
and curated by blog editor, Robert Goodin.
Artists included are: Andrew Brandou, Jeffrey Brown, Albert Calleros, Coop, Ludovic Debeurme, Michael Deforge, Valerie Fletcher, Yoko Furusho, Robert Goodin, Lisa Hanawalt, Dustin Harbin, Sammy Harkham, Sam Henderson, Josh Holinaty, Patrick Kochakji, Joy Kolitsky, Joe Lambert, Bob London, Tom Neely, Ben Newman, Laura Park, Brian Ralph, Aaron Renier, M. Jason Robards, Johnny Ryan, Richard Sala, Genevieve Simms, Jeremy Tinder, Jon Vermilyea, Anthony Vukojevich, and Steven Weissman.
There will be drinks.
For those out of town, the show can also be experienced on the blog with one cover being posted per day beginning March 6th. Work can be purchased by following a link to the Secret Headquarters Flickr page.
3817 W. Sunset Blvd.
Los Angeles, Ca 90026
323 666 2228
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