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Category >> John Benson

Daily OCD: 2/8/12
Written by Mike Baehr | Filed under reviewsMichel GagneMark KalesnikoJohn BensonJoe SimonJack KirbyinterviewsDaily OCD 8 Feb 2012 5:31 PM

Today's Online Commentary & Diversions:

The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics

Review: "And now, Fantagraphics has packaged some of the best movie parodies in this ripely-colored book [The Sincerest Form of Parody]. But these aren't Mad comics. They're the imitators which popped up on newsstands in the 1950s -- comic books like Whack, Nuts!, Crazy, Bughouse and Unsane.... Most of the comics in the pages of this book are understandably dated for today's web-weaned generation who may have never heard of I, Jury ('My Gun Is the Jury by Melvie Splane'), What's My Line? ('What's My Crime?'), or Come Back, Little Sheba ('Come Back Bathsheba'), but that doesn't drain these parodies of their punch." – David Abrams, The Quivering Pen

Young Romance: The Best of Simon & Kirby's Romance Comics

Plug: "Most of the 21 stories in this great new book collection [Young Romance] haven't been compiled before, and if you're not familiar with them, you're in for thrill after melodramatic thrill. My favorite: 'Norma, Queen of the Hot Dogs.'" – Michael Galucci, Cleveland Scene

Freeway

Interview: Mark Kalesniko talks about his latest graphic novel Freeway at the FLIP animation blog; that site's Steve Moore says "Mark Kalesniko’s graphic novel Freeway is a truly brilliant, hilarious look at the hunched and goofy lifestyle in our industry's ground zero. His humor is wickedly honest, his storytelling unflinching."

What's in the January 2012 Diamond Previews
Written by Mike Baehr | Filed under Stephen DixonSignificant ObjectsRoy Cranenicolas mahlerJohn BensonGabriella GiandelliDrew FriedmanDiamond 29 Dec 2011 12:11 AM

http://www.fantagraphics.com/images/flog/mike/201112/previews-201201.jpg

The new Diamond Previews catalog came out yesterday and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in March 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.

This month's Spotlight item is Nicolas Mahler's superhero spoof Angelman: Fallen Angel, an excerpt of which we are currently serializing here on our website; the new edition of Drew & Josh Alan Friedman's long-out-of-print classic Any Similarity to Persons Living or Dead Is Purely Coincidental is "Certified Cool"; and the issue also includes the new volume of Roy Crane's Buz Sawyer; the collected edition of Gabriella Giandelli's acclaimed "Ignatz" comic Interiorae; the long-awaited new issue of the EC Comics scholarship magazine Squa Tront; and not one but two collections of literary prose stories, the eagerly-anticipated Significant Objects book and Stephen Dixon's What Is All This?, now in a softcover edition.

See them all here!

Hey Look!
Written by Kim Thompson | Filed under John BensonHarvey KurtzmanEC ComicsComing Attractions 8 Dec 2011 1:49 PM

Guess what classic... well, it seems almost wrong to call something this slickly designed and smartly edited and overall wonderful a "fanzine," but let's go with "fanzine" anyway... so guess which classic fanzine is returning after a five-year hiatus this Spring?

Squa Tront #13

Daily OCD: 11/14/11
Written by Mike Baehr | Filed under Steve DuinShannon WheelerRichard SalareviewsPaul NelsonOil and WaterMickey MouseMegan KelsoLove and RocketsKevin AveryJohn BensonJack KirbyJack DavisinterviewsGilbert HernandezFloyd GottfredsonDisneyDavid BDaily OCDBill GriffithAl Jaffee 14 Nov 2011 6:15 PM

Today's Online Commentary & Diversions:

 Everything Is an Afterthought: The Life and Writings of Paul Nelson

Review: "...Kevin Avery’s Everything Is an Afterthought... chronicles the dramatic life of one of music’s keenest observers, Paul Nelson, and curates his finest critiques.... I read and adored [Nelson] growing up, but reading [him] in the context of today’s critical standards gave me the literary equivalent to the bends. It goes without saying that, in the age of the Internet, the whole idea of a critic has changed." – Jim Farber, New York Daily News

Queen of the Black Black

Review: "It could well be ten years since I last read these stories [in Queen of the Black Black], and I’d either forgotten or never appreciated (my money’s on the latter) how astute and insightful they could be. Like a proto-Kevin Huizenga, [Megan Kelso] repeatedly turns up little rocks of human experience and chronicles what’s going on underneath, reintroducing us to feelings, sensations, and experiences we’d forgotten we’d had but recognize as if they happened this morning." – Sean T. Collins, The Comics Journal

Review: "This collection of early stories from Megan Kelso shows a natural flair for the form, mixed with a self-critical determination to hone her craft, that’s helped her blossom into a master storyteller.... Anyone looking for a masterful example of the short story in comics would do well to give [Queen of the Black Black] a try. Beautifully written and well illustrated, this a wonderful portfolio of work from a creator showing a deep well of promise from the start." – Grovel

The Hidden

Review: "...[E]asily... one of my favorite horror comics and one of my contenders for my Best of 2011 list.... Not only is the book carefully structured, it looks stunning.... The Hidden is a story that must be experienced to fully appreciate... There is an excellent story of slow-building despair to be found in its pages, with gorgeous depictions and coloring and a horror story that shocks, surprises, and entertains. Don't let this one get hidden on your shelves!  It may not be Halloween, but I still give this book my highest recommendation!" – Rob McMonigal, Panel Patter

Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island

Review: "Volume 2 of Fantagraphics' Gottfredson Library, which takes us up through the beginning of 1934, maintains the high production standards and copious ancillaries of the first volume.... Tom Andrae's opening essay emphasizes, with good reason, how Gottfredson "spun off" many of his early narratives from the plots of animated cartoons. IMHO, however, the Mickey strip truly became "great" once Gottfredson gained the confidence to craft his own plots." – Chris Barat

Humbug

Profiles: The Associated Press's Russ Bynum chats with Jack Davis, Al Jaffee and Sergio Aragonés about the MAD cartoonists reunion this past weekend at Savannah College of Art & Design

The Armed Garden and Other Stories

Profile: Paul Gravett surveys the work of David B. and presents a transcript of his bookstore discussion with the artist this past summer (hat tip to TCJ.com's Tim Hodler)

Love and Rockets Library (Palomar Book 3): Beyond Palomar [with FREE Signed Bookplate]

Plug: Pulitzer-winning author and known Love and Rockets fan Junot Díaz names Poison River by Gilbert Hernandez (collected in Beyond Palomar) one of his top 10 favorite books in an excerpt from Unpacking My Library: Writers and their Books posted at The Financial Times

The Sincerest Form of Parody

Plug: From Michael May's monthly cruise through the current Previews catalog at Robot 6: "The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics I can’t decide if I’m more interested in the historical context of what folks were parodying in the ’50s or just looking at some cool Jack Davis and Kirby art that I’ve never seen before."

Oil and Water

Plug: Oil and Water receives an excellent feature in the new issue of the Audubon Society of Portland Warbler newsletter, which can be downloaded here

The Family Circus by Bil Keane and Bill Griffith

Tribute: At The Comics Journal, Bill Griffith remembers meeting, and later collaborating with, the late Bil Keane: "I was surprised when Bil told me he read Zippy in his local Arizona paper and liked it. He didn’t even qualify his opinion with the usual, “Of course, I don’t always get it.” Until then, I hadn’t paid much attention to The Family Circus, but I slowly began to see that you could read more into it than what appeared on the surface. This was before internet wise guys began mashing up random Friedrich Nietzsche lines for Billy and Jeffy’s and riffing on the strip as unconscious surrealism. But The Family Circus didn’t need hipsters to substitute incongruous dialogue to make the case that it was unconscious surrealism. It was unconscious surrealism on its own."

What's in the November Diamond Previews
Written by Mike Baehr | Filed under Steve DitkospainRobert CrumbPopeyePat ThomasJoost SwarteJohn BensonEC SegarDiamondComing AttractionsCarl RichterBlake Bell 14 Nov 2011 1:19 AM

Shipping January 2012 from Fantagraphics Books

The new Diamond Previews catalog came out recently and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in January 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.

This month's Spotlight item is editor John Benson's The Sincerest Form of Parody: The Best 1950s MAD-Inspired Sarirical Comics; Listen, Whitey!: The Sights and Sounds of the Black Power Movement 1965-1975 by Pat Thomas is "Certified Cool"; and the issue also includes Popeye Vol. 6: "Me Li'l Swee'Pea", the final (alas) E.C. Segar volume; more pre-Spidey classics in Mysterious Traveler: The Steve Ditko Archives Vol. 3 edited by Blake Bell; the über-definitive guide to R. Crumb art The Crumb Compendium by Carl Richter; the heretofore uncollected underground memoir Cruisin' with the Hound: The Life and Times of Fred Tooté by Spain Rodriguez; and the long-awaited, eagerly-anticipated Is That All There Is? by Joost Swarte.

See them all here!

Daily OCD: 10/31/11
Written by Mike Baehr | Filed under Ulli LustRobert CrumbRichard SalareviewsPaul NelsonOlivier SchrauwenMichael KuppermanLove and RocketsLos Bros HernandezKevin AveryJohn BensonJaime HernandezinterviewsGreg SadowskiGilbert HernandezGary GrothFour Color FearDavid BDaily OCD 31 Oct 2011 6:16 PM

Today's Online Commentary & Diversions:

The Hidden

Review: "Sala’s new book, The Hidden, does not wholly depart from the campy fascination with the morbid that marks his previous work, but is even darker in tone, despite the vibrant watercolor work. The visual markers of Sala’s humor are present — the affected font, the twisted faces — but there is arguably something more serious and disturbing at play here." – Jenna Brager, Los Angeles Review of Books

Reviews (Video): "This week on the Comics-and-More Podcast, Patrick Markfort and I discuss Richard Sala's work, including his Peculia books and his new graphic novel The Hidden, perfect books to read for Halloween." So says co-host Dave Ferraro — watch the multi-part video at the link

Four Color Fear: Forgotten Horror Comics of the 1950s [2nd Printing]

Review: "EC is often at the center of the story [of Pre-Code horror comics]... Four Color Fear strives to provide an accessible sampler of everything else. Editor Greg Sadowski is adept at such missions.... Sadowski keeps endnotes, often heavy with hard publication facts and extensive quotes from artists and observers, in the back of the book in order to structurally foreground the sensual, aesthetic experience of reading old comics." – Joe McCulloch, Los Angeles Review of Books

Love and Rockets: New Stories #4

Review: "Thirty years after the debut of their Love and Rockets series, the Hernandez Brothers continue to impress readers with their incredible Love and Rockets: New Stories #4.... More than ever, Jaime demonstrates a mastery of line and pacing, making for emotional realism that is rarely matched in the world of comics.... As for Gilbert, he presents readers with the captivating 'King Vampire,' a story which revolves around killer vampires.... The result is a gripping tale filled with plot twists, violence, and absolutely gorgeous art.... With Love and Rockets: New Stories #4, the Hernandez Brothers establish once more their immeasurable contribution to the world of comics. Instead of producing works that are stale and predictable, the duo is creating comics that are as imaginative and fresh as ever." – Jason Grimmer, 211 Bernard (Librairie Drawn & Quarterly)

The Armed Garden and Other Stories

Review: "David B. is one of the most important cartoonists in France. A member of L'Association, his most important work is Epileptic... But I will confess that I like the stories in The Armed Garden more. These are stories about heretics. Heresy is a subject of particular interest for certain storytellers -- for example, Jorge Luis Borges.... These bizarre fable-like tales may seem far from us, but they show want can happen when societies are stressed." – Robert Boyd, The Great God Pan Is Dead

The Man Who Grew His Beard

Review: "The stories [in The Man Who Grew His Beard] are funny, ironic and absurd. In that, he reminds me of his fellow Belgian cartoonists, Kamagurka and Herr Seele. But he also reminds one of the avant garde Belgian cartoonists of Freon (later Fremok). These are more 'art comics,' where the visual aspect is paramount. This is not to say the narratives are unimportant, mere hangers onto which to hang the art. They are amusing, weird and compelling -- the visual aspect makes them all the more so." – Robert Boyd, The Great God Pan Is Dead

Today Is the Last Day of the Rest of Your Life

Review: "Told with great confidence and uncomfortable frankness across a sprawling 450 pages, [Today Is the Last Day of the Rest of Your Life] is a coming-of-age narrative that inevitably places itself in the tradition of German travel literature, perhaps unwittingly joining the company of such august figures as Goethe and Hesse.... Despite its trauma, the journey ends up being one of liberation. Though its description of the risks inherent to the only semi-aware need for independence characteristic of youth is sobering, the book is never judgmental. There is a distinct undertone of empowerment to this story of one woman’s instinctive search for enlightenment. It is a grand tour." – Matthias Wivel, The Metabunker (Look for our edition of this book in Summer/Fall 2012.)

The Comics Journal #301

Interview: On the day Gary Groth was to have interviewed Robert Crumb on stage at his canceled appearance at the GRAPHIC Festival in Sydney, Gary called Crumb up for a nice long phone chat instead, now transcribed and posted at The Comics Journal, posing questions asked by the Hernandez Bros., Tony Millionaire, Trina Robbins and more in addition to his own

Confessions, Romances, Secrets, and Temptations

Commentary: "Long gone publisher St. John's line of romance comics has a chronicler in the person of John Benson. He edited [Romance Without Tears] from Fantagraphics in 2003. He argues that this line was superior to just about everybody else's line of romance comics and he is good at peopling his argument, particularly in a second book [Confessions, Romances, Secrets and Temptations] he put together in 2007." – Eddie Campbell

 Everything Is an Afterthought: The Life and Writings of Paul Nelson

Plug: "Two — count ’em — two books fold into one in Everything Is an Afterthought. First, we get a heartbreaking biography of the late, great rock critic Paul Nelson. Then, to prove the greatness part, the author of the first section (Kevin Avery) compiles Nelson’s most incisive hits." – Jim Farber, New York Daily News

Mark Twain's Autobiography 1910-2010

Plug: On Librairie Drawn & Quarterly's 211 Bernard blog, Jason Grimmer runs down some highlights from Mark Twain's Autobiography 1910-2010 by Michael Kupperman, saying "Come on, that's a helluva CV know matter how you slice it. The least you could do is read about it."

Daily OCD: 8/19/11
Written by Mike Baehr | Filed under Will ElderWalt KellyreviewsMaurice TillieuxJohnny RyanJohn BensonFlannery OConnorDaily OCD 19 Aug 2011 6:54 PM

Today's Online Commentary & Diversions:

Prison Pit Book 3

Review: "I find myself wondering how long Prison Pit can continue. I don’t really know what’s going on beyond a series of beautiful, awesome things, but that’s reason enough for me to continue loving it." – Nick Gazin, Vice

Gil Jordan, Private Detective: Murder by High Tide

Review: "Move over Tintin, Gil Jordan is here to rock! This book is a nice surprise. There’s mystery. There’s a ton of action. There’s really hip looking artwork. Put those three things together and what else do you need from a title? Gil Jordan: Murder By High Tide collects two tales of the classic comic by Tillieux... and doesn’t disappoint in any way, shape, or form.... Both stories are solid detective tales. Each one engaging and a pleasure no matter what age you are. Even more impressive is the art.... Gil Jordan feels like real Europe, where not everything is pretty.... A highly recommended pick up, out on stands now." – Drew McCabe, ComicAttack.net

Plugs: Martha Cornog of Library Journal spotlights some of our upcoming releases in the latest "Graphic Novels Prepub Alert":

Pogo - Vol. 1 of the Complete Syndicated Comic Strips: Through the Wild Blue Wonder

Pogo: The Complete Daily & Sunday Comic Strips Vol. 1: Through the Wild Blue Wonder by Walt Kelly: "'We have met the enemy and he is us.' Pogo Possum's lament from the 1971 Earth Day strip could be Kelly's most enduring and, unfortunately, accurate legacy. Various Pogo collections have appeared in the past, but the entire daily, plus Sunday run, has never been systematically collected as Fantagraphics is doing in 12 volumes."

Flannery O'Connor: The Cartoons

Flannery O'Connor: The Cartoons: "O'Connor was past mistress of disturbing Southern fiction, the grotesques and violence of flawed lives. But — not making this up — this icon of American literature wanted to be a cartoonist while growing up and drew throughout high school and college. Learning narrative techniques and caricature in the process, she worked in both pen-and-ink and linoleum cuts, lampooning student life and current events issues of the early 1940s. Developing as a visual precursor to her prose, her art suggests a nastily amusing cross between James Thurber and Marjane Satrapi."

The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics

The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics, ed. by John Benson: "No, these aren't parodies published in Mad magazine. They're parodies inspired by MAD, published in copycat wannabes like Crazy, Whack, Unsane, and Bughouse whose backers were looking to tap into MAD's popularity. Needless to say, the work is not of MAD caliber, but sometimes it's just as funny parodies of films, TV shows, comic strips, novels, plays, ads, classics, and historical vignettes. Look for dense panels crammed with background gags and some familiar artists — like Will Elder, who drew for MAD, too."

Now in stock: Four Color Fear (2nd Printing)
Written by Mike Baehr | Filed under new releasesJohn BensonGreg SadowskiFour Color Fear 6 Apr 2011 5:59 AM

Just arrived in our warehouse and ready to ship:

Four Color Fear: Forgotten Horror Comics of the 1950s (2nd Printing)

Four Color Fear: Forgotten Horror Comics of the 1950s (2nd Printing)
by various artists; edited by John Benson and Greg Sadowski

320-page full-color 7.5" x 10.5" softcover • $29.99
ISBN: 978-1-60699-343-9

Previews & Ordering Info

After the first printing, released in Fall 2010, sold out in a matter of months, we went back to press with a brand-new cover design for the 2nd printing!

Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951-54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust and affordable volume.

EC is the comic book company most fans associate with horror; its complete line has been reprinted numerous times, and deservedly so. But to the average reader there remain unseen quite a batch of genuinely disturbing, compulsive, imaginative, at times even touching, horror stories presented from a variety of visions and perspectives, many of which at their best can stand toe to toe with EC.

All of the better horror companies are represented: Ace, Ajax-Farrell, American Comics Group, Avon, Comic Media, Fawcett, Fiction House, Gilmor, Harvey, Quality, Standard, St. John, Story, Superior, Trojan, Youthful and Ziff-Davis. Artist perennials Jack Cole, Reed Crandall, George Evans, Frank Frazetta, Jack Katz, Al Williamson, Basil Wolverton, and Wallace Wood contribute both stories and covers, with many of the 32 full-sized covers created by specialists Bernard Baily, L.B. Cole, William Eckgren, and Matt Fox. (See below for a link to the full Table of Contents.)

Editors John Benson and Greg Sadowski have sifted through hundreds of rare books to cherry-pick the most compelling scripts and art, and they provide extensive background notes on the artists, writers, and companies involved in their creation. Digital restoration has been performed with subtlety and restraint, mainly to correct registration and printing errors, with every effort made to retain the flavor of the original comics, and to provide the reader the experience of finding in the attic a bound volume of the finest non-EC horror covers and stories of the pre-code era.


Now in stock: Four Color Fear: Forgotten Horror Comics of the 1950s
Written by Mike Baehr | Filed under new releasesJohn BensonFour Color Fear 20 Sep 2010 6:23 AM

Just arrived in our warehouse and ready to ship:

Four Color Fear: Forgotten Horror Comics of the 1950s

Four Color Fear: Forgotten Horror Comics of the 1950s
by various artists; edited by John Benson and Greg Sadowski

320-page full-color 7.5" x 10.5" softcover • $29.99
ISBN: 978-1-60699-343-9

Orderin Info & Previews

Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951-54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust and affordable volume.

EC is the comic book company most fans associate with horror; its complete line has been reprinted numerous times, and deservedly so. But to the average reader there remain unseen quite a batch of genuinely disturbing, compulsive, imaginative, at times even touching, horror stories presented from a variety of visions and perspectives, many of which at their best can stand toe to toe with EC.

All of the better horror companies are represented: Ace, Ajax-Farrell, American Comics Group, Avon, Comic Media, Fawcett, Fiction House, Gilmor, Harvey, Quality, Standard, St. John, Story, Superior, Trojan, Youthful and Ziff-Davis. Artist perennials Jack Cole, Reed Crandall, George Evans, Frank Frazetta, Jack Katz, Al Williamson, Basil Wolverton, and Wallace Wood contribute both stories and covers, with many of the 32 full-sized covers created by specialists Bernard Baily, L.B. Cole, William Eckgren, and Matt Fox. (See below for a link to the full Table of Contents.)

Editors John Benson and Greg Sadowski have sifted through hundreds of rare books to cherry-pick the most compelling scripts and art, and they provide extensive background notes on the artists, writers, and companies involved in their creation. Digital restoration has been performed with subtlety and restraint, mainly to correct registration and printing errors, with every effort made to retain the flavor of the original comics, and to provide the reader the experience of finding in the attic a bound volume of the finest non-EC horror covers and stories of the pre-code era.

Click here to read the Introduction by John Benson and see the full Table of Contents with story titles and artist credits.

Four Color Fear: Forgotten Horror Comics of the 1950s - Previews, Pre-Order
Written by Mike Baehr | Filed under videopreviewsnew releasesJohn BensonFour Color Fear 27 Aug 2010 7:24 AM

Four Color Fear: Forgotten Horror Comics of the 1950s

Four Color Fear: Forgotten Horror Comics of the 1950s
by various artists; edited by John Benson and Greg Sadowski

320-page full-color 7.5" x 10.5" softcover • $29.99
ISBN: 978-1-60699-343-9

Ships in: September 2010 (subject to change) — Pre-Order Now

Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951-54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust and affordable volume.

EC is the comic book company most fans associate with horror; its complete line has been reprinted numerous times, and deservedly so. But to the average reader there remain unseen quite a batch of genuinely disturbing, compulsive, imaginative, at times even touching, horror stories presented from a variety of visions and perspectives, many of which at their best can stand toe to toe with EC.

All of the better horror companies are represented: Ace, Ajax-Farrell, American Comics Group, Avon, Comic Media, Fawcett, Fiction House, Gilmor, Harvey, Quality, Standard, St. John, Story, Superior, Trojan, Youthful and Ziff-Davis. Artist perennials Jack Cole, Reed Crandall, George Evans, Frank Frazetta, Jack Katz, Al Williamson, Basil Wolverton, and Wallace Wood contribute both stories and covers, with many of the 32 full-sized covers created by specialists Bernard Baily, L.B. Cole, William Eckgren, and Matt Fox. (See below for a link to the full Table of Contents.)

Editors John Benson and Greg Sadowski have sifted through hundreds of rare books to cherry-pick the most compelling scripts and art, and they provide extensive background notes on the artists, writers, and companies involved in their creation. Digital restoration has been performed with subtlety and restraint, mainly to correct registration and printing errors, with every effort made to retain the flavor of the original comics, and to provide the reader the experience of finding in the attic a bound volume of the finest non-EC horror covers and stories of the pre-code era.

Download an EXCLUSIVE 26-page PDF excerpt (19.4 MB) featuring four complete stories: "The Corpse that Came to Dinner" by Reed Crandall & Mike Peppe; "The Maze Master" by Lou Cameron; "Swamp Monster" by Basil Wolverton; and "Discovery" by Manny Stallman & John Guinta. Also, click here to read the Introduction by John Benson and see the full Table of Contents with story titles and artist credits.

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