• Review: "Kelso’s work radiates a warmth, poetry, sympathy, and simultaneously earthy and otherworldly essence that few comics creators have brought to the table with such quiet confidence and grace. The closest comic in recent memory to match Artichoke Tales, both in breadth and depth, is Jeff Smith’s Bone. [Grade] A" – The A.V. Club
• Review: "...Fantagraphics’ hardcover edition of The Book of Mr. Naturalfeels like the perfect introduction to R. Crumb’s most enduring creation—and to the sexual peccadilloes that occasionally get both character and creator in hot water. ... It’s fascinating stuff, and should be mandatory reading for anyone who squirmed through Terry Zwigoff’s excellent Crumb documentary—or for anyone looking to get their danders up at Crumb’s allegedly misogynistic tendencies. [Grade] A-" – The A.V. Club
• Review: "[Editor Eric] Reynolds has done an amazing job of balancing serials with a variety of single-page strips and one-shots. Expanding Mome to include translations from international cartooning stars, short works from established cartoonists and left-field contributions from illustrators not known in the comics world have kept things interesting on an issue-to-issue basis. The eccentricity of Reynolds’ taste as an editor has been another major factor in preventing Mome from getting into a rut. ...[T]his issue of Mome is a fine overall read, and the first half is especially spectacular." – Rob Clough, The Comics Journal
• Review: "Percy Gloom is a moving, engaging, enlightening book. It’s exactly the sort of comic readers should be demanding – thoughtful and intelligent, a beautifully drawn narrative that unfolds its layers over the course of multiple readings. Cathy Malkasian’s produced two winning graphic novels, and she’s clearly a talent that deserves a far wider readership." – Michael C. Lorah, Newsarama
• Profile: For The New York Times, Reyhan Harmanci reports on how Mark Bodé is carrying on his late father Vaughn's legacy: "Vaughn Bodé created a world in his comics that Mark has fleshed out, making oil and spray paint paintings from his father’s cartoon panels and unfinished sketches. The younger Mr. Bodé perfected his father’s signature pieces: the ever-slouching Cheech Wizard, the science-fiction-inflected planet full of lizards, the cartoonishly lewd 'Bodé broads.' As Mark Bodé, 47, who is based in Daly City said, 'I am mortal and he is immortal, and the two of us work well together.'"
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